Noah Casner is an actor, singer, and theatre educator currently living in Upstate New York. A lifelong lover of theatre, Noah has seen over two hundred shows on Broadway and Off-Broadway, as well as countless other shows in regional and touring houses. He holds a BFA in Drama from NYU’s Tisch School of the Arts, where he studied at both the Lee Strasberg Theatre Institute and NYU’s Experimental Theatre Wing. Some of his favorite credits include Hello, Dolly with Jennifer Simard (Renaissance Theatre), Moritz in Spring Awakening (Weathervane Theatre), Gabe in Next to Normal (Fort Salem Theater), and Frankie Epps in Parade (Lee Strasberg Institute). He has also aided in the development of several new theatrical works.
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First Show:
Dr. Dolittle with Tommy TuneFavorite Show:
Natasha, Pierre and the Great Comet of 1812Favorite Stories:
MOST POPULAR ARTICLES
Review: THREE MOTHERS at Capital Repertory Theatre
May 3, 2024
May 3, 2024
I’ll be the first to admit that when it came time for me to see Three Mothers, I was a bit worried what the experience would be. Watching three women grieve the loss of their sons didn’t sound like the kind of activity I would generally choose to subject myself to for entertainment— it frankly seemed like a bit of a downer.
Review: JESUS CHRIST SUPERSTAR: 50TH ANNIVERSARY TOUR at Proctors
April 7, 2024
April 7, 2024
What did our critic think of JESUS CHRIST SUPERSTAR: 50TH ANNIVERSARY TOUR AT PROCTORS at Proctors?
Review: MANDY PATINKIN: BEING ALIVE at Proctors Theatre
February 3, 2023
February 3, 2023
From the moment Mandy Patinkin stepped on stage, it was clear that this show was going to be something incredibly special. Met with thunderous entrance applause, Patinkin took a moment to absorb the audience response before promptly turning the applause around and clapping for us, the patrons who were simply excited to be there.
Review: HAIRSPRAY at Proctors
December 8, 2022
December 8, 2022
As I settled into my seat at Proctors to watch the new touring production of HAIRSPRAY, I wasn’t expecting anything particularly revolutionary. Instead, I was met with a production that embodies the show’s themes of love and solidarity so effectively that I’m convinced this show is more timely now than it was when it was conceived two decades ago.
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