Natalie O'Donoghue - Page 25

Starring the West End’s Annalene Beechey and Broadway's Darren Lee, The King and I is the greatest musical from the golden age of musicals – with one of the finest scores ever written including Whistle a Happy Tune and Shall We Dance

Enough of Him - May Sumbwanyambe’s harrowing, but uplifting drama about the Joseph Knight, who freed himself from slavery through the Scottish courts, and Ramesh Meyyappan’s Love Beyond (Act of Remembrance), a poignant exploration of dementia in the deaf community - top the nominations lists.

When a group of Cornish fishermen came together to sing the traditional working songs they’d sung for generations, nobody, least of all the fishermen, expected the story to end on the Pyramid Stage at Glastonbury. They are spotted by a fish-out-of-water music manager on a trip from London, who must learn that there is more to life than selling your sole for fifteen minutes of fame.

Initially published as a performance poetry collection, Love The Sinner will be transformed, in a collaboration between Imogen Stirling and Vanishing Point, into a pulsating full-scale theatre show: a fusion of performance poetry, visual theatre and electronic music.

The Beekeeper of Aleppo tells the story of Nuri, a beekeeper; and his wife, Afra, an artist. They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo - until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. On their terrifying journey, they must face the pain of their own unbearable loss alongside incredible danger. Above all, they must journey to find each other again.

BroadwayWorld caught up with writer, composer and comedian Vikki Stone to chat about adapting the Olivier Award-winning show Hey Duggee Live for the stage.

BroadwayWorld caught up with writer and director Lisa Nicoll to chat about bringing Other Side of the River to audiences.

A comedy-drama about shared history, public shaming and the sh*t women face in the workplace.

Looking for a way out of their humdrum lives in the outskirts of Glasgow, straight-laced Sean, fresh from dropping out of uni, and the gallus Daro, overflowing with charisma and business ‘acumen’, reckon they can be the dream team of frozen treats.

In steamy 1940s New Orleans, fading Southern belle Blanche DuBois moves into her sister Stella's apartment. Stella's brutish husband Stanley sees that Blanche is not what she appears to be, and sets out to destroy her...

Critically acclaimed theatre company Wonder Fools launch the third season of their innovative participatory programme, Positive Stories for Negative Times

Two people are trying to tell the story of Robert, who isn’t sure who is in charge of his own narrative and whether he even wants to be in the story of his life anymore…

This riotous re-telling of Robert Louis Stevenson’s adventure novella is jam-packed with 20th century pop music and 18th century romance. Performed by a dynamic ensemble of actor-musicians, Kidnapped is a colourful coming-of-age story - shot-through with Stevenson’s trademark blend of poetry, humour and heart.

1969. Annis, a young autistic woman, is sent by her stepmother to live as a patient at Castle Lennox, where the rules of the outside world do not apply. Desperate to escape, she very quickly lands herself in trouble and makes an enemy of the nurse in charge.

The Royal Edinburgh Military Tattoo had a starring role in the return of Gordon Ramsay's Future Food Stars series by showcasing its Scottish heritage.

A government minister develops telekinetic powers after being ‘sparked’ by years of repressed rage in this new comedy-drama.

Embarking on its first ever UK & Ireland Tour this dazzling new production of the successful West End and Broadway musical will take you to a world of pure imagination.

Fresh from their stand-out 2022 programme, the award-winning Edinburgh comedy club welcomes some new faces, some familiar favourites, and its pick of the best acts from the Scottish circuit.

The much-anticipated UK and Ireland tour of Roald Dahl’s Charlie and the Chocolate Factory – The Musical will open its gates at the Edinburgh Playhouse from 29th March to 15th April.

Freddie is a gay man who writes gritty psychological thrillers and refuses to compromise his storytelling approach for the sake of representation or political correctness.