Peter Nason - Page 6

A top-notch cast brings Simon's words to life!

When I was visiting the Sistine Chapel several decades ago, an elderly American couple walked up to me and said, 'We don't understand any of this. Can you explain it to us?' So, I toured these two tourists, complete strangers, around Michelangelo's masterpiece, describing everything from the Creation of Man to the Drunkenness of Noah.

It has everything you want in a show: Laughter, tears, bizarre stories, memorable characters, and even a dog on the loose. Don't miss it!

Anita Kollinger is a standout in a powerful show that features some interesting and questionable interpretations from director Gabe Flores.

One of the finest community theatre shows I've ever seen.

In Swenson's almighty hands, every show is a different beast. Hilarious stuff.

Written and performed by Ms. Bean, it’s hilarious at times, appropriately heartbreaking at others.

If you are a theatre teacher, past or present, or a student who takes theatre in middle school or high school, then you need to hurry to the Tampa Fringe to watch this show.

It's a cabaret, with songs both bouncy and torchy, but it’s more than that.  It’s like a quirky collage, a found object performance piece. And there's nothing else quite like it.

Despite being severely edited, the play features a marvelous cast in what is perhaps the Bard's most beloved work.

It's one hell of a moving, thrilling, never-want-it-to-end evening of theatre!

A talented young cast, led by the incredible Lindsey Fabian, brings this SPELLING BEE to life!

It's like taking a roller coaster ride through QT's mind!

The acting is all over the place, hit and miss, in this production of an American classic.

Based on a notoriously deranged German children's book, it's a theatrical marvel...but will audiences get it?

BWW Reviewer Peter Nason chooses the 91 greatest Sondheim songs from stage, screen and beyond. See if your favorites made the cut! What's at #1?

I swear, my hand to God, that you’ve never seen anything quite like it.

An enjoyable show in less-than-ideal circumstances (thanks to the pandemic).

It's the fastest 85-minutes that you'll experience in the theater.

A love letter to Patsy Cline with goosebump-inducing vocals by Heather Krueger.