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Michael Dale - Page 148

Michael Dale After 20-odd years singing, dancing and acting in dinner theatres, summer stocks and the ever-popular audience participation murder mysteries (try improvising with audiences after they?ve had two hours of open bar), Michael Dale segued his theatrical ambitions into playwriting. The buildings which once housed the 5 Off-Off Broadway plays he penned have all been destroyed or turned into a Starbucks, but his name remains the answer to the trivia question, "Who wrote the official play of Babe Ruth's 100th Birthday?" He served as Artistic Director for The Play's The Thing Theatre Company, helping to bring free live theatre to underserved communities, and dabbled a bit in stage managing and in directing cabaret shows before answering the call (it was an email, actually) to become BroadwayWorld.com's first Chief Theatre Critic. While not attending shows Michael can be seen at Citi Field pleading for the Mets to stop imploding. Likes: Strong book musicals and ambitious new works. Dislikes: Unprepared celebrities making their stage acting debuts by starring on Broadway and weak bullpens.




My Fair Lady: He's Listening
March 8, 2007

Kelsey Grammer, Kelli O'Hara and Brian Dennehy join The New York Philharmonic for Lerner and Loewe's classic

Bill W. and Dr. Bob: Missteps
March 7, 2007

Stephen Bergman and Janet Surrey's uninspired telling of the founders of Alcoholics Anonymous is done in by Rick Lombardo's misdirection

Romance, Romance: Taking Center Stage Again
March 5, 2007

Newlyweds Matt and Jessica (nee Boevers) Bogart star in The Paper Mill's production of Keith Herrman and Barry Harman's sly-humored and tuneful double feature

Journey's End: Over There
March 5, 2007

R.C. Sherriff's 1928 wartime drama is thoroughly gripping in director David Grindley's production.

Andrea Marcovicci: I'll Be Seeing You...Love Songs of WWII
February 26, 2007

To see Andrea Marcovicci live in performance is to truly experience the difference between merely a great singer and a great cabaret artist.

Sealed For Freshness: Giving Bad Taste a Bad Name
February 25, 2007

'I write plays for people who hate theatre,' says playwright Doug Stone. Well, if I had to spend my time watching plays of the embarrassingly low quality of his Tupperware comedy it wouldn't be long before I fit comfortably within his desired demographic.

Mary Rose: ...But From Where?
February 23, 2007

Director Tina Landau adds her own twist to J.M. Barrie's story of a vanishing young miss

The Madras House: After A Fashion
February 20, 2007

With its depictions of men controlling women's fashions, sexual politics and warnings of a rising economic force in the Middle East, Harley Granville-Barker's drama, getting a fine and stately production at The Mint Theatre, is one of those plays that inspires musty old sayings like 'It's as relevant today as it was back then.'

Marat/Sade: Cage Match
February 20, 2007

An excellent acting ensemble is featured in The Classical Theatre of Harlem's thrillingly disturbing environmental production of Peter Weiss' drama.

Blind Lemon Blues: How Many Blues Can One Musical Have?
February 18, 2007

A misical biography of Blind Lemon Jefferson features 65 songs and very little story

A Very Common Procedure: Affairs of the Heart
February 17, 2007

Courtney Baron's play about a grieving couple and the doctor who operated on their newborn is oddly more entertaining than moving.

Donna Lynne Champlin's Finishing The Hat: Attend The Tales
February 15, 2007

With the skill of a seasoned physical comic and the wry sense of humor of someone who has been there and back, Donna Lynne Champlin's cabaret debut tells us of career misadventures, disappointing boyfriends and freakishly odd personal experiences without ever seeming self-indulgent.

Adrift in Macao: Everybody Goes To Rick Shaw's
February 14, 2007

Be sure and check your brain at the door because you might find yourself laughing your head off at Christopher Durang and Peter Melnick's hilarious and tuneful film noir spoof

Translations: Words Of Love
February 12, 2007

Garry Hynes' positively radiant production of Brian Friel's romantic and poetic political folk drama is graced with a heart-stirring ensemble cast.

Follies: Alright, Now You Know
February 12, 2007

With all due respect to William Shakespeare and Noel Coward, Broadway's never had a ghost story that mixes terror, wit and theatrical thrills quite like Stephen Sondheim and James Goldman's <i>Follies</i>, now receiving an Encores! concert staging so loaded with achingly good moments they could loan a few of them out to some of Broadway's current tenants without losing a bit of its sheen.

Tock Tick: Racing With The Clock
February 8, 2007

Gihieh Lee and Tim Nevits' musical fantasy of a 12-year-old girl trying to save her mother from dying of a terminal illness mixes a life-affirming message with a tender understanding of the cold hard facts of death

In The Bar Of A Tokyo Hotel: Unconventional Williams
February 7, 2007

If this 1969 Tennessee Williams play is not exactly a great work that was underappreciated in its time, The White Horse Theater Company's new production certainly reveals it to be an interesting curiosity.

A Spanish Play: Brush Up Your Pirandello
February 5, 2007

Perhaps Yasmina Reza's intention was to write the play Chekhov would have written if he thought he was Pirandello.

Jacques Brel is Alive and Well and Flourishing at The Zipper
February 1, 2007

New cast members Jayne Paterson, Constantine Maroulis and Rick Hip-Flores join Robert Cuccioli and Gay Marshall in director Gordon Greenberg's emotional carousel ride

Frank's Home: A Dazzling Exterior
January 31, 2007

Richard Nelson's drama about Frank Lloyd Wright's family life is lacking, but Peter Weller dazzles in the title role



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