America's most uncoordinated childhood ballet and tap student before discovering that her talents were music and writing, Marakay Rogers finally traded in her violin for law school when she realized that she might make more money in law than she did performing with the Potomac Symphony and in orchestra pits around the mid-Atlantic. Unfortunately, she forgot to factor in the student loan repayments! She has never recovered from being chewed out by Terrence Mann in public for hanging up her bow.
A graduate of Wilson College (PA), Marakay is also a writer, film reviewer and interviewer. Additionally, as of 2014, she serves as vice-chair of the Advisory Board of the Beaux Arts Society, Inc. and is a member of GALECA.
She's also taught college-level communications, writing, theatre criticism and English literature classes, has received multiple writing awards for several small-press novels, and is listed in Marquis' "Who's Who in America". She has done additional post-collegiate English and drama studies coursework with Open University (UK) in drama and literature.
Her junior high English teacher was Broadway star Katrina Yaukey's mother, Kay Yaukey. (Her high school math teacher was Ordean Yaukey, Katrina Yaukey's father, but between Marakay's mother, an editor, and Katrina's mother, English won out.) Marakay is senior theatre critic for Central Pennsylvania and a senior editor for BWWBooksWorld as well as a classical music reviewer. In her free time, Marakay practices law and often gets it right.
The DiSavinos are back, and the laughs have it, as a restaurant with a missing celebrity chef and cases of bootleg booze in soup cases tries to have a grand re-opening during a mob shootout
Marc Robin's Oz isn't the movie's. It isn't your parents'. It's bigger, it's louder, it's more colorful, and it's just a bit reminiscent of the Diane Paulus PIPPIN.
Director Lewis Silverman and a great cast put on William Inge's Tony-nominated Fifties classic in a diner set that will make you hungry for more
Artistic Director Ryan Gibbs brings Allenberry back to Swinging London in an all-female Sixties tribute show you'll want to sing along with.
Director Brian Enzman brings the Parisian Barricade to the stage at Dutch Apple Dinner Theatre
Oh NBC, you devils. You tease us with promos for a season two finale entitled 'Masha Rostova,' which we've come to understand is Elizabeth Keen's birth name. Yet we open to find the title card 'Tom Connolly, No. 11.' We'll discover during the evening that not one, but both, titles just may be correct. The Attorney General of the United States is a fiend, but Liz, what are you doing with that gun?
The Frank Loesser classic is onn stage in Chambersburg, as sharp and sassy as ever
Russian terrorist Karakurt, working for The Cabal, is trying to create a new Cold War, and no one is safe. Connolly's a Cabal mole, Cooper's a patsy, Red Reddington is still a man of mystery, but is Liz, daughter of Katrina Rostova, a Russian spy now? And what makes Tom think he and Liz can start from scratch?
Ephrata puts on a truly riotous production of a truly riotous show. Let the frivolity begin.
Director Steven Flom presents a lavish vision of America's creepiest, kookiest family. If only the book could hold up to his vision.
Donna Drake and a terrific cast tell the story of six men's journey to self-discovery
Artistic Director Ryan Gibbs knocks the Neil Simon classic out of the ballpark with the help of a veteran cast
Oyster Mill Playhouse presents the classic comedy summarizing all of Shakespeare in one evening for laughs
Valerie Joyce and a fine cast go back to the roots of Brecht's THREEPENNY OPERA and uncover a feminist treasure trove
Director Donald Alsedek and actors Trish Baillie and Anthony M.C. Leukus create a delightful wartime romance on a riverbank between two mismatched, middle-aged lovers
Don;t let April showers rain on your parade over to Dutch Apple for one of America's favorite musicals.
The 'psycho lesbian' murderer is a staple media stereotype without basis in fact. Seeing it on NBC'S THE BLACKLIST in 'Vanessa Cruz' harks back to a less enlightened era of television and film. Isn't THE BLACKLIST sexist and offensive enough without it?
A mysterious woman, Vanessa Cruz, is framing wealthy businessmen for crimes they didn't commit, and Red's life is in danger from the Alliance. So why is Liz letting her ex,Tom, attempt to romance her in exchange for a passpor
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