Marianka Swain - Page 7

Aimie Atkinson and Danny Mac star as 'Vivian Ward' and 'Edward Lewis' in the West End production of PRETTY WOMAN: THE MUSICAL. The show began performances at London's Piccadilly Theatre on 13 February, and it had its official opening tonight (2 March).

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a musical with old Hollywood glamour to starry Chekhov and Coward, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Read all the reviews for the brand-new musical The Prince of Egypt opened at London's Dominion Theatre. Featuring a cast and orchestra of almost 60 artists, the show has music and lyrics by GRAMMY® and Academy Award®-winner Stephen Schwartz (Wicked, Godspell) and a book by Philip LaZebnik (Mulan, Pocahontas).

Be More Chill opened in London last night at The Other Palace! It's based on the groundbreaking novel of the same name by Ned Vizzini, with original music and lyrics by Joe Iconis and a book by Joe Tracz. Let's see what the critics think!

Tom Stoppard's latest - and possibly final - play has few of the dramatic hallmarks you might expect from him: the dazzling linguistic flourishes, the formal trickery, the knotty metaphors and giddy metatheatricality. Instead, we have a relatively straightforward, linear piece, initially overburdened by information, but with an immense accumulative power that leaves audiences awed and tearful.

Three years after the National's enthralling revival of Tony Kushner's Angels in America, the playwright returns with his new adaptation of Friedrich Dürrenmatt's tragicomic 1956 parable a?' which has also been turned into an Ingrid Bergman-starring film and a Kander and Ebb musical.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a new Tony Kushner adaptation to an epic musical and Shakespeare sitcom, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Ammar Duffus's past work includes Twelfth Night at the National Theatre, Holes at Nottingham Playhouse, and Sally Cookson's take on Peter Pan at the Troubadour. Duffus now reunites with Cookson for the UK tour of A Monster Calls - her critically acclaimed stage version of Patrick Ness's novel, a hit at the Old Vic in 2018.

How can we know more about a comet in outer space than we do a woman's body? So queries Lucy Kirkwood's superb new history play a?' a feminist courtroom drama that's equal parts Twelve Angry Men, The Crucible and The Vagina Monologues, plus a dash of searing, up-to-the-minute political and social commentary.

Be More Chill, a musical about a teenage boy who uses a supercomputer brain implant to help him fit in at school and get the girl, became a surprise Broadway hit thanks to its hugely dedicated fandom. Now, the show is coming to London's The Other Palace - the first venue outside of the States. Creator Joe Iconis discusses the show's development, fan support, and why it's struck such a chord with young audiences in particular.

Much of the conversation around the incoming of the revamped Les Misérables production to the West End has revolved around the revolve a?' or lack thereof. But this slicker touring version (first seen in 2009, for the 25th anniversary) is a beautiful fit for Cameron Mackintosh's marvellously refurbished Sondheim Theatre, and the show's indelible score and stirring human drama are, if anything, showcased more strongly than ever.

Last year, recent drama school graduate Sam Tutty landed the role of a lifetime: the lead in Tony Award-winning musical Dear Evan Hansen, which is now playing in the West End. He told BroadwayWorld about his audition journey, experience of the show, favourite songs, and dream future roles... 

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a starry Beckett revival to Tom Stoppard and magical mishaps, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

How ripping! A saucy French maid doing the Charleston with a handsome chap in tennis whites sets the scene for the most delightful escapism in town: Matthew White's gossamer-light revival of Sandy Wilson's 1953 love letter to the Roaring Twenties. It was once the third-longest-running stage musical, and boosted Julie Andrews' career on Broadway.

New musical & Juliet officially opened at London's Shaftesbury Theatre last night. Let's see what the critics had to say!

Have you ever dreamed of seeing Juliet wrest control of her destiny from William Shakespeare, aided by a liberated Anne Hathaway, all while belting out stone-cold Nineties and Noughties pop bangers? Well, you're in luck! This jukebox musical take on the Bard is pure sugar rush a?' and with enough groan-worthy puns and panto pleasure to make it a raucously fun Christmas outing.

It wouldn't be Christmas without Birmingham Repertory Theatre's family favourite The Snowman, now in its 22nd consecutive year. This beloved dance adaptation of Raymond Briggs' tale returns to Sadler's Wells' Peacock Theatre this week as part of its UK tour. Martin Fenton talks to BroadwayWorld about taking on the all-important title role.

How can you possibly put Joe Simpson's account of his hellish mountaineering accident on stage? Curiosity alone might well draw in viewers for this new adaptation, which premiered last year at Bristol Old Vic a?' swiftly followed by awe as they see just how inventively writer David Greig and director Tom Morris have engineered the translation.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a starry revival to musical comedies and an incendiary Pulitzer winner, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Is this a great time to tell stories, shedding light in dark times? Or is it an impossible task? That's the loose premise of Annie Baker's wilfully elusive new piece, featuring the brainstorming session from hell a?' or possibly about hell, or in hell. Immaculately directed by Baker herself and designer Chloe Lamford, it's monstrously clever: a philosophical Fright Night.