Jeffrey Ellis - Page 48

Nashville Ballet and company principal/choreographer Christopher Stuart have been awarded a Fellowship Initiative grant from the New York Choreographic Institute, an affiliate of New York City Ballet, to support the development of new choreography in a studio setting.

They're dishing up some tasty Rumors at Chaffin's Barn Dinner Theatre - along with the bountiful buffet of Southern delicacies - while at Donelson's The Larry Keeton Theatre, the last two performances of Beth Henley's The Miss Firecracker Contest are served up this weekend, and the national touring company of Mamma Mia! winds up its weeklong stand at the Tennessee Performing Arts Center's Andrew Jackson Hall. And the intrepid Nashville Repertory Theatre Professional Interns present their very own production of Gruesome Playground Injuries.

Neil Simon's Rumors - one of the most popular stage farces of the late 20th century - is given its due with the fourth production at Nashville's iconic and I daresay historic Chaffin's Barn Dinner Theatre. Directed with panache by stage veteran Lydia Bushfield (who, herself, has starred in one of the four productions of Rumors at Chaffin's Barn over the past quarter-century), Simon's broadly drawn characters are brought vividly to life by a cast of capable and very funny actors who know how to land a line, deliver a rejoinder and, when called upon, play the straight man to help a fellow actor out when it comes time for him to shine.

Melissa Williams, longtime Nashville theater veteran, directs the final show of ACT 1's 2015-16 season – Ed Graczyk's Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean – running at Darkhorse Theater May 6-21.

Make no mistake about it: the current production of Mamma Mia!, the musical theater hit now onstage at Tennessee Performing Arts Center's Andrew Jackson Hall is just as entertaining, just as over-the-top in all its ABBAesque glory that audiences cannot help but be awestruck by the sheer theatricality of the piece, enthralled by the cavalcade of songs that provide the show's score and delighted by the efforts of the company's talented and eager-to-please and generally eye-poppingly gorgeous ensemble.

At long last, Music City Confidential is back to help you get caught back on the talk of the town - all the news that's fit to print about the Nashville theater community - and to immerse you in the minutiae of life in Theater City (a term we've been trying to copyright since we were in junior high with Thespis, Aristophanes and Martha Wilkinson).

Opening night quickly approaches at Nashville's historic Chaffin's Barn Dinner Theatre - which this year celebrates its 50th season - for Neil Simon's Rumors, first produced on the iconic and completely magical floating stage in 1991.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Nashville Repertory Theatre will launch its 2016-17 season with Jason Robert Brown's contemporary musical The Last Five Years and will feature the regional debut of Doug Wright's Posterity, a play about Henrik Ibsen that was developed in the company's Ingram New Works program and which premiered off-Broadway in 2015.

Since coming to Nashville two years ago, actor/director/teacher Santiago Sosa has found his new theater home to be 'very welcoming and warm' as he's been graciously accepted into the family of artists who make Music City their home. And now, with auditions for Nashville Shakespeare Festival's Apprentice Company on the horizon (April 28 and 29), he's anxious to himself welcome new folks into the ever-growing family of theater types who are bent on improving their skills, expanding their understanding of all things Shakespeare and adding to their own personal bags of theatrical tricks - all while establishing roots in Tennessee.

Nashville Shakespeare Festival will celebrate Shakespeare's birthday and the 400th anniversary of his death today, April 23, with the Bard's Birthday Bash at the Nashville Public Library Main Branch, located at 615 Church Street.

Nashville Ballet brings its 30th anniversary season to a close with two works choreographed by artistic director and CEO Paul Vasterlling:  a dazzlingly intricate and grand revival of Carmina Burana, set to the timeless music of Carl Orff, and the world premiere of Layla & The Majnun, which features the music of composer Richard Danielpour, which recreates one of the world's oldest love stories from Persian culture.

Imagine if Picasso and Einstein had actually met: That's the premise for comedian-turned-playwright Steve Martin's Picasso at the Lapin Agile, which opens this Today, April 22, at Brentwood's Towne Centre Theatre.

First up, we're Getting To Know…Amber Buker, who with her partner Randall Tye Pike, is launching Nashville's latest theater company - Distraction Theatre - this summer at the iconic Darkhorse Theater. Even before we subjected her to a good and dramatic drilling/grilling and/or questioning, we knew her to be charming and direct, two of the attributes all theater folk should develop. But as we pummeled her with queries, we discovered something else: she once competed for the title of Miss Oklahoma, a fact that ingratiated her to us immediately.

There's a lot to learn about the two actors - Kyra Belle Johnson, who's cast as Sophie, and Stephen Ecklemann, who takes on the role of her boyfriend Sky - playing the young leads in Mamma Mia!, the ABBA-inspired musical that lands at Nashville's Tennessee Performing Arts Center next Tuesday night for an eight-performance run.

Widely regarded as one of the most successful, prolific and performed playwrights in the world, Neil Simon might well be considered the best comedy playwright in American Theater and Nashville audiences at Chaffin's Barn Dinner Theatre will be able to revel in the coming weeks as one of Simon's best-loved plays is brought to life on the miraculous floating stage by a cast of award-winning actors.

Shows are opening (Carolyn German unveils her latest, Go From Here, and Nashville Ballet revives Carmina Burana, both this weekend), shows are closing (your last chance to catch The Taffetas at Chaffin's Barn Dinner Theatre before they go the way of The Plaids is this weekend) and The Miss Firecracker Contest is back onstage at Donelson's Larry Keeton Theatre for the second of three weekends. Obviously, the 2016 theater season continues to reveal itself at a breakneck pace, giving audiences a veritable buffet of offerings from which to choose.

Oh, for the love of God, we get it, we get it: The superwomen – who might best be described as the superheroines of Nashville's theaterati and assorted non-stagey types – of SuperMAS love each other, admire each other's mad musical theater skills and get along as well as a bunch of Canadians trying to out-courteous one another! But just imagine how much fun it would be if the quintet of superior performers could somehow show us the seamy underbelly of their interactions and artistic collaborations, exposing us to the histrionics of the Real Housewives reality of their relationships…complete with overturned tables, repeated air kisses and trips to faraway lands where they redefine the term “ugly Americans.”

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Delving into the deeply complex culture of Russian life and history - and the fanciful, yet somehow disturbing, tales that have inspired and informed Russian literature for centuries - Miroshnik's equally complex play offers an intriguing and entertaining treatise on that literature, brought to life with contemporary twists and turns that make the stories more accessible to modern theater-goers, while inviting comparisons and contrasts of Russia in the 21st century with the ancient Tsarist era and the hardships of the Communist years of the last century.