Krista Garver - Page 10

Storm Large is a rock star, a memoirist, and the creator/star of the autobiographical musical CRAZY ENOUGH, which was originally commissioned by Portland Center Stage at The Armory. Premiering in 2009, CRAZY ENOUGH ran for 21 weeks straight and still holds the record as the longest-running and most successful show in PCS history. The show is coming back for a very limited engagement this month.

INTO THE WOODS features a combination of a stripped-down musical score, movement-focused direction, and the strongest cast that Broadway Rose has ever assembled.

NATIVE GARDENS is an I Love Lucy-esque new comedy by Karen Zacarias now playing at Portland Center Stage. It's about colonialism, entitlement, and gardening philosophies.

LET ME DOWN EASY is a series of 20 monologues about life, health, sickness, and death. It's one of the best shows of the year.

David Hare's THE BREATH OF LIFE tells the story of a meeting between Frances Beale, the ex-wife of hotshot lawyer Martin, and Madeleine Palmer, Martin's ex-mistress. Now in their 60s, the women reflect on their past and the future to come.

'Why do some people become well and others don't?' This is the question at the center of Lisa Kron's funny, inventive WELL, now playing at Profile Theatre.

The French Revolution and comedy don't typically go together, but Lauren Gunderson upends many conventions in THE REVOLUTIONISTS, a fast-paced, feminist comedy set during France's 1793 Reign of Terror, now playing at ARTISTS REP.

By juxtaposing personal horrors with apocalyptic ones, Caryl Churchill's ESCAPED ALONE captures our current societal unease and also seems to reprimand us for sitting around lamenting our personal problems when much, much larger troubles are threatening.

Commit the crime, do the time. It seems so simple, and so logical. But, as Stephen Adly Guirgis's JESUS HOPPED THE A TRAIN so superbly shows, nothing about our criminal justice system is that simple, or that logical. If you don't have your tickets yet, get them now.

In Sonya Kelly's HOW TO KEEP AN ALIEN, now playing at Corrib Theatre, Irish Sonya falls in love with Australian Kate. The play tells their story -- a tale of two people literally going to the ends of the earth to be together. It's funny, quirky, and the perfect romantic antidote to the dreary Portland weather.

THE NO PLAY tells the story of the relationship between the Cheeks, an African American family, and Yaveni Aaronsohn, a Jewish scholar writing a book about the commonalities in the two cultures' experiences. It's challenging, emotional, and important.

Charly Evon Simpson's JUMP, which is having its National New Play Network rolling world premiere courtesy of Milagro Theatre and Confrontation Theatre, explores the obstacles that we too frequently put between ourselves and real human connection.

Dael Orlandersmith's solo play UNTIL THE FLOOD, in which the Ferguson community processes the shooting, is just as vital now as it was when it was first commissioned by the Repertory Theatre of St. Louis.

A GRAND NIGHT FOR SINGING is a musical review that weaves together songs from Rodgers and Hammerstein's most well-known shows (Oklahoma!, South Pacific, The King and I, etc.), as well as some you might be less familiar with (Allegro, Pipe Dream, Me and Juliet). If you like musicals, you'll love it.

The famous magic carpet has landed, or, rather, it has taken off, at Keller Auditorium with the arrival of Disney's ALADDIN. The carpet really does fly, and it really is magical, and it's just one of the stagecraft marvels of this show.

Regina Taylor's CROWNS, now playing at Portland Playhouse is a jubilant musical that mixes gospel, jazz, and a little bit of hip hop into a celebration of sisterhood, self-expression, and, most importantly, fabulous hats.

Great theatre takes you out of yourself. It gives you empathy for people who are different from you and helps you understand the world from a perspective that's not your own. That's exactly what WOLF PLAY does.

THE JOLLY RIOT, from Torchsong Entertainment, is a pirate metal musical featuring swashbuckling music, all your favorite pirate tropes, and plenty of camp.

STRAIGHT focuses on Ben, a 26-year-old investment banker with a six-figure income, a devoted girlfriend, and a clandestine relationship with another man. As this relationship deepens, Ben wrestles with how he identifies and what he wants his life to look like.

In her new solo show, HOW TO REALLY...REALLY? REALLY! LOVE A WOMAN, Eleanor O'Brien, the pioneer of sex-positive theatre in Portland, looks at how we can all benefit from bringing back the ancient practice of honoring the Goddess.