Rob Levy

Raunchy, camp, silly, and idiotic, this quest for the Holy Grail could not be more hilarious. Pairing a talented cast with earworm-worthy ditties like I Am Not Dead Yet and Always Look on the Bright Side of Life, makes Monty Python’s Spamalot fantastic fun!

This lively production, directed by Lizi Watt, features a talented ensemble, catchy music, and sublime whimsy. Written by Jura Soyfer and adapted by artistic director Philip Boehm, The End of the World Cabaret pulls no punches in commenting on the dangers of ignoring authoritarianism.

Filled with moments of solidarity and sleaze, 9 to 5 is dazzling. There’s something for everyone here, (even an unexpected cameo to bring the house down) in a well-paced battle of the sexes that rages, sings, dances and laughs from the moment you clock in to the moment you clock out.

This jukebox musical, directed by Augustin Family Artistic Director Kate Bergstrom, offers a condensed biography of Cash’s life, told through his music. From his early childhood in Arkansas to his rise to fame at Sun Records, addiction battles, and his advocacy, there’s a lot to cram into two hours.

This ridiculously hilarious romp is gloriously wacky. Audiences should set aside any expectations and just go along for the ride. Giddy and wonderful, Promenade succeeds thanks to a stellar cast that relishes the ludicousness of it all. Happily devouring scenery as they goof off, they deliver an  infectious burst of musical theater.

Blending the theater of the mind, math, logic, and visual trickery, The Enigmatist is a mind-blowing and engaging evening of entertainment that causes head shakes, screams of disbelief, and moments of euphoric amazement.

Filled with gamesmanship, deception, death, and creative differences, Stray Dog Theatre’s Deathtrap is sleuthing at its finest. Well-acted and draped in the unexpected, the production’s apprehensive atmosphere and inventive plot contortions cause audiences to gasp as the drama reaches a bloody crescendo.

An example of how grief shapes identity played out onstage, The Rep’s latest is a compelling, powerful example of how theater can confront uncomfortable topics with tenderness, compassion, and humor.

Filled with garlands and good times, the production’s loose adherence to traditional theater makes it refreshing. Whether a wallflower taking it all in or someone choosing to interact with the proceedings, everyone attending this party is treated to a fun romp filled with love, community, laughter, and exuberance.

More of a drama with sung interludes than a full-blown musical, The Outsiders is an outstanding production. Relying on a minimalist stage, dark lighting, and choreography, the ensemble is given a wide berth to perform.

Aided by a top-notch band, Justin Been’s potent drama uses moving songs and poignant drama to make Superhero is a thrill-packed adventure.

At a time when the weather is colder, and winter is tuning up, The Repertory Theatre of St. Louis’ production of Emma keeps us warm. The latest show of the company's 59th season is a vibrant feast of laughter and love.

Now touring North America, this updated version of the beloved musical has been crafted by producer Cameron MacIntosh. For this production he replaced the rotating stage of the original production with background projections and implemented dialogue, orchestration and costumes changes. The results are stunning!

Visually beautiful and emotionally charged, The Notebook brings love and loss to the stage with poignant results.

Emotionally powerful and gripping, The Brothers Size is powerful, evocative, and passionate. Relying on a trio of talented performances, this riveting production is a relentless depiction of how life behind bars can make you a prisoner for life.

The atmosphere is scary, the drama is intense, and the unexplained abounds in this well-acted production that relies on atmospherics, lighting, and effects to thrill and chill its audiences. The Woman In Black is an unnerving delight.

There are no musical numbers in the Fox Theatre’s 2025-2026 season opener. But that’s okay. Instead of a full-blown musical spectacle the company has opted for a moving production of The Life of Pi.

Tense, terse, and at times testy, The Minutes is almost two plays in one. While the first half gives off the vibe of a comedic tale of small-town bureaucracy, the second half is a darker and more cynical examination of the erosion of power structures.

Roaring laughter meets the roaring twenties in The Repertory Theatre of St. Louis’ The Cottage. A dramedy in the classic sense, the company’s 59th season starter offers an endless barrage of scandalous dalliances, clever double entendres, and mistaken identities.