Lynn Beaver

Bottle Alley Theatre is undoubtedly Austin’s most creative company. From their incredible scripts to their out-of-the-ordinary performance spaces, they can take a thread of thought and weave a singular moment in time for their audience.

The Georgetown Palace production is jammed full of talent and fun with a brilliant cast and crew. DISASTER! THE MUSICAL quite simply highlights what the Palace does best, technically difficult shows that make us roar with laughter.

I’m so happy to have the opportunity to chat with the co-writer of DISASTER! Jack Plotnick. DISASTER! runs March 22 - April 21 at The Georgetown Palace Theatre and Jack is attending opening night.

There’s a reason why WICKED has become one of the most beloved musicals in the history of theatre, it is quite simply fantastic in every aspect.

Trouble Puppet Theatre Company continues its superb storytelling tradition with UNDARK: A Radioactive Puppet Play at the Vortex.

UNA NOCHE BUENA at ZACH Theatre is a wonderful holiday musical that will become a holiday tradition.

Broadway in Austin brings the absolutely hysterical, very adult THE BOOK OF MORMON to Bass Concert Hall to an appreciative audience this week.

Magnolia Musical Theatre’s DISNEY’S BEAUTY AND THE BEAST is an extraordinary experience.

Shrewd Productions has a reputation for producing amazing theatre and their return to the stage after the pandemic is no different. SMALL STEPS is touching, engaging, funny, and surprising.

Beyond August Productions and director Robyn Conner do an outstanding job in bringing this midnight dark comedy to life.

WRAITH RADIO, written by company founder Chris Fontanes is a truly amazing piece of theatre. The script is a finely crafted puzzle, leaving storytelling bread crumbs along the way, but reserving the last revelation for the final moments.

There are few things that make me happier than entering a theatre packed with smiling, joyful audience members of all ages. CINDERELLA elicited laughter, joy and a heartfelt standing ovation the evening I attended.

Jarrott Production's MOTHER OF THE MAID by Jane Anderson is currently playing at Ground Floor Theatre. Sadly this oddly clunky script is more puzzling than entertaining despite a valiant effort by the director, cast and crew.

Bottle Alley Theatre prides itself on being a DIY theatre company, and they do it incredibly well. For their current production, SELF PORTRAITS, the company has a couple of tables laden with props, a couple of folding chairs, two tall stools, a canvas backdrop, and a small space for the actors to work.

I can’t think of a better way to celebrate Women’s History Month than to see SILENT SKY, a sublimely beautiful play currently running at The Georgetown Palace Playhouse.

Austin Opera presents one of the most iconic musicals in Broadway history, SWEENEY TODD: The Demon Barber Of Fleet Street by the late, great Stephen Sondheim. In a departure from their usual fare of Bizet, Puccini or Verdi, this particular production marks the first time Austin Opera has performed a musical.

Jarrott Productions begins 2023 with another hit, the suspenseful narrative THE SOUND INSIDE by Adam Rapp. This beautiful, sometimes jarring, play follows the company’s former work featuring amazing talent and outstanding production values.

I urge you to grab your tickets for the final weekend before it’s completely sold out, it will be. HEDWIG AND THE ANGRY INCH made its debut Off Broadway in 1998, an in-your-face rock musical with a non-hetero-normative central character that shocked audiences with its raw narrative. Looking back at a show that's 24 years old, one would think that the material, once shocking, would be less impactful given the intervening time and

Lowell Bartholomee’s new work, PREVIEWS OF DEPARTING ATTRACTIONS is a theatrical breath of fresh air during our stifling August heat.

SUNFLOWER with book and lyrics by Laura Guli and music and orchestration by Premila Mistry tries so hard to reach its target audience that it lacks focus on any one topic.