Roger Catlin - Page 10

Sarah Ruhl is one of the most produced contemporary playwrights today, with provocative works like 'Dead Man's Cell Phone' and 'In the Room: The Vibrator Play.' Less often produced is one of her earliest plays, the 2002 'Melancholy Play: A Contemporary Farce,' especially since she reworked it in recent years as a chamber musical.

The admirable goal of the All About the Drama theater group is to reproduce classics of African-American theater. Its second production currently at the Anacostia Playhouse is from Douglas Turner Ward, co-founder of the Negro Ensemble Company.

'Seinfeld' might have been a TV show about nothing, but shows by the Upright Citizens Brigade at Woolly Mammoth literally begin with nothing.

Ally Theatre's '#poolparty' is a prime example of discovering a little known chapter of local history, fashioning it into art and creating a more universal statement.

'Holocaust Opera' is probably not the most inviting description for the season ending offering for the In Series.

Talk about 'Freaky Friday.' Brett Abelman's new play 'Switch,' at Fringe Logan Arts Space, is more like 'Freaky Pride Weekend.' A straight D.C. couple matched up by their mutual genderqueer friend find themselves in the afterglow of intimacy having switched bodies and hence gender. The balance of the play is exploring the abrupt switch amid Pride Weekend and trying to figure out how or whether they should try to switch back.

It was 40 years ago this week that the Ballet Nacional de Cuba made its historic U.S. debut at the Kennedy Center. There, the remarkable Alicia Alonso was not only artistic director but star performer, who became a ballet force at the American Ballet Theatre and elsewhere despite an eye condition she had since a teenager that caused partial blindness.

Spooky Action Theater is good about seeking out interesting works from unusual sources. Their latest is from Carole Frechette, an award-winning Canadian playwright whose work has only sporadically been produced in the states.

The kind of well-worn rock club set designer Matthew J. Keenan creates for the production of Laura Easton's 'The Undeniable Sound of Right Now' at the Keegan Theatre is so authentic, with its decades of rock posters, stickers and graffiti, you can almost smell the stale beer in the floorboards. The instincts not to visit the restroom rise to full force.

It was on a May evening 105 years ago when the premiere of Igor Stravinsky's ballet 'The Rite of Spring' caused booing, catcalls and near riots in Paris.

It seemed like a clever in-joke when the first lobby announcement at the Shakespeare Theatre Company began, 'We appreciate your patience...'

For being the centennial of Ingmar Bergman's birth, there seems to be very little evidence of the Swedish director's work around. It's hard to find even his best known films; his name is known to some generations only as a reference in the work of Woody Allen.

The four Mirabal sisters, who resisted the oppressive dictatorship of Gen. Rafael Trujillo in the Dominican Republic in the mid 20th century, became folk heroes decades after three of them were murdered by the regime nearly 70 years ago.

Curator Damian Woetzel chooses dancers and choreographers presenting excerpts of new pieces, works in progress, or in the case of the event in conjunction with the inaugural Direct Current series, a world premiere.

The Kennedy Center kicked off its multidisciplinary contemporary cultural assault Tuesday with something thought to embody the approach, Taylor Macs 'A 24-Decade History of Popular Music (1776-2016).'

What if gospel music was taken out of church? What if its structure, soul and power were applied to some other ancient stories, such as, for example, Sophocles, where actors talk about gods plural?

There is something to be said about being present in historical plays. But when the characters in the Theater Alliance's powerful production 'The Raid,' begins with the characters sitting alongside the audience in the seats that ring the performance space and announce their impending demise, we realize we are in for a more visceral experience than history books often provide.

Of her dozens of books over a long career, just one title by the esteemed science fiction and fantasy writer Ursula K. Le Guin has been adapted a couple of times -- her 1971 'The Lathe of Heaven,' the futuristic story about the power of dreams.

It will take biographer Robert Caro five volumes to complete his portrait of Lyndon B. Johnson, so it's no surprise that there's a second LBJ play from Robert Schenkkan.