Jared Fessler

Glen Phillips has spent nearly forty years writing songs that balance melodic warmth with emotional honesty. As the lead singer and primary songwriter of Toad the Wet Sprocket, he helped define the band’s enduring folk-pop sound, while also building a varied solo career and collaborating on projects ranging from Mutual Admiration Society (with members of Nickel Creek) to the experimental Remote Tree Children.

Third Space Theater’s production of Will Arbery’s Plano, running now through January 18, 2026 at the Alan Page Auditorium at Mixed Blood Theatre, is fast, strange, and often deliberately disorienting.

We chat with Patrick Dunachie of The King’s Singers ahead of an extraordinary concert at Orchestra Hall in Minneapolis. Patrick is the ensemble’s first countertenor, and this season marks a meaningful milestone in his career, as he will be stepping away from The King’s Singers at the end of the 2025–26 season.

In this interview, Osnes talks about the lessons she’s learned throughout her career, why she felt called to create Stagecraft, and what she hopes today’s performers gain from having access to guidance she once wished she’d had.

At first glance, Shucked doesn’t seem like a show that should work. A Broadway musical about corn, packed with puns and country music, sounds like it might wear thin fast. But during its stop at the Orpheum Theatre, this touring production proves that beneath the dad jokes and folksy charm is a surprisingly smart and generous piece of musical theatre.

What did our critic think of THE CHAOS OF THE BELLS at Brave New Workshop?

Broadway performer Chase Del Rey has built his career through years of work both onstage and behind the scenes in rehearsal rooms.

We recently connected with Ben Vanden Boogard of Minneapolis-based indie pop band Of The Orchard for an online interview ahead of an exciting new chapter for the band. With a brand-new EP on the way, Of The Orchard is gearing up to share music that reflects their growth, collaboration, and evolving sound.

​​​​​​​This New Year’s Eve, Kori King is heading into the swamp as Shrek for Flip Phone Events’ Shrek Year’s Eve at Amsterdam Bar & Hall. Known for performances that are funny, high-energy, and deeply connected to the crowd, Kori brings drag that’s all about presence and impact.

What did our critic think of 025 | THE GHOSTS OF CHRISTMAS EVE: THE BEST OF TSO AND MORE! at Target Center Minneapolis?

What did our critic think of OMG SHOES! STARRING KELLY LIVE! at Lush Lounge & Theater?

Christmas Day at U.S. Bank Stadium was more than just football — it was a full-scale holiday celebration. The Minnesota Vikings faced the Detroit Lions in a Netflix broadcast that combined high-energy performances, celebrity appearances, and a 23–10 Vikings victory that thrilled fans both in the stadium and at home.

We recently spoke with Isaac, who portrays Caiaphas in the current production of Jesus Christ Superstar, now playing at the Ordway Center for the Performing Arts through December 28, 2025.

What did our critic think of A CHRISTMAS IN OCHOPEE at New Native Theatre?

What did our critic think of HOME FOR THE HOLIDAYS at St. Croix Valley Opera?

What did our critic think of DINNER FOR ONE at Jungle Theatre?

What did our critic think of PLAID TIDINGS at Artistry?

First Avenue is bringing Flip Phone Superstar 2025 to the Twin Cities — a search for the area’s next drag standout. The night is hosted by Jimbo, whose fearless, off-the-wall style has made them one of the most talked-about performers in drag today.

The national tour of The Wiz is a high-energy, visually stunning experience that’s taking Minneapolis by storm at the Orpheum Theatre. Running from December 16 to 21, 2025, this revival of the Tony Award-winning musical brings new life to the classic story, with a fresh take that feels as relevant and exciting today as it did when it first hit Broadway. D

What did our critic think of CHRISTMAS WITH CONTUS at Artistry Theater, Bloomington Center For The Arts?