Miranda Stück - Page 2

Ousmane Wiles is an African American West African and Vogue dancer. Wiles is best know as, legendary Omari NiNa Oricci, founder of The House of Nina Oricci [est. OCT. 2019] and Creative Director of LES BALLET AFRIK dance company.

Mason Lee is a bicoastal interdisciplinary based choreographer, dancer, and writer, graduating from NYU Tisch School of the Arts in 2021. Lee is Founder and Executive Artistic Director of Mason Lee Dance Theater, leading the company bicoastally from New York to Los Angeles.

MICHAEL McCRARY is an International creative based in New York City. He has created over 15 digital videos that have reached millions of views collectively across Instagram and Youtube. He has worked creatively with Todrick Hall (first AD on ICON), RuPaul’s Drag Race Season 16 contestants Plasma and Sapphira Cristal (Bloody Mary, DROMP, ENOUGH, the CRISTAL BALL), and Omar Jose Cardona (the VOICE Season 22). As a choreographer he has worked for TD Bank, Metropolis Productions, Mary Kay, Hasbro, Toys R US, Macys, Basic Fun! and RWS Global (MSC, Iberostar). Michael started his business Michael McCrary VIBE in 2022. His business creates custom digital content, live events, and stage shows for various artists and brands both nationally and internationally. VIBE also operates a dance education program in Greenville, South Carolina training youth and adult dancers. Michael is a guest faculty member at the world-renowned Broadway Dance Center, NYC. For more check out www.michael-mccrary.com (http://www.michael-mccrary.com/)

What did our critic think of BALLET HISPÁNICO CELEBRATES 2024 NEW YORK CITY CENTER SEASON at New York City Center?

The ultimate pioneer of post-modern dance, Trisha Brown, is known for her abandonment of classic shapes, twisted choreographic pathways, and the constant contrast of freedom and bondage in dance. Following the choreographer’s death in 2017, Trisha Brown Dance Company continues her legacy through classic stage performances, relocated works on site, and lastly, newly commissioned works for their 2024 Joyce Season.

What did our critic think of THE GUGGENHEIM MUSEUM: WORKS & PROCESS UNDERGROUND UPTOWN DANCE FESTIVAL at Peter B. Lewis Theater At The Guggenheim Museum?

What did our critic think of THE GUGGENHEIM MUSEUM WORKS & PROCESS PRESENTS ‘DANCE IS LIFE’ at Https://www.guggenheim.org/initiatives/works-process?

Through States Of Hope, a fully scripted, evening-length, new dance theater work, Hope Boykin shares experiences and insights in a multifaceted excavation of self-discovery, reshaping, and renewal—a dance memoir of sorts.

The program features a highly anticipated world premiere collaboration with Krump artist Brian “HallowDreamz” Henry, along with favorites such as FROM (2019), SAMA (2019), No Ordinary Love (2022), state (2018), and a new arrangement of the full evening work, FOLD HERE (2013).

What did our critic think of REVIEW: BALLET HISPÁNICO at New York City Center?

What did our critic think of FJK DANCE: RAISING THE ARAB VOICE IN CONTEMPORARY DANCE at New York Live Arts? For their ninth season, FJK Dance presents three company signature works by Artistic Director Fadi J. Khoury, each rich with contemporary and visual arts, reflective narratives, and an overarching motif of peace building.

Trisha Brown Dance Company pays tribute to its legacy and connects new artistic voices in a triple bill program at The Joyce Theater. The season features two focal pieces from Brown's collaboration with Alvin Curran and a brand-new world premiere of the company's first ever choreographic commission by Judith Sánchez Ruíz.

'40 years ago, Peridance was born,' says Igal Perry, Founder and Artistic Director of Peridance Center and Peridance Contemporary Dance Company. '...I had two students, one investor, my family, and a dream.' Perry, speaking onstage at NYU Skirball Theater, celebrated the Legacy Festival commemorating 40 years of dance making, educating, collaborating, and innovating. The Legacy Festival concludes a week-long run of six different programs compiling works by internationally acclaimed choreographers. 'It's only fitting to have such a sensational lineup of events to celebrate this momentous anniversary,' says Perry. 'We couldn't be more excited to welcome audiences old and new to celebrate with us.'

Silence whispers over the seats of The Joyce Theater as Atamira Dance Company's Artistic Director Jack Gray and Executive Producer Marama Lloydd greet the audience in Māori, the Austronesian language spoken primarily by Maōri people; the indigenous population of mainland New Zealand.

To fill all 2,257 seats at New York City Center with infectious joy seems like a hard task to execute, but not for Sara Baras in her evening-length work 'ALMA,' presented by Flamenco Festival 2023.