Mary Lincer - Page 2

What did our critic think of HESTER STREET at Theater J?

What did our critic think of MIGRAAAAANTS OR: THERE'S TOO MANY PEOPLE ON THIS DAMN BOAT! at ExPats Theatre?

What did our critic think of THE CHER SHOW at Capital One Hall?

What did our critic think of MERRILY WE ROLL ALONG at Keegan Theatre?

Audra McDonald has (at least) four voices--Broadway, jazz, opera, blues--not to mention six Tonys. She brought them all (the voices, not the awards) to her two hour concert with the National Symphony Pops which repeats Wednesday evening, January 31.

What did our critic think of THE SEAFARER at Round House Theatre? Five fine actors give excellent performances in Ryan Rilette's solid production of The Seafarer through December 31.

What did our critic think of MOSES at Theater J? The title character of Michele Lowe's 90 minute, one-man play, full name Moses Schneider, experiences a literal holocaust, not just a signal fire like that of the Biblical Moses. He then experiences a spiritual journey like the hero of Thomas Carlyle's Sartor Resartus (The Tailor, Re-tailored) which takes him through a loss of faith, a period of indifference when he can't quite remember why he is both numb and grief-stricken, to a regaining of the possibility of peace.

What did our critic think of AN IRISH CAROL at Keegan Theatre?

What did our critic think of PUBLIC OBSCENITIES at Woolly Mammoth?

What did our critic think of DOROTHY'S DICTIONARY at Washington Stage Guild? During the course of E. M. Lewis' 75 minute play, librarian Dorothy Ross and high school student Zan Hardt get to know each other.

What did our critic think of MRS. DOUBTFIRE at National? Rob McClure did not win a Tony for his star turn on Broadway as Mrs. Doubtfire (he was nominated), but he will win your heart through October 15 at the National.

What did our critic think of MULAN at Opera House/Kennedy Center?

What did our critic think of EVITA at Shakespeare Theatre/Harman Hall? The two hour show packs 17 years of her life into a constantly moving, theatrical matrix including social, political, and women's fashion history which can often be quite affecting because Pimentel's acting finds simple moments of true emotion amid the bustle and action.

What did our critic think of SWEAT at Keegan Theatre? No matter what year an audience sees Lynn Nottage's (her second Pulitzer) Sweat, something will be going wrong someplace for some part of the American workforce.

What did our critic think of CAMBODIAN ROCK BAND at Kreeger/Arena Stage?

What did our critic think of SONNETS FOR AN OLD CENTURY at Spooky Action?

What did our critic think of THE HUMOURS OF BANDON at The Atlas Performing Arts Center?

What did our critic think of THE CRUCIBLE at Eisenhower Theater? Choreographer Helen Pickett does in her ballet The Crucible just exactly what Arthur Miller attempted in his 1953 play, her source. Both try to make a new language to express the Salem witch trials of 1692 because those events were too extraordinary for regular English or garden-variety ballet.

What did our critic think of HERE THERE ARE BLUEBERRIES at Tectonic Theater Project @ Shakespeare Theatre's Harman Hall?

What did our critic think of OPEN at Nu Sass?