R. Scott Reedy

Under Larry Sousa’s wonderfully imaginative direction and with his choreography, a 16-person company of some of Boston’s brightest, most versatile performers is bringing the Canadian musical, with music and lyrics by Lisa Lambert and Gregg Morrison and book by Bob Martin and Don McKellar, to dazzling life with delightfully silly production numbers aplenty and a well-served soupçon of heart-tugging emotion.

While a student at Thayer Academy in Braintree, actor, singer, and director John Ambrosino saw his earliest Broadway shows – from “Sunset Boulevard” to “Victor/Victoria” and, in his senior year, “Titanic” with Brian D’Arcy James, brother of the school’s then Head of Drama, Anne James.

Bittersweet serendipity will be in the air when actor Gordon Clapp takes the stage in the Boston premiere of “Robert Frost: This Verse Business,” being presented April 23–28 by Spring Pool Arts at the Calderwood Pavilion, Boston Center for the Arts.

Tony Award winner Maryann Plunkett has played a wide range of roles in her Broadway career. The Lowell native’s latest, an elderly woman dealing with dementia, in “The Notebook: The Musical,” may be her most personal, however, as she recalls her own mother’s struggle with debilitating memory loss to bring her current character to life.

More than 50 years after its original Broadway production, which had a Boston tryout at the Shubert Theatre, the Stephen Sondheim musical Company, with book by George Furth, had its third revival in 2021, in a sprightly, cleverly reimagined, gender-swapped production that won five Tony Awards including Best Revival of a Musical.

What did our critic think of ANTHONY RAPP'S WITHOUT YOU at Calderwood Pavilion At Boston Center For The Arts?

In the past few years, Patti LuPone has resigned from Actor’s Equity Association and suspended her legendary Broadway career, but as she proved with her Celebrity Series of Boston performance at Symphony Hall on April 2, the three-time Tony Award winner can still command a concert stage.

What did our critic think of ALAN CUMMING IS NOT ACTING HIS AGE at Sanders Theatre? In his eponymous show Alan Cumming Is Not Acting His Age, the performer definitely lives up to the title.

Award-winning composer, arranger, conductor, musical director, music copyist, and orchestrator Alex Lacamoire has collaborated with some of the biggest names in musical theater.

What did our critic think of COST OF LIVING at Roberts Theatre, Calderwood Pavilion At Boston Center For The Arts?

Cher needs only one name to be immediately identified. When it comes to dramatizing her life for the stage, however, it’s not surprising that it takes three performers to play her in the Tony Award-winning musical “The Cher Show,” which comes to the Boch Center Wang Theatre March 15–17 on its North American tour.

When you’re considered to be one of the greatest songwriters ever, with a catalogue stretching back 60 years, it’s not surprising that you would want to put your music in proven hands when it’s time for Broadway.

What did our critic think of JOHN PROCTOR IS THE VILLAIN at The Huntington?

When Josh Strickland takes the stage in the current Franklin Performing Arts Company (FPAC) production of “Tarzan: The Broadway Musical,” he is in his familiar place in the center spotlight, playing the show’s title role which he originated on Broadway.

What did our critic think of THIRST at The Lyric Stage Company Of Boston?

By telephone recently from a Buddhist retreat in Dublin, Ireland, Ruhl spoke about “Eurydice” and more.

What did our critic think of GOLDA'S BALCONY at Shakespeare & Company? Golda Meir – Israel’s first, and so far only, female prime minister – was seen by some as the straight-talking grandmother of the Jewish people. In “Golda’s Balcony,” however, Tony Award-winning playwright William Gibson (1914–2008) makes clear that, even with her simple hairstyle, ever-present pocketbook and sensible shoes, Meir was anything but benign.

What did our critic think of BECOMING A MAN at Loeb Drama Center?

When it comes to concerts, Audra McDonald says she’s learned to choose a song list that really appeals to her. And she’s done just that for her current tour, which will bring her to Symphony Hall for her eighth appearance with the Celebrity Series of Boston, this time with an orchestra of local musicians, on February 27.

What did our critic think of THE ANONYMOUS LOVER at Boston Lyric Opera?