Rob Levy

The Roommate marks a welcome return for the company’s Steve Woolf Studio Series. Presented in an intimate setting without intermission, the play centers on the complex dynamics between Sharon, a divorced woman who mostly putters around smalltown Iowa eking out a menial existence, and Robyn her carefree new roommate who has arrived from the Bronx to get away for a while.ink of THE ROOMMATE at Emerson Studio In The Loretto-Hilton Center?

Filled with visual and verbal nods to the writer’s life and work, Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe combines the biographical with the allegorical, allowing audiences to experience the angst of Edgar’s life in rich detail.

Playing on themes of injustice, betrayal, class status and greed, this gripping production of Dial M for Murder is a feast for cozy mystery lovers and amateur sleuths alike.

iAmerican Idiot is a brazen rock opera in the vein of The Who’s Tommy. The music is urgent, incendiary and, at times, regretful and poignant. Green Day’s punk rock ethos evokes reflection on the role of societal pressures and personal introspection.

Ruthless! is a snarling commentary on the trappings of fame. Loaded with laughs, over-the-top characters and plenty of high drama, it is a quirky and quick on its feet musical loaded with gleeful shenanigans.

Hilariously funny, this well acted the production features black humor, searing one-liners and plenty of emotion.

Finishing the company’s 32nd season, this alluring redux of Bram Stoker’s literary classic emerges from the shadows to give audiences an emotionally charged musical with plenty of chilling moments.

Based on the 1980 film starring Olivia Newton-John and, before that, the Rita Hayworth film, Down To Earth, this lively adaptation never takes itself too seriously. From start to finish the ensemble prances, preens, and mugs it up, giving audiences a sugary sweet over the top show filled with kinetic dancing, wonderful singing and plenty of toe tapping melodies.

The Rep’s August Osage County is a rough and tumble roller-coaster ride of anxiety, anger, and alienation that reflects on familial dysfunction with hostility and viciousness.

Company is a fun romp about looking for love in all the wrong places. Filled with great performances and delightful musical numbers, it is a relentless roller coaster ride of emotions whose themes of romance, sex, marriage, and divorce remain just a s relevant today as whenit debuted in 1970. our critic think of COMPANY at Fox Theatre, St. Louis?

The Rep’s Moby Dick isn’t just a cleverly staged reinvention of a stodgy classic, it’s an emotionally driven theatrical voyage that challenges, engrosses and captivates audiences. This is breathtaking and jaw dropping theater.

Well-acted, suspenseful, and filled with vibrant costumes, The Mousetrap once again proves that it’s hard to beat a classic.id our critic think of THE MOUSETRAP at Tower Groves Abbey?

The laughs keep coming with Funny Girl at the Fabulous Fox! Originally staged with Barbra Streisand in 1964 and revived to great acclaim on Broadway in 2022, this playful romp about the life of comedian, actress, model, singer, and radio star Fanny Brice, is highlighted by great performances and spry musical numbers.

Based on the popular 1993 Robin Williams film, the musical version of Mrs. Doubtfire, currently on stage at the Fox Theatre, is a dance driven comedy that has its peaks and valleys. Loaded with plenty of dude in a dress giggles and gimmicks, the production is the perfect showcase for the talents of two-time Tony® nominee Rob McClure.

For It's a Wonderful Life: A Live Radio Play, The Repertory Theatre of St. Louis is pulling out all the bells and whistles. Aimed specifically for a local audience, It's it blends nostalgia with an excellent ensemble whose whirling dervish antics onstage create plenty of holiday spirit.

Using the Tim Burton film as a foundation, Beetlejuice is a rollicking good time. Filled with stellar performances, amazing songs (particularly in Act 2), dazzling sets, and a score that raises the dead, it is equal parts black comedy musical theater and offbeat grief therapy. 

Filled with great performances and dynamic choreography from Mike Hodges’ choreography, Saturday Night Fever is a footloose and fancy-free excursion into disco’s golden age. Plus, the dance floor lights up! How cool is that?

intense and gripping, Twisted Melodies is a transformative piece of jukebox theater. Riveting and powerful, this tightly-paced production sheds new light on an artist whose voice, lyrics, and music remain influential.

Compelling from start to finish, the production infuses the company with a vibrancy that oftentimes was lacking in previous seasons. The result is the first must-see production of the fall theater season.