Paula Makar - Page 6

On Wednesday, March 22nd, I sat down to watch my first production of EVITA, ever, at the Century II Concert Hall. Grimly aware of my myriad prejudices, chief among them being the fact that I had listened to the original Broadway cast recording with Patti LuPone and Mandy Patinkin ad infinitum ad nauseum since its eagerly awaited release back in 1979. It was the second rock musical concept piece written by Webber and Rice, and was directed by Harold Prince, and garnered 11 Tony nominations. The show has lived in my head all these years, every minute choreographed and staged. Since I was a poor working actor back in Buffalo, NY, I knew I was never going to get to NYC to see this show unless some fairy godmother intervened. Which was sadly not the case. Since I was a working class girl in a working class town, cutting my musical theatre teeth in the Meatloaf era (late 70s, early 80s), I liked my musicals with a certain amount of grit and truth, and have bemoaned the sanitization of my favorites, including Grease. It was with these heavy expectations and much trepidation that I sat down to watch Evita.

Becoming the first college in the state of Kansas to get the rights to perform Mamma Mia!, Cowley College's Visual and Performing Arts Department will offer audiences four opportunities to catch the musical March 28-30 at the Robert Brown Theatre in Arkansas City, Kansas.

Wichita State University's School of Performing Arts presents the musical THE THEORY OF RELATIVITY Thursday through Saturday, March 21st-23rd at 7:30 pm and Sunday, March 24th at 2:00 pm in Wilner Auditorium.  

Now in its second year, The Wichita Fringe Festival is a one-day event that celebrates the work of local high school playwrights. Working with professional mentors from the Wichita theatre community, playwrights from schools throughout the city take their scripts through the process from stage to page, culminating in a performance of their works by area high school actors. This year, the festival is hosted by Wichita Center for Performing Arts (9112 E Central Ave.) on Saturday, March 2nd, with two shows on the mainstage, one beginning at 10 a.m., and the second at 1 p.m. A Q &A with the playwrights follows the first performance.

Wichita Center for Performing Arts will be presenting Hamlet as its first fully-staged production. The show will be held Feb. 21-24 at 9112 E. Central and features a student talk-back on the last day of the show.

This musical is the perfect choice for Wichita, as most of the action takes place on familiar territory, from West Texas to Missouri, from Arkansas to Kansas, at the height of the Great Depression. Bonnie Parker and Clyde Barrow went from two small-town nobodies to America's most renowned folk heroes and Texas law enforcement's worst nightmares.

I had the pleasure of seeing The Little Mermaid in the MTW 2011 Season, so I was really looking forward to seeing it again this season. I must say, it did not disappoint. With all the brilliant singing, colorful costumes and sets, and spritely choreography, The Little Mermaid is a perfect season finale!

Everything old is new again. This iteration of Pippin, masterfully directed and choreographed by Al Blackstone, has one foot in the original 1972 Bob Fosse version and the other foot in the 2013 Diane Paulus 'Cirque' Revival.

Mothers, grab your daughters and run to see this production of Freaky Friday before it closes. I never expected such a well-crafted, intimate piece of theater from the people at Disney, but I am so glad I had the opportunity to see this gem.

Musical comedy and summer go together - especially in a town like Wichita when the 'feels like' temperature is 101 with 70% humidity! It was absolutely blissful to slide into a comfy seat at the well air conditioned Century II Concert Hall to watch Music Theatre Wichita's season opener, Sister Act. Curtain is at 8pm, but I like to get there by 7:30pm to hear Wayne Bryan, MTW's Producing Artistic Director, share his dramaturgical insights on the production, and also to watch the Teen Choir perform a few musical numbers relevant to the current show.

I had the extreme pleasure of attending Alan Cumming's Legal Immigrant, A Scottish American Cabaret, at the Stiefel Theatre for the Performing Arts in Salina, KS, on May 11th, 2018. Mr. Cumming intimated this was only the second performance of the show, a two hour powerhouse performance, but if he had never told us, we wouldn't have known it. He was accompanied by a small combo - cellist Eleanor Norton, drummerguitarist Chris Jego, and pianist and musical director Lance Horne. Horne, by the way, is from Denver, where they opened their show May 9th. The following day they made their way to Salina, where Cumming gave a fun (and free with a purchased ticket) Q & A on Thursday, May 10th, at 7pm. Kudos to Michael Spicer and the Salina Community Theatre for arranging the event. Friends who attended remarked that Cumming was very gracious and had a wicked sense of humour. The afternoon off also gave cellist Norton time to shop at the local thrift shop, where she purchased a gorgeous full length and fully tailored gold smoking jacket, which she wore during the performance.