Jennifer Perry - Page 16

Judging by this concert, it's easy to see why Celtic Woman is a worldwide sensation.

Thanks to a triple threat cast with energy to spare, this silly show is one to see!

When newly-minted Round House Theatre Producing Artistic Director Ryan Rilette announced that Gina Gionoffrido's Becky Shaw would replace another show - selected by his predecessor - in the theatre company's current season, I was pretty interested to see how it would turn out. I had the chance to check out the 2009 New York premiere at Second Stage Theatre and was largely impressed with not only the cast, but the play itself. Not your run of the mill kind of schmaltzy and cutesy romantic comedy, this play veers toward the edgy and dark side while offering valuable insights on human relationships and related boundaries/rules of the road with the help of some richly drawn characters.

Angsty, raw, and real, this play does not shy away from the hard, but well-discussed philosophical questions about art, reality, love and life and what it all means.

Forum Theatre's production of this riveting drama is - like the company itself - ambitious, heartfelt, and raw.

The production was real, raw, and unflinching. Artistic Director Kuchar says he chooses shows that will inspire kids and cause them to think. This show certainly does that and can also impact the audience. Kudos to this wonderful program.

KAT is nothing if not ambitious.

Overall, is this show perfect? No, but what show is? I give Keegan kudos for taking it on and it will no doubt entertain many a DC theatregoer.

This show is worthy of a look if only for the brilliance that is Susan Lynskey's heartbreaking acting.

Visceral, evocative, and charged with energy, New Zealand's Gary Henderson's 'Skin Tight' and Canada's Daniel MacIvor's '2-2 Tango' - both of which comprise Studio 2nd Stage's 'Pas de Deux' theatrical event - stand fine on their own but are even better as a pair.

No Rules takes a chance on an untested work and makes a solid attempt.

'The Magic Finger' offers a thoroughly entertaining glimpse at the power of speaking up about what's right.

Imagination Stage's delightful creativity makes this show one to see.

This play is ultimately quite compelling.

Cabaret and physics? Who would have thought? Yet, Gia Mora makes it all work.

Future Synetic stars are emerging in this production.

This production is a must-see.

This show is worth a look for the adventurous DC theatregoer. One has to admire Taffety Punk's ambition.

There's nothing like seeing Daisey do what he does best. Few other men sitting behind a table can leave an audience mostly, if not completely, riveted.

This is a well-presented and well-acted production of a problematic play.