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Patrick Honoré - Page 2

Patrick Honoré

Patrick Honoré runs the magazine broadwayguy.com and has been a musical theater critic for 15 years, sarting as the French Musical Corespondant for the paper edition of Musical Stages in London, which led to his writing for Musical Theatre in Review, its digital follow-up.  He was the French corespondant for the German magazine Musicals, the last hold out for paper magazines devoted to musical theater.  And he has also written reviews on Broadway and London musicals for musicalavenue.fr in French.  He joined the Broadway World team 6 years ago.

Patrick Honoré is also a cabaret performer in Paris, London, and New York.  He has taught jazz and theater dance in his company Guys and Dolls, which he created in 1996.

Patrick fell in love with musical theater when he was 13 years old, and has since been visiting London monthly and New York biannually, which explains his encyclopedic knowledge of the genre and its history.  His tastes favor the Golden Age style of musical, and his favorite composers are Jerry Herman, Kander and Ebb, Cy Coleman, and Stephen Sondheim, whose songs he regularly performs in Parisian cafés.

 




LEARN MORE ABOUT Patrick Honoré

First Show:

Chicago

Favorite Show:

The Kiss of the Spider Woman



Review: AL CAPONE at Folies Bergère
Review: AL CAPONE at Folies Bergère
March 3, 2023

Just when the Broadway flop Bonnie and Clyde is about to come back to the West End for the 2nd time, trying to build a popular hit off a cult following, a new musical about another famous criminal, Al Capone, one of the most infamous personalities from America's prohibition era, arrives in Paris.

Review: COQUELICOT at Théatre de la Contrescarpe
Review: COQUELICOT at Théatre de la Contrescarpe
February 26, 2023

French actress, singer, and dancer, Prisca Demarez made fruitful use of her time in lockdown during the initial stages of Covid to create an autobiographical show, part standup routine and part solo concert, called Coquelicot (French for poppy flower), which debuted earlier this month at the Théatre de la Contrescarpe in the Latin Quarter of Paris.

Review: CHÂTELET MUSICAL CLUB at Châtelet
Review: CHÂTELET MUSICAL CLUB at Châtelet
February 24, 2023

For the 2nd year, the Châtelet Musical Club is growing, inviting artists from different countries and backgrounds to share their love and talent for musical theater in the intimate grand foyer of the Théâtre du Châtelet, which, under the helm of Jean-Luc Choplin, has for the past decade been the new temple of musical theater, introducing the French to the genius of Stephen Sondheim and Leonard Bernstein (among others) and serving as the home for the first ever tryout in Paris with An American in Paris in 2014.

Review: A TRIBUTE TO PASEK & PAUL at Péniche Le Marcounet
Review: A TRIBUTE TO PASEK & PAUL at Péniche Le Marcounet
February 2, 2023

AMT Live presents a tribute to the young Broadway composers Pasek and Paul as part of their ongoing Broadway Chez Nous series.

Review: GENE KELLY SUR LA 42ÈME RUE at Radio De La Musique
Review: GENE KELLY SUR LA 42ÈME RUE at Radio De La Musique
January 14, 2023

The fifth edition of '42ème rue fait son show !' celebrates one of Paris's favorite Americans.

Review: ISABELLE GEORGE at Bal Blomet and La Nouvelle Eve
Review: ISABELLE GEORGE at Bal Blomet and La Nouvelle Eve
January 12, 2023

Isabelle Georges' Broadway concert at the Bal Blomet and Oh là là ! at La Nouvelle Eve

Review: CABARET at Lido 2
Review: CABARET at Lido 2
January 9, 2023

A new production of the classic musical for a limited run in Paris. Don't miss in

Review: 42ND STREET at Châtelet
Review: 42ND STREET at Châtelet
December 27, 2022

After two postponements, the revival of the 2016 Châtelet production of 42nd Street is finally on till January 15th, with a brand-new cast but the same creative team as the original. Stephen Mear had already directed and choreographed the piece for the Parisian public six years ago. In the meantime opened a London revival of the first Broadway version with the original staging and choreography of the late Gower Champion, brilliantly enhanced by Randy Skinner, which took the work to another level of spectacular, so grand was the scale of the production value and money spent! That particular once-in-a lifetime and never-to-be-seen-again production was luckily preserved on video for posterity, but it doesn't take away from the qualities of this more intimate Châtelet version.

Review: SILVANO JO: TOUTES LES FEMMES DE MA VIE
Review: SILVANO JO: TOUTES LES FEMMES DE MA VIE
December 27, 2022

Silvano Jo performs multiple roles in this one-man cabaret, a journey through the hidden gems of French café and cabaret songs.

Review: LITTLE SHOP OF HORRORS at Opéra Comique
Review: LITTLE SHOP OF HORRORS at Opéra Comique
December 27, 2022

In sync with the off-Broadway revival currently playing in New York until 2024 comes to the Opéra Comique the first legitimate Paris revival of the 1986 French adaptation of The Little Shop of Horrors by the late Alain Marcel, which first opened at the Théâtre Dejazet in June and then transferred to the Théâtre la Porte St-Martin. A previous French revival, also at the Dejazet in 2001, starring Hervé Lewandowski as Seymour and Franck Vincent as the plant, was cut short because the rights didn't allow for the vegetal monster to be played by a human! Of course, this has now changed. As in the excellent Maria Aberg production at Regent's Park Open Air in 2018, the plant appeared in the human form of American drag queen Vicky Vox! In this new production, the plant made bigger and sensibly more frightening, is a giant puppet manipulated by Daniel Njo Lobé whose powerful voice gives the vegetal its identity.

Review: ELISABETH at Château Du Karreveld
Review: ELISABETH at Château Du Karreveld
August 28, 2022

The worldwide hit about the Austrian Empress performed in French at the Bruxellons! Festival in Belgium.

Review: LOVE SONGE THERAPIE at Lucernaire
Review: LOVE SONGE THERAPIE at Lucernaire
July 9, 2022

What did our critic think of LOVE SONGE THÉRAPIE at Lucernaire?

Review: Les Trophees De La Comedie Musicale at Casino De Paris
Review: Les Trophees De La Comedie Musicale at Casino De Paris
July 5, 2022

What did our critic think of LES TROPHÉES DE LA COMÉDIE MUSICALE at Casino De Paris? After two years of absence, Les Trophées de la comédie musicale are getting bigger and bigger, from no live audience at the Trévise Theatre in its first annual production, to the first live version three years ago, to the packed Casino de Paris this year for its 4th annual ceremony.

Review: JE VAIS T'AIMER at La Seine Musicale
Review: JE VAIS T'AIMER at La Seine Musicale
July 5, 2022

What did our critic think of JE VAIS T'AIMER at La Seine Musicale? Originally set to open in fall 2021, the Michel Sardou juke-box musical is the first French big spectacular to hit the capital since Covid. Following a brief tour, it is playing a limited season at the huge Seine Musicale Auditorium in Boulogne, in the close outskirts of Paris. Unlike the Mike Brant biopic musical, Je vais t'aimer follows the path of Mamma Mia and the most succesful French juke-box musical to date, Resiste, bilt around the repertoire of France Gall.

BWW Review: SONDHEIM TRIBUTE at Studio De L'Accord Parfait
BWW Review: SONDHEIM TRIBUTE at Studio De L'Accord Parfait
May 11, 2022

American Musical Theater Live continues to carry Broadway's flame in Paris.

BWW Review: MIXITY at Théatre Lepic
BWW Review: MIXITY at Théatre Lepic
March 7, 2022

18 years after his successful musical revue Zapping at the Théâtre du Gymnase before transferring to the Olympia and the Trianon, Bruno Agati is back with another off the wall production, this time focusing on gender ambiguity and digging more deeply into the inner psyche of its writer-director-choreographer. Always oscillating between first and second degrees of humor, whereas Zapping stayed exclusively on the latter, Mixity is essentially more of a drag show than a dance show even if every act is thoroughly choreographed, exploring the diversity of drag, man to woman, woman to man, and in between!

BWW Review: TAP VIRTUOSO at Théâtre Du Châtelet
BWW Review: TAP VIRTUOSO at Théâtre Du Châtelet
February 11, 2022

Aurélien taps to classical music at the Châtelet Theater.

BWW Review: COLORED LIGHTS at Port-Royal Temple
BWW Review: COLORED LIGHTS at Port-Royal Temple
January 26, 2022

Quadruple threat Dalia Constantin in an initimate autobiographical one-woman show.

BWW Review: COLE PORTER IN PARIS at Théâtre Du Châtelet
BWW Review: COLE PORTER IN PARIS at Théâtre Du Châtelet
December 30, 2021

Cole Porter, the most Francophile of the big five American composers of the American songbook, with Irving Berlin, Jerome Kern, George Gershwin, and Richard Rodgers, spent almost a decade in Paris just after World War I immersing himself French language and culture and developing his craft as a composer and lyricist of sophisticated and semi-autographical ditties full of double entendre, trying them out as a dilettante pianist in the party scenes of the roaring 20s not only in Paris but also in Venice, before taking on Broadway by storm the following decade.



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