Ruth Deller - Page 3

Kieran Knowles' powerful and energetic play takes us to the heart of World War 2 - and the heart of Sheffield - through the eyes of four young steelworkers.

The award-winning new play from Charlene James is a vibrant and engaging piece that shines a light on the horrors of FGM as experienced through the eyes of two teenagers.

Sheffield People's Theatre present a fantastical fun take on Shakespeare... set in a hospital!

Mike Bartlett's taught and darkly-black workplace satire is an assured directorial debut for Lisa Blair, with two commanding lead performances.

Clare Burt shines as an ordinary woman with a big dream in Daniel Evans' goodbye to Sheffield Theatres.

The touring production of Rona Munro's Scottish historical trilogy is an epic achievement.

Finally - a play about snooker at The Crucible! Richard Bean's new comedy is a fun night out celebrating the theatre and the game.

David Walliams' bestseller is a child-pleasing tale of how the elderly can surprise us.

Sheffield Theatres' associate director Charlotte Gwinner returns to directing duties at the Crucible with Waiting For Godot. This version of Samuel Beckett's classic features a stark, yet somewhat beautiful set from designer Simon Daw that sits on the boundary between art and nature; life-and-death; beauty and terror-a visual metaphor for many of the themes of the play.

The Sheffield Theatres/Eclipse Theatres production shows that Lorraine Hansberry's classic play is as fresh today as when it was first written.

Daniel Evan's final Christmas musical at the Crucible is full of heart and life/

There isn't a bad performance in the Orange Tree Theatre/Sheffield Theatres production of Deborah Bruce's The Distance, currently playing at the Crucible Studio.

Slung Low and Sheffield Theatres collaborate on this open-air extravaganza updating Arthurian Legends for today.

The Christie classic continues its extensive national tour

Lucy Prebble's 2012 play makes its regional debut in a must-see Sheffield Theatres production.

Sheffield Theatres' take on the Austen classic is well-staged and very funny, but perhaps lacks a slight sparkle of romance.

A haunting and wonderfully realised production of Fania Fenelon's memoir about her experience as a musician in Nazi concentration camps.

Two of Sarah Kane's short plays make a big impact in Sheffield's season.

The Sheffield Theatres' Sarah Kane season gets off to a dynamic start with this 20th anniversary production of Blasted.