Michael Quintos - Page 8

I believe the best way to describe the sensation one gets when experiencing the Broadway stage musical adaptation of multi-platinum selling recording artist Gloria Estefan's life story is to actually use one of her very famous songs: "The Rhythm is Gonna Get You." That is exactly what happens to an ecstatic audience in attendance of ON YOUR FEET!, the infectiously high-energy 2015 jukebox musical chronicling the professional and personal lives of Gloria and Emilio Estefan, arguably the Latin music world's most successful power couple responsible for bringing their Miami-honed Cuban-fusion sounds to worldwide acclaim. After a year on the road, the musical has finally made its way to Orange County's Segerstrom Center for the Arts, where it continues its two-week engagement in Costa Mesa through September 2.

Quite possibly the most popular family-friendly stage musical of all time, ANNIE---the classic 1977 Tony Award winner for Best Musical based on Harold Gray's 'Little Orphan Annie' comic strip---seems like a no-brainer choice to appear as the annual all-star summer musical at the world-famous Hollywood Bowl. So it's actually not a surprise that this plucky, unabashedly charming production---now causing giddy bursts of laughter and collective choruses of 'awwww's' at Hollywood's iconic 18,000-seat outdoor arena for two more performances this weekend---is such a perfect fit. And judging by its marvelous opening night performance this past Friday, July 27, the production itself is sure to win over anyone in attendance of its remaining shows.

When it comes to seeing a fresh new show with low or even non-existent expectations, nothing is more pleasurable and satisfying than walking out at the end of it with a huge, beaming smile on your face. That was the giddy communal feeling that I and an ecstatic audience experienced recently during the highly enjoyable Orange County opening night performance of SCHOOL OF ROCK - The Musical, the charming 2015 Broadway musical now continuing its national tour stop at Costa Mesa's Segerstrom Center for the Arts for two weeks through August 5. While certainly not a groundbreaking, game-changing musical by any means, the nonetheless engaging SCHOOL OF ROCK is a definite crowdpleaser worth checking out. The kids in the show? Spectacular!

An endearing musical with an even more endearing story, BIG FISH is a winsome stage production that is currently making its Orange County regional debut at Anaheim's Chance Theater through July 29, 2018 helmed by its own resident executive artistic director Oanh Nguyen. Filled with hard-to-believe, imaginative tales that skew more wonderful rather than odd, this cute, warm hug of a musical is based on the 1998 novel by Daniel Wallace that also inspired a 2003 big-screen adaptation directed by Tim Burton. For Chance Theater's scaled-down, small space iteration, Nguyen has fashioned a relatively appealing production that is generous with heart and admirable in spirit.

George M. Cohan has been attributed to being the father of the American Musical, whose works are the very roots of Broadway and musical theater that we know today. Without his numerous contributions to the American theater, Broadway as we all know it probably wouldn't even exist. This is the idea that's drummed rather loudly and patriotically by the ending of YANKEE DOODLE DANDY, the 2004 stage musical now in the midst of its Southern California regional premiere via Musical Theatre West. A fairly entertaining, if inescapably old-fashioned jukebox musical that paints rather broad strokes rather than giving a deep dive into Cohan's life story, this new production continues performances at the Carpenter Center for the Performing Arts in Long Beach through July 22, 2018.

A beloved entertainment icon borne from showbiz royalty, it was certainly no surprise that living legend Liza Minnelli-a past recipient of four Tony Awards, an Oscar, a special Grammy, two Golden Globe Awards, and an Emmy Award-was greeted with thunderous cheers and ovations during her recent return appearance on June 30, 2018 at Orange County's Segerstrom Center for the Arts in Costa Mesa, accompanied by her friend and fellow music phenom Michael Feinstein. The one-night-only special event-billed as "Liza Minnelli and Michael Feinstein: In Conversation and Performance"-featured the award-winning singer, actress and stage superstar as, naturally, the night's main attraction, which had her singing (while seated) through a few classics while, in between, waxed nostalgic about her storied career and, of course, her famous parents, film icon Judy Garland and renowned director Vincente Minnelli.

While its original production, as most Broadway shows go, offered the expected big sets, first-rate costumes, and impressive production values, the 2015 Tony Award-winning revival production of THE COLOR PUPLE---currently slaying audiences for a week-long stop at Orange County's Segerstrom Center for the Arts in Costa Mesa through June 24---is decidedly more subdued and scaled-down by comparison, allowing the songs, the story, and the cast performances to shine on their own merits instead. The resulting show is a powerful, uplifting one, bathed in a loving, spiritual embrace that shines a light on the struggles, the insecurities, the passions, and the tenacity of African-American women living in the early decades of the 20th Century. I can say without hesitation that this revival production is an excellent way to experience this beautiful, touching, and ultimately triumphant musical.

Admirably directed and choreographed by Richard J. Hinds, La Mirada Theatre's NEWSIES aims to be an amiable hybrid between the popularly-received original show and a new iteration that feels fresh for us Fansies forever obsessed with the earlier Disney-backed production that played Broadway and went on tour for a few years. Filled with high-energy music and dancing and a lively, eager-to-please spirit embedded in its DNA, this brand-new Southern California regional theater production of NEWSIES---which continues performances at the La Mirada Theatre for the Performing Arts through June 24---is a wonderfully caffeinated jolt of a stage show, highlighted by a remarkably talented and athletically-blessed ensemble that leaps and belts one show stopping number after another. What a treat for every Fansie!

Despite being birthed in the early 1990's, THE SISTERS ROSENSWEIG-the late Pulitzer Prize-winning Wendy Wasserstein's acerbically witty and vibrantly poignant play about a trio of fascinating, strong-willed Jewish-American sisters-has a remarkably timeless, relatable quality, evidenced by South Coast Repertory's delightful and beautifully-acted OC revival production now continuing performances in Costa Mesa through June 2. Thanks to its naturally appealing characters that don't feel like stock archetypes trapped in a retro bubble, the play-under the keen direction of Casey Stangl-comes across as a contemporary-leaning, very thoughtful theatrical piece populated by strong, three-dimensional female characters.

For three years, I have obsessed over the Original Broadway Cast Album of Lin-Manuel Miranda's ingeniously constructed, powerfully-rendered musical masterpiece HAMILTON, mostly because it just wasn't possible for me to see the show at its home at the Richard Rodgers Theatre in New York. Fast forward to Fall of 2017 and the show finally makes its long stop in Los Angeles. I snagged a ticket and it was transcendent. Fast forward again to now May 2018, and the show's second national tour has finally arrived in my back yard at OC's Segerstrom Center for the Arts in Costa Mesa for a three-week run through May 27. This production not only successfully reignited my love for this show, but it has also promptly solidified it as, in my humble opinion, one of the best musicals of all time. Apart from being one of the most undeniably creative stage shows ever produced for the American theater, HAMILTON is also one of the most deeply moving and shrewdly intelligent stage musicals I have ever experienced---made even better thanks to an insanely talented ensemble cast that raps, sings, and acts their way into this gripping, very American story. All that hype? Completely justified.

There are many, very obvious spectacular things that stand out while watching LOVE NEVER DIES, Andrew Lloyd Webber's infamously, uh, troubled 2010 musical follow-up to his long-running global hit THE PHANTOM OF THE OPERA, now continuing its two-week engagement at Segerstrom Center for the Arts in Costa Mesa through May 5, 2018. While, sure, the show is stunning in its visual artistry and musical performances, the rest is repetitively frustrating. Unless you're a huge PHANTOM fan already or are perhaps maybe morbidly curious as to what the fuss is all about---LOVE NEVER DIES, sadly, doesn't offer much else to audiences beyond its superficial surface beauty.

Armed with a grand, sweeping songbook from Rodgers and Hammerstein, and a romantic, progressive-for-its-time book by Hammerstein and Joshua Logan, it is difficult not to be continually enchanted by SOUTH PACIFIC, the groundbreaking 1949 stage musical based on James A. Michener's Pulitzer Prize-winning novel. Even better… sandwiched between memorable songs, romantic interludes, and cheeky, comedic banter is the show's surprisingly candid exploration of race relations---a topic that is, of course, still very much top-of-mind in today's seemingly more divided world. With such important ideological stakes in mind, when a production of this musical presents its material well and in the best possible light, you're almost always guaranteed a show that can still pack an emotional wallop while entertaining you at the same time. Such is the case with McCoy Rigby Entertainment's irresistibly appealing new production of SOUTH PACIFIC, now currently on stage at the La Mirada Theatre for the Performing Arts through May 13, 2018.

What our schoolbooks lack in historical accuracy, art can sometimes pick up the slack by being a reliable, more enthusiastic source to fill in those gaps. This becomes abundantly clear immediately upon experiencing the haunting yet beautifully-dramatized world premiere play LITTLE BLACK SHADOWS, Kemp Powers' captivating new drama under the astute direction of May Adrales, that is now continuing its final set of performances at South Coast Repertory in Costa Mesa through April 29. Visually striking and richly layered, the play piques the audience's curiosity with its riveting storytelling while educating them on a side of American slavery that most probably didn't know too much about before.

One of America's most accomplished and in-demand Baritones today, Nathan Gunn has one of those deeply lush singing voices that can pierce your heart just as it can effortlessly command the room's attention. He does exactly both with his impressive world premiere one-man show FLYING SOLO which continues its remaining performances at the Laguna Playhouse in Laguna Beach, CA through April 22. Written and directed by frequent musical biographer Hershey Felder---and inspired by Gunn's own real life story thus far---this leisurely paced yet still quite riveting autobiographical musical is a stunner both with its touching, relatable narrative and Gunn's entertaining, charismatic performing style.

Once in a while, you come across a stage show that, on paper, may not have had the buzz that other high-profile shows may have had initially, but then you see it … and it just completely surprises you in the best possible way. That pretty much sums up my recent experience with the oh-so delightful NICE WORK IF YOU CAN GET IT, Musical Theatre West's buoyant and sublime new regional production of the 10-time Tony Award-nominated 2012 musical comedy now on stage at the Richard and Karen Carpenter Center for the Performing Arts in Long Beach, CA through April 22. An irresistibly silly and infectiously tuneful stage show that will have you smiling from start to finish, this roaring 20's throwback with modern sensibilities provides lots of zany antics, lots of witty one-liners, and lots of spectacular song-and-dance showstoppers that will have you wondering---where has this show been all my life?

How do you "fix" the misogyny of Shakespeare's now antiquated THE TAMING OF THE SHREW? For playwright Amy Freed, it means injecting it with a noticeable dose of equality empowerment, and then shifting its characters' traits and motivations as if written from a female's perspective. That is the premise of South Coast Repertory's latest World Premiere production SHREW!-which continues performances in Costa Mesa through April 21. The results? A funny but flawed update with good intentions.

One thing is for certain about THE BOOK OF MORMON: this memorable, whip-smart, and downright gut-busting Broadway musical is still one of the funniest---if not the funniest---musical ever to exist in the 21st Century. The tour's return trip to Orange County's Segerstrom Center for the Arts in Costa Mesa continues through April 1, 2018.

The tragic events surrounding the rise of the Khmer Rouge regime in mid-70's Cambodia serves as the overarching backdrop that links the past and the (near) present in Lauren Yee's stunning new play CAMBODIAN ROCK BAND---which continues its World Premiere production at Orange County's Tony Award-winning regional theatre South Coast Repertory in Costa Mesa through March 25, 2018. Commissioned by SCR as part of its CrossRoads Initiative, this powerful and searing new drama---sprinkled with welcome bits of comedy and, yes, rock concert music interludes---had its initial staged reading at last year's Pacific Playwright's Festival and is now an absorbing, full-fledged production under the admirable direction of Chay Yew.

Golden Globe winner Melanie Griffith can now be seen on stage playing pop culture's most famous cougar, Mrs. Robinson---the infamous 'mom of a certain age' who uses her predatory sexuality to seduce a recent college graduate into entering a torrid affair---in a new production of THE GRADUATE, which continues its just-extended engagement at the Laguna Playhouse through March 25, 2018 in Laguna Beach, CA. On paper, the role seems like a perfect fit for the now 60-year-old star who has demonstrated prior success in playing sultry, seductive women. But in this production, the results---like the dysfunctional relationships that criss-cross in this play---aren't as well-matched as you'd hope it would be.

Featuring outstanding performances from a cast led by Laura Michelle Kelly and Jose Llana, the beautiful and exquisite national tour production of Lincoln Center Theater's Tony Award-winning revival of the 1951 Rodgers and Hammerstein classic THE KING AND I leaves audiences utterly spellbound by its sweeping opulence and gorgeous, reverent staging-which notably combines the elegance and grace of the classic musical many of us have known and loved for decades with a knowing sensitivity to modern times that we exist in today. The national tour production continues its two-week run of performances at Orange County's Segerstrom Center for the Arts in Costa Mesa that continues through March 11, 2018.