BWW Review: THE MOTHER LOAD, Sound StageJune 23, 2021The Fourth of our Sound Stage series, The Mother Load. Three first-time mothers meet at an ante natal class. Together they must confront their expectations of pregnancy in this funny and moving play about unlikely friendship and the messy realities of parenthood.
BWW Review: ADVENTURES WITH THE PAINTED PEOPLE, Pitlochry TheatreJune 16, 2021Directed by Pitlochry Festival Theatre’s Artistic Director, Elizabeth Newman, Adventures with the Painted People is a compelling love story, exploring the value of history and the power of writing. Lucius is a cultured Roman officer, captured by the Picts and about to be sacrificed. Eithne is a wise Pictish woman, who wants to record her people's history in writing, a skill they do not yet have. She makes a deal - she will rescue Lucius, in exchange for him teaching her to write. So, they must flee - not by road, the Romans have not built those yet, but down river...
BWW Review: THE MACBETHS, Citizens TheatreJune 3, 2021Returning from battle, Macbeth hears a prophesy emboldening him to murder and betray. Compelled by his equally ruthless wife, Macbeth ignores his creeping sense of guilt and hopelessness and attempts to hasten the hand of fate, unwittingly ushering in the downfall of them both.
BWW Review: GHOSTS, National Theatre of ScotlandApril 23, 2021Download the app, plug in your headphones, and lose yourself in this poetic storytelling experience, exploring the myth of Scotland's collective amnesia of slavery and racialised wealth, of empire and identity.
BWW Review: DISTANCE REMAININGApril 15, 2021From the producer and writer behind smash-hit Islander The Musical comes Distance Remaining - a collection of three soaring theatrical stories made for the screen starring Karen Dubar, Reuben Joseph and Dolina MacLennan.
BWW Review: MEET JAN BLACK, Gaiety TheatreApril 3, 2021A new comedy that takes Year of the Rona and replaces it with Year of the Jan. It’s a show for anyone who wanted to run down the street screaming NO every time we had another zoom call to make; for those who saw the families on Gogglebox more than their own; and for all us who want to put that last year behind them and get back in the theatre, to return to that sense of being together as a community. A hilarious show guaranteed to make us feel closer to each other than we have all of last year.
The BroadwayWorld Beginner's Guide To: Stand-Up ComedyFebruary 5, 2021There has never been a better time to get into stand-up comedy. Many of the hard-working touring comics have taken their work online and are doing online versions of their full-length solo shows or are taking part in club setups online.
BWW Review: RAPUNZEL, National Theatre of ScotlandDecember 22, 2020“You all know the story of Rapunzel, right? That lassie with the long hair who’s been trapped in her lockdown tower for what feels like forever. The lassie who’s sitting there like a loon waiting for some Prince will come along and save her. Well, think again.
BWW Review: A GAMBLERS GUIDE TO DYING, Traverse TheatreDecember 21, 2020Having played to sell-out audiences when it premiered at the Traverse Festival – winning a Fringe First and the Holden Street Theatre Award – A Gambler’s Guide to Dying has since been performed around the world.
BWW Review: ALI THE MAGIC ELF, Tron TheatreDecember 17, 2020This Christmas, Tron Theatre Company is delighted to bring back the much loved, Ali the Magic Elf – as a live show captured on film for viewing at home. Ideal for little ones aged 3-8 years and their adults, the show is written and directed by Tron Theatre’s Artistic Director Andy Arnold and is a wonderfully gentle tale about working together to magic-up order out of chaos.
BWW Review: HIGH MAN PEN MEANDER, Tron TheatreDecember 10, 2020High Man Pen Meander is a thrilling virtual promenade show around and about the Tron Theatre, where the walls will echo with the voices and sounds of Glasgow’s most famous bard, Edwin Morgan.
BWW Review: PETRICHOR, Tron TheatreNovember 5, 2020A world where every single day is exactly the same. PETRICHOR is a dystopian reality, where every moment is muted, managed and monochrome. Nothing bad ever happens. Nothing good does either.
BWW Review: THE COOLIDGE EFFECTJuly 28, 2020Having toured extensively across the UK throughout 2016-2019, the new digital version of the show goes live from Tuesday July 28. Devised from interviews with porn advocates, addicts, mental health experts and scientists The Coolidge Effect has become an even more relevant conversation as we sit at home behind our screens.