Peter Nason - Page 2

BIG FISH is perhaps the ultimate Father’s Day musical, which is why I found it so ironic that I saw the Arts in Motion production of it the day before Mother’s Day. 

This Pulitzer Prize winner is both fun and brutal, lengthy but never boring, heart-stopping and soul-stirring, and yet unblinking and sympathetic in its portrait of an American family in unruly disintegration.

A solid but imperfect production of what is perhaps the finest musical yet written.

It's a perfect fit for the American Stage in the Park experience!

This Pulitzer Prize winner is as uncompromising and beautiful as musical theatre can get.

HCT is a small theatre with a big heart, and their production spotlights the show's strengths and weaknesses.

What did our critic think of MAMMA MIA! at the Wesley Chapel Performing Arts Center?

A brilliant and thought-provoking production about the first Chinese woman to set foot on American soil.

It's a dream of a musical with nightmarish sound issues.

Terrifically terrifying and timely!

Quirky, irreverent, and so much fun, the show even offers audience members the chance to go onstage to be a part of the Bee.

My father’s mom died in 1955.  After my own mother passed away fifty-one years later, one of my sisters asked my father the following question: “How long did it take you to get over the loss of your mother?”  My father, now an old man, pondered the question, remembering his mother who had died a half century earlier, then answered quite succinctly but with a sad smile: “I’ll let you know.”

Led by two incredible performances and a visionary director, it's a production where everything goes right.

The young cast brings the iconic musical to life, with a lead performance that will not soon be forgotten.

A gutsy director leads a gutsy young cast in telling this classic true-life story.

The entire cast is stellar, but Evan Lomba is extraordinary as a Donkey like no other!

A large talented cast with so much energy brings this iconic musical to life!

What did our critic think of Paula Vogel's INDECENT at American Stage?

It's all over the place in style and tone, but the acting and Miller's wondrous words save the day.

See what all the buzz is about!