Review: MARNIE KLAR SINGS CARLY SIMON Finds The Right Tone at Don't Tell MamaOctober 11, 2023It is a brave artist indeed who tries to capture the complex nature of the career of Carly Simon. That is the task that Marnie Klar sets for herself in her show MARNIE KLAR SINGS CARLY SIMON, which had an encore performance Monday evening at Don’t Tell Mama. It is clear that Ms. Klar has great respect for Carly Simon and possesses a great deal of knowledge about how her songs came to be. Like Simon, she is quite a beauty and has a great dexterity with language. She also shares with Simon a wide emotional range.
Review: Mauricio Martinez Turns Auditioning into Art In 5'11', BASED IN NYC at 54 BelowOctober 9, 2023Martinez (On Your Feet) presents an eclectic evening of Broadway classics and modern fare presented as a series of self-tapes. Mauricio Martinez is a performer of great range. His work has been seen on Broadway, in London, in Mexico City, and even in his early career, in telenovelas. He is one of the great crooners with a talent for smart phrasing. Everything he does is infused with passion. He is equally adept at heartfelt ballads and sly comedic numbers. In another era, he would have felt right at home among the Rat Pack.
Review: The Best Birthday Party of the Year is COME CELEBRATE WITH MARILYN MAYE at 54 BelowApril 9, 2023COME CELEBRATE WITH MARILYN MAYE, is ostensibly a celebration of her upcoming birthday. But it is so much more than that. It is a celebration of all the fans who have made Maye as loved and respected as she is. It is a two-way avenue of gratitude between an entertainer and those she entertains. It’s hard to say which is more delightful, the songs themselves, which are beautifully sung and acted, or the banter that feels as unscripted as a cocktail party. And Marilyn Maye is the most charming host of her own fête. Two weeks ago she performed with 80 musicians at a sold-out concert at Carnegie Hall. But is this Marilyn, with only herself and her trio, that I prefer. An intimate evening of great songs and good-spirited bonhomie.
Review: JENNIFER SIMARD: CAN I GET YOUR NUMBER? is a Comic Treasure Trove at 54 BelowApril 1, 2023From the moment she appeared in the audience singing “One Night Only from Dreamgirls, sliding down a banister like a wacky Mame, you knew you were in for a comedic master class. She is an excellent mimic, a powerhouse singer, and in the end a sensitive and truthful actor. She is living proof of Elaine Stritch’s maxim, “To play comedy you have to be real.” Jennifer Simard is absolutely the real deal.
Review: TCU SENIOR AND ALUMNI SHOWCASE Fills Me With Hometown Pride at 54BelowMarch 27, 2023Last week, it was with great joy that I went to 54 Below to see the TCU Department of Theatre Senior and Alumni Showcase. As about half of the performers were graduating seniors, it isn't really fair to review the evening, but there was so much talent on the stage it is an event that should be noted. These are performers we will definitely be seeing in New York again, and soon.
Review: SUSAN MACK Delivers an Introspective Evening in YESTERDAYS at BirdlandNovember 15, 2022We all love to reminisce. A trip down memory lane is highly satisfying. In fact, for those of us who are devotees of The American Songbook, reminiscing is sort of our gig. Susan Mack has made it the theme of her evening, SUSAN MACK: YESTERDAYS, which opened yesterday at Birdland. And Ms. Mack is, indeed a singer worth remembering. She has a voice as full-bodied as honey, with impeccable pitch and delicious taste in music. She put together a program of classy, often rueful tunes about days gone by, both hers and ours. As she points out, the beauty of calling a show YESTERDAYS is that you can sing anything written before today.
Review: JOHN PIZZARELLI & JESSICA MOLASKEY: EAST SIDE AFTER DARK Lights Up the Night at Café CarlyleNovember 10, 2022There is one place on the modern East Side where that world of NY cognoscenti is as alive and vibrant as it ever was. Café Carlyle is the perfect setting for John Pizzarelli and Jessica Molaskey’s show EAST SIDE AFTER DARK. They serve up tune after tune from that 50s and 60s scene where life didn’t begin until after sunset and jazz was the currency of the smart set. Pizzarelli, son of jazz great Bucky Pizzarelli, is a world-class guitarist who has worked with a long list of luminaries including Rosemary Clooney, James Taylor, and Paul McCartney. He has recorded 20 solo albums and has appeared on at least twice that number for other artists. Jessica Molaskey, a Broadway baby if ever there was one, has appeared in a dozen or more hit shows including Sunday in the Park With George, Cats, Crazy For You, Chess, Oklahoma!, City of Angels, Parade, A Man of No Importance, and Songs For a New World to name only a few.
ALBUM REVIEW: Roberta Donnay BLOSSOM-ING! is a Delightful Way to Spend a Rainy AfternoonOctober 29, 2022Roberta Donnay has turned her attention to the legacy of Blossom Dearie for her 10th studio album BLOSSOM-ING!, subtitled 'Celebrating the Music of Blossom Dearie.' And it is a celebration indeed. Throughout her 3 decade career, Donnay has explored the many sounds and genres of the 20th century. She is a stylistic shape-shifter who is equally at home in rock, folk, and jazz. For this album, she accentuates the wispy quality of her instrument to match the ethereal nature of Dearie. She has captured Blossom Dearie's gift for playful storytelling and interplay between vocalist and instrumentalist. Her album is a joy to listen to from start to finish.
Review: DORIAN WOODRUFF Goes Straight for the Heart in THE LYRICS OF ALAN AND MARILYN BERGMAN at PangeaOctober 22, 2022Dorian Woodruff is exactly the sort of crooner the Bergmans wrote for. His voice is warm and dextrous, his diction is perfect without being ostentatious and he displays a wide emotional range. He found the rich subtext of the Bergman’s romantic themes and made it about his own heart. He concentrated on three of the great loves of his life and how the Bergman’s songs accompanied those romances.