Marianka Swain - Page 12

Hampstead hosts the UK premiere of Polish-American playwright Martyna Majok's 2018 Pulitzer Prize-winning work, which explores - with thoughtful tenderness and a refreshing lack of schmaltz - the relationships between two people with disabilities and their carers.

Step away from the returns queue. The rare presence of Hollywood star Cate Blanchett on a London stage has caused a box office frenzy, but sadly this would-be provocative vehicle - Martin Crimp's loose variations on Samuel Richardson's 1740 proto-novel Pamela, directed by Katie Mitchell - isn't worthy of her talents, nor those of the excellent Stephen Dillane.

Jamie Lloyd's star-studded season of short Pinter plays continues with two more intriguing productions: one directed by Patrick Marber, the other by Lloyd himself. Among the subjects this time around are family, miscommunication, class, politics – plus an early bid for the most memorable wigs of 2019.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Cate Blanchett's UK stage debut to a reborn Andrew Lloyd Webber, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. We've already posted our Christmas picks, and now here are some of this month's most eye-catching openings (sans tinsel). Don't forget to check back for BroadwayWorld reviews, interviews and features!

This fascinating tome offers an insider's history of the National Theatre, via some 800 letters exchanged between Artistic Directors, actors, directors, playwrights, politicians, agents, critics and more. From arcane trivia through to vigorous words on the very nature and purpose of drama, it's a theatre geek's must-have.

It's a record-breaking 21st year at the Peacock Theatre for The Snowman, based on Raymond Briggs' beloved creation, with music from Howard Blake (including the iconic 'Walking in the Air'), choreography from Robert North and direction from Bill Alexander. Robert North looks back at the show's creation, ahead of its latest run beginning tonight.

There are plenty of seasonal treats served up in the capital this year, from pantos and plays to opera and dance. Here are some of the tastiest morsels for the 2018-19 festive period.

Hayden Tee's extensive musical theatre work includes playing both Marius and Javert in Les Miserables, as well as South Pacific, Titanic and Little Women. He's currently starring as Miss Trunchbull in Matilda The Musical at the Cambridge Theatre in the West End.

Jamie Lloyd's 10-anniversary season of Pinter (which kicked off in style earlier this autumn) continues with two more batches of miniatures - from familiar shorts like A Kind of Alaska to sketches and more obscure works - plus another tantalisingly starry company.

Caroline, or Change is headed to the West End's Playhouse Theatre, led by Olivier Award-winning actress Sharon D. Clarke in a critically acclaimed virtuoso performance. The full cast includes Naana Agyei-Ampadu, Keisha Amponsa Banson, Alastair Brookshaw, Me'sha Bryan, Angela Caesar, Dujonna Gift-Simms, Sue Kelvin, Teddy Kempner, Ako Mitchell, Abiona Omonua, Vincent Pirillo, Tanisha Spring and Lauren Wardwith Cassiopeia Berkeley-Agyepong, Zalika Henry, Laura Medforth, Timothy Quinlan and Teddy Wills. Check out new footage of the cast in action below!

A few protestors might be doggedly hanging on outside the Kiln (was Tricycle) Theatre, but their complaints are firmly refuted by its current show: a vibrant adaptation of Zadie Smith's award-winning novel that is not just about but firmly rooted in the diverse, complex 'melting pot' of north-west London.

South African actress Gugwana Dlamini has a long history with Disney's The Lion King, from the original animated movie through to performances in the stage show around the world. She discusses returning to the show's West End home at the Lyceum Theatre, where she stars as Rafiki.

American actor Andrew Burnap is currently starring in Matthew Lopez's acclaimed The Inheritance, which debuted at the Young Vic and is now playing at the Noel Coward Theatre.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From new musicals to Shakespeare, Pinter and Magic Mike, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

Hot off award-winning film Three Billboards Outside Ebbing, Missouri, and reunited with Matthew Dunster, who directed his hit Hangmen, Martin McDonagh brings his latest to the Bridge - quite a coup for Nick Hytner. Yet this provocative take on Hans Christian Andersen, and on the nature of storytelling, takes too scattershot an approach to fully land.

Last year, Nina Raine had a National Theatre hit with Consent, which grilled deceit and empathy in both the legal system and relationships. Now, she turns her attention to a 39-year-old single woman desperately seeking a sperm donor - and once again, procedures are sharply juxtaposed with people.

It's a #MeToo-era Measure for Measure over at the Donmar, with Josie Rourke conducting a fascinating experiment: abridging Shakespeare's problem play to just over an hour and running it twice, once in period, once in modern dress. And with the key roles of Isabella and Angelo swapped between Hayley Atwell and Jack Lowden.

Miranda Larson is a writer and director for children's TV and theatre. Her current project is the stage version of the massively popular YouTube channel Little Baby Bum, which combines animated videos with traditional nursery rhymes and children's songs. Little Baby Bum Live is now touring the UK.

Britain's foremost political playwright David Hare returns with a new play examining the current state of the Labour Party. Or not exactly - this is a world with no Brexit, no Corbyn, nothing, in fact, to anchor it to the burning issues of 2018. A relief, perhaps, but this is a state-of-the-nation play unwilling to examine our actual state.