Lynn Beaver

Today I am thrilled to have the opportunity to interview Makoto Matsuda. Makoto is not only a giant in the anime genre but a producer with Appare Co., Ltd, the company responsible for bringing the first 2.5D musical to our continent. I’ve never seen this new type of theatre and I’m very curious about what PRETTY GUARDIAN SAILOR MOON: THE SUPER LIVE TOUR has in store for us on Saturday, March 15th at Bass Concert Hall.

The world premiere of RABBITS at the Vortex delivers an exceptional cast, incredible directing and a whopping great story. Every aspect of this show is stellar, showing the creativity and dedication to the art of theatre available right here in our fair city. 

Farce, with its fast-paced action, physical comedy, and absurdity, is my favorite type of theatre. The national tour of CLUE - Live On Stage! fits the definition perfectly, delivering buffoonery, slamming doors, and breathless pacing.

Bottle Alley Theatre is undoubtedly Austin’s most creative company. From their incredible scripts to their out-of-the-ordinary performance spaces, they can take a thread of thought and weave a singular moment in time for their audience.

The Georgetown Palace production is jammed full of talent and fun with a brilliant cast and crew. DISASTER! THE MUSICAL quite simply highlights what the Palace does best, technically difficult shows that make us roar with laughter.

I’m so happy to have the opportunity to chat with the co-writer of DISASTER! Jack Plotnick. DISASTER! runs March 22 - April 21 at The Georgetown Palace Theatre and Jack is attending opening night.

There’s a reason why WICKED has become one of the most beloved musicals in the history of theatre, it is quite simply fantastic in every aspect.

Trouble Puppet Theatre Company continues its superb storytelling tradition with UNDARK: A Radioactive Puppet Play at the Vortex.

UNA NOCHE BUENA at ZACH Theatre is a wonderful holiday musical that will become a holiday tradition.

Broadway in Austin brings the absolutely hysterical, very adult THE BOOK OF MORMON to Bass Concert Hall to an appreciative audience this week.

Magnolia Musical Theatre’s DISNEY’S BEAUTY AND THE BEAST is an extraordinary experience.

Shrewd Productions has a reputation for producing amazing theatre and their return to the stage after the pandemic is no different. SMALL STEPS is touching, engaging, funny, and surprising.

Beyond August Productions and director Robyn Conner do an outstanding job in bringing this midnight dark comedy to life.

WRAITH RADIO, written by company founder Chris Fontanes is a truly amazing piece of theatre. The script is a finely crafted puzzle, leaving storytelling bread crumbs along the way, but reserving the last revelation for the final moments.

There are few things that make me happier than entering a theatre packed with smiling, joyful audience members of all ages. CINDERELLA elicited laughter, joy and a heartfelt standing ovation the evening I attended.

Jarrott Production's MOTHER OF THE MAID by Jane Anderson is currently playing at Ground Floor Theatre. Sadly this oddly clunky script is more puzzling than entertaining despite a valiant effort by the director, cast and crew.

Bottle Alley Theatre prides itself on being a DIY theatre company, and they do it incredibly well. For their current production, SELF PORTRAITS, the company has a couple of tables laden with props, a couple of folding chairs, two tall stools, a canvas backdrop, and a small space for the actors to work.

I can’t think of a better way to celebrate Women’s History Month than to see SILENT SKY, a sublimely beautiful play currently running at The Georgetown Palace Playhouse.

Austin Opera presents one of the most iconic musicals in Broadway history, SWEENEY TODD: The Demon Barber Of Fleet Street by the late, great Stephen Sondheim. In a departure from their usual fare of Bizet, Puccini or Verdi, this particular production marks the first time Austin Opera has performed a musical.

Jarrott Productions begins 2023 with another hit, the suspenseful narrative THE SOUND INSIDE by Adam Rapp. This beautiful, sometimes jarring, play follows the company’s former work featuring amazing talent and outstanding production values.