Miranda Stück - Page 2

What did our critic think of THE GUGGENHEIM MUSEUM WORKS & PROCESS PRESENTS ‘DANCE IS LIFE’ at Https://www.guggenheim.org/initiatives/works-process?

Through States Of Hope, a fully scripted, evening-length, new dance theater work, Hope Boykin shares experiences and insights in a multifaceted excavation of self-discovery, reshaping, and renewal—a dance memoir of sorts.

The program features a highly anticipated world premiere collaboration with Krump artist Brian “HallowDreamz” Henry, along with favorites such as FROM (2019), SAMA (2019), No Ordinary Love (2022), state (2018), and a new arrangement of the full evening work, FOLD HERE (2013).

What did our critic think of REVIEW: BALLET HISPÁNICO at New York City Center?

What did our critic think of FJK DANCE: RAISING THE ARAB VOICE IN CONTEMPORARY DANCE at New York Live Arts? For their ninth season, FJK Dance presents three company signature works by Artistic Director Fadi J. Khoury, each rich with contemporary and visual arts, reflective narratives, and an overarching motif of peace building.

Trisha Brown Dance Company pays tribute to its legacy and connects new artistic voices in a triple bill program at The Joyce Theater. The season features two focal pieces from Brown's collaboration with Alvin Curran and a brand-new world premiere of the company's first ever choreographic commission by Judith Sánchez Ruíz.

'40 years ago, Peridance was born,' says Igal Perry, Founder and Artistic Director of Peridance Center and Peridance Contemporary Dance Company. '...I had two students, one investor, my family, and a dream.' Perry, speaking onstage at NYU Skirball Theater, celebrated the Legacy Festival commemorating 40 years of dance making, educating, collaborating, and innovating. The Legacy Festival concludes a week-long run of six different programs compiling works by internationally acclaimed choreographers. 'It's only fitting to have such a sensational lineup of events to celebrate this momentous anniversary,' says Perry. 'We couldn't be more excited to welcome audiences old and new to celebrate with us.'

Silence whispers over the seats of The Joyce Theater as Atamira Dance Company's Artistic Director Jack Gray and Executive Producer Marama Lloydd greet the audience in Māori, the Austronesian language spoken primarily by Maōri people; the indigenous population of mainland New Zealand.

To fill all 2,257 seats at New York City Center with infectious joy seems like a hard task to execute, but not for Sara Baras in her evening-length work 'ALMA,' presented by Flamenco Festival 2023.