Michael Dale - Page 106

'The six year journey of this show has been an honor and a privilege to be a part of.'

With four Broadway revivals, two West End productions, a movie and an already existing television version, some may scoff that Gypsy is done too often, but really, you can't blame great actresses for wanting to take on one of the American musical theatre's greatest roles.

Jessica Tandy & Hume Cronyn, Maureen Stapleton & E.G. Marshall, Julie Harris & Charles Durning, Cicely Tyson & James Earl Jones... Who's next?

Manhattan Theatre Club offers a new peek at Nina Arianda and Sam Rockwell in a tense moment from Sam Shepard's FOOL FOR LOVE.

If you could, would you choose to live forever?

That classic American dance style is alive and very well.

So surprising that the ushers don't even give you Playbills until intermission because some of the most basic production information contains spoilers.

The College is considering plans that would convert the 115 year old theatre into a dining hall/performance space as part of a larger Colonial Student Center.

Arianda's emotionally conflicted performance is a gut-clutching character study representing the experiences of many more women.

A radical plan would transform Boston's Colonial Theatre into a dining hall/performance space, as part of a larger Colonial Student Center.

A neurotic actor is obsessed with two things; finding his birth mother and playing Hamlet.

'There's nothing like going to the stage door and meeting all of the other 'Nannas' out there and knowing that I gave a voice to so many people who don't have a voice.'

Joseph plays Sancho Ignatius, composer, social satirist, general man of refinement and the first British-African to cast a vote.

'Sydney, It has been my pleasure to have you as my Sister and Friend in this great Adventure.'

Broadway's first wheelchair-using performer talks with CBS News about her road to Broadway.

Glamour proves that everything sounds better when Jennifer Hudson Sings It

Professor James Shapiro of Columbia University chimes in with a New York Times op ed piece opposing the idea.

'To be a woman, taking that stage alone, with just your mouth and a microphone, it is a feminist statement.'

Though movies and TV shows would have you believe that understudies aren't very nice people, FUN HOME's Gabby Pizzolo is apparently a real sweetheart.

It isn't easy getting audience members to turn off their cell phones before a performance and it isn't easy recording the pre-show announcement either.