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Nancy Grossman - Page 25

Nancy Grossman

From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com. Nancy is a member of the Boston Theater Critics Association, the organization which bestows the annual Elliot Norton Awards which honor the outstanding achievements of the Boston theater community, and she formerly served on the Executive Board of the Independent Reviewers of New England (IRNE). Nancy is an alumna of Syracuse University, has a graduate degree from Boston University, and is a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.
 






BWW Review: ALMOST BLUE Almost Works
BWW Review: ALMOST BLUE Almost Works
May 5, 2013

Theatre on Fire creates the noir ambiance in the intimate confines of the Charlestown Working Theater, but lethargic pacing and lack of chemistry hamper fine individual acting efforts.

BWW Review: LOOPED Tour Banks on Stefanie Powers
BWW Review: LOOPED Tour Banks on Stefanie Powers
May 2, 2013

Stefanie Powers is a trouper who stepped into the role of Tallulah Bankhead, which was originated by Valerie Harper, when Harper's untimely diagnosis of brain cancer forced her to withdraw from the national tour of LOOPED. Although the circumstances are bittersweet, Powers' performance is informed by her working and personal relationship with the film legend. Playwright Matthew Lombardo goes to great lengths to show and tell as much detail about Bankhead as possible in the limited span of this one long afternoon in the waning months of her life.

BWW Review: Merrimack Rep's GLENGARRY GLEN ROSS Closes the Deal
BWW Review: Merrimack Rep's GLENGARRY GLEN ROSS Closes the Deal
May 1, 2013

David Mamet's 1984 Pulitzer Prize-winning play resonates nearly thirty years later in Merrimack Repertory Theatre's crisp, dark, funny, riveting production. In the capable hands of Director Charles Towers and an accomplished group of actors, GLENGARRY GLEN ROSS is a total entertainment package and a great way to conclude the 34th season in Lowell.

BWW Review: I Cannot Tell a Lie - PORNOCCHIO is a Hoot
BWW Review: I Cannot Tell a Lie - PORNOCCHIO is a Hoot
April 28, 2013

Ryan Landry and the Gold Dust Orphans do what they do best…and then some. The troupe's musical theater skills are evolving with every production. Grace Carney is a real boy as the title character. Don't bring your kids, but prepare yourself for a visit with your inner child.

BWW Review: Last Chance to See a Legendary Peter Pan
BWW Review: Last Chance to See a Legendary Peter Pan
April 25, 2013

CATHY RIGBY IS PETER PAN National Tour completes its journey in Boston where it all began for the star in 1989, with the final performance Sunday evening, April 28, at the Citi Performing Arts Center Wang Theatre. Rigby gives a magical performance in an imaginative and inspiring production, supported by a cast of the highest order. Brent Barrett is a virile Captain Hook and the entire ensemble has boundless talent and energy. Life is filled with regrets - don't let missing out on this be one of yours.

BWW Review: No 'splainin' needed: I Love Lucie
BWW Review: No 'splainin' needed: I Love Lucie
April 22, 2013

In the case of Lucie Arnaz, the apple doesn't fall far from the tree, as the daughter of Lucille Ball and Desi Arnaz is a consummate entertainer. Her acting and comedic skills come from her mother, but she owes her music and Latin heritage to her father. AN AFTERNOON WITH LUCIE ARNAZ pays tribute to the late Cuban band leader and features a majority of the songs from her 2010 cd "Latin Roots."

BWW Review: 'M' Is For Misfire
BWW Review: 'M' Is For Misfire
April 18, 2013

The Huntington Theatre Company world premiere of RYAN LANDRY'S 'M' is a design triumph, but the plot misfires. Karen MacDonald is an anxious menace skulking around the periphery, casting giant shadows, and Larry Coen milks every drop of humor from his multiple roles, but playwright Ryan Landry's story gets snagged between who he is and who he is trying to be.

BWW Reviews: Imaginary Beasts Imagine Thornton Wilder
BWW Reviews: Imaginary Beasts Imagine Thornton Wilder
April 17, 2013

Imaginary Beasts presents a selection of ten playlets written by Thornton Wilder before his 1938 Pulitzer Prize-winning OUR TOWN. An egalitarian ensemble of ten actors and actresses creates a circus-like environment with mime, acrobatics, and clown collars, augmented by atmospheric lighting and original music. The gestalt results in a delightful evening of theater.

BWW Review: BY THE WAY, MEET VERA STARK at Lyric Stage Company
BWW Review: BY THE WAY, MEET VERA STARK at Lyric Stage Company
April 2, 2013

A play about a wannabe movie star features a magical blending of live performance with cinematic images in the New England premiere of 2011 Off-Broadway hit BY THE WAY, MEET VERA STARK. Summer L. Williams makes her Lyric Stage directing debut with Kami Rushell Smith shining at the forefront of a strong ensemble cast, most of whom play dual roles. Film and Media Designer Johnathan Carr puts his stamp on the production.

BWW Review: All Systems Go in OPERATION EPSILON
BWW Review: All Systems Go in OPERATION EPSILON
March 25, 2013

The Nora Theatre Company and Catalyst Collaborative @ MIT present the world premiere of MIT Professor Alan Brody's dramatic treatment of actual events at the close of World War II. On the brink of the United States dropping the atom bomb on Japan, the Allies held ten German scientists captive to determine how far the Nazis had gone in developing their nuclear capability.

BWW Review: A NEW BRAIN Has Heart and Music
BWW Review: A NEW BRAIN Has Heart and Music
March 21, 2013

Moonbox Productions and Director Allison Olivia Choat have reverted to the familiar terrain of musical theater with this intimate, sung-through look into the heart and mind (er, brain) of Tony Award-winning composer William Finn (FALSETTOS, THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE) who grew up in Natick, Massachusetts. The cast of ten is bursting with new talent alongside three actors who have been in previous Moonbox shows, all of whom have incredible vocal chops.

BWW Review: PEANUTS Gang Reaches Puberty
March 17, 2013

Happy Medium Theatre's production of Bert V. Royal's DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD makes good use of the intimate Factory Theatre with some strong individual performances and minimal design elements. If only the playwright had subscribed to the philosophy of less is more…

BWW Review: Bridge Repertory Theater of Boston Premieres with Pinter
BWW Review: Bridge Repertory Theater of Boston Premieres with Pinter
March 4, 2013

Bridge Repertory Theater of Boston shows promise with Director Shana Gozansky helming Pinter's THE LOVER. Joe Short and 5-time IRNE Award nominee McCaela Donovan give virtuosic performances in the cozy confines of Deane Hall at the Boston Center for the Arts.

BWW Review: STONES IN HIS POCKETS a Showcase for Acting Duo
BWW Review: STONES IN HIS POCKETS a Showcase for Acting Duo
February 25, 2013

Daniel Berger-Jones and Phil Tayler play more than a dozen characters between them in Marie Jones' 2001 Olivier Award-winner for Best New Comedy. They make it look easy, but their achievement is no small feat as they breathe life into the citizens of a rural Irish village in County Kerry who vie for roles as extras in an American film. The experience changes many of them, not all for the better.

BWW Review: Varla Jean Merman Is MILDRED FIERCE
BWW Review: Varla Jean Merman Is MILDRED FIERCE
February 23, 2013

Ryan Landry and the Gold Dust Orphans take on Joan Crawford (and Bette Davis) in the noir musical MILDRED FIERCE. Add this one to a long string of hilarious productions recognized by their clever irreverence, dazzling costumes, done-on-a-dime sets, and multi-talented ensembles. Varla Jean Merman is the icing on the cake.

BWW Review: LUNGS Pits Babies vs. The Planet
BWW Review: LUNGS Pits Babies vs. The Planet
February 20, 2013

A liberal, thinking couple must weigh their desire to have a baby against their view of themselves as good people who care about the planet's survival. Duncan Macmillan's LUNGS is in its Boston premiere at New Repertory Theatre's Black Box Theater, featuring Liz Hayes and Nael Nacer, under the direction of Bridget Kathleen O'Leary.

BWW Review: LEGALLY DEAD: Certifiably Funny
BWW Review: LEGALLY DEAD: Certifiably Funny
February 16, 2013

Boston Playwrights' Theatre final new play of the season is Dan Hunter's LEGALLY DEAD, a dark comedy about a dysfunctional family deciding how to deal with its missing Dad. The wacky, scary characters are immensely entertaining, but you wouldn't want them on your family tree.

BWW Review: Zeitgeist Stage Company Sticks With Ayckbourn
BWW Review: Zeitgeist Stage Company Sticks With Ayckbourn
February 12, 2013

For the fourth year in a row, Zeitgeist Stage Company produces an Alan Ayckbourn play. The East Coast premiere of LIFE OF RILEY features a cast of Zeitgeist regulars under the direction of David J. Miller.

BWW Interview: Vicki Lawrence Speaks for Two
BWW Interview: Vicki Lawrence Speaks for Two
February 11, 2013

Emmy Award-winner Vicki Lawrence of the renowned "Carol Burnett Show" and beloved "Mama's Family" brings VICKI LAWRENCE AND MAMA: A TWO-WOMAN SHOW to Reagle Music Theatre of Greater Boston on Sunday, February 17, for a one-show-only engagement. On January 30th, BroadwayWorld talked with one half of the duo by telephone. We think that Vicki is authorized to speak for Thelma Harper aka Mama.

BWW Review: FIRE ON EARTH Scorches the Church
BWW Review: FIRE ON EARTH Scorches the Church
February 5, 2013

Fresh Ink Theatre stages new play by Patrick Gabridge about the illegal translation of the Bible into English in the early part of the 16th century. Based on a true story, FIRE ON EARTH chronicles the struggle between the powerful Catholic Church and the Army of Reformers willing to challenge the status quo in order to bring the words of God to the common man in his own language.



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