Robert Sokol is the editor-publisher of BAYSTAGES, the creative director at VIA MEDIA, serves on the executive committee of the American Theatre Critics Association (ATCA), is senior editor for BWW-San Francisco, and sometimes moonlights as a diva wrangler, cinefiler, and occasional saloon singer. He has been touching showbiz all his life. (So far no restraining orders have been issued!) His byline also appears in the San Francisco Examiner and other publications and websites.
LOVE NEVER DIES is an unnecessary sequel to the megahit PHANTOM that wisely skips Broadway and hits the national tour road for ALW fans. The ladies of this evening rule even though the guys are (supposed to be) in charge of the action in this passable evening of musical theatre.
At 67, this King is timely and timeless in a lush tour based on the Tony-winning Lincoln Center Theater revival directed by Bartlett Sher. As on Broadway, Lady Thiang steals the show.
Delicious dancing, gorgeous design, and great Gershwin songs are a joy but can't mask the musical theatre shortcomings of another film-to-stage transfer in AN AMERICAN IN PARIS.
Actor Riley Costello makes the directing leap with a regional production of The Hunchback of Notre Dame and reveals his favorite character. It's not who you might guess!
There's not a lot to be written about The Book of Mormon that's new but the tour currently in San Jose is definitely worth another joyful, irreverent look.
While not particularly illuminating on the life of the singer, A NIGHT WITH JANIS JOPLIN (now extended to July 9) delivers powerful vocal performances from Kacee Clanton and a strong supporting cast including Sharon Brown.
Deborah Cox and company make THE BODYGUARD easy to consume pop nostalgia in a slick production that makes few demands and delivers on the expected soundtrack highlights.