BWW Review: DOGFIGHT at Keegan TheatreAugust 28, 2015The musical tells the story of a marine about to head to Vietnam for the war that saw an estimated 1.5 million casualties. Birdlace (Tiziano D'Affuso), and his fellow marines Boland (Harrison Smith) and Bernstein (David Landstrom) are on leave in San Francisco when they plan a party, like the soldiers before them, called 'The Dogfight.' All the soldiers put money in a pot and compete by bringing the ugliest girl and dancing with her at the party.
BWW Reviews: Take a Bite Out of SILENCE! at Studio Theatre's 2nd StageJuly 21, 2015Studio Theatre's 2nd Stage has been transformed into a cabaret theatre, complete with proscenium running lights and a runway that would make any Mama Rose proud. With tongue planted firmly in cheek, the familiar story of Jonathan Demme's Oscar Winning 1991 film, "Silence of the Lambs," comes to life.
BWW Interviews: If It's Not One Thing, It's Your Mother - A Chat With The Moms of DEAR EVAN HANSENJuly 8, 2015Broadway's Jennifer Laura Thompson (Nice Work If You Can Get It) and Rachel Bay Jones (Pippin) star in the World Premiere of DEAR EVAN HANSEN and they've also managed to tackle being working actors and real-life mothers at the same time. I got the chance to speak with both of them about how all that works - juggling successful careers and parenthood is something not a lot of Broadway actors can pull off.
Beyond Sunday: A Choral World of SondheimMay 29, 2015Closing out the 26th season, Artistic Director David Simmons has put together some of the greatest works by your favorite composer and mine, Stephen Sondheim. When I was 14 years old, I heard 'Sunday' from Sunday in the Park with George for the first time. I remember it clearly. I'd borrowed the album from the library - yes - while everyone else was playing kickball down the street, I was holed up in my room, listening to the vinyl of lesser-known musicals. THAT'S how gay I am.
BWW Reviews: DAME EDNA'S GLORIOUS GOODBYE at The National TheatreApril 22, 2015Men dressing as women is an art form as old as Shakespeare. In Elizabethan times, women were forbidden from appearing on the stage. Therefore, all of Shakespeare's greatest women, from Lady MacBeth to Portia to Juliet - all originally played by men.
BWW Reviews: SHEAR MADNESS at The Kennedy Center For The Performing ArtsMarch 4, 2015After 27 years, the crowd pleasing SHEAR MADNESS at the Kennedy Center for the Performing Arts has become the 2nd longest-running theatrical production in the country, second only to the same production at the Charles Playhouse in Boston. According to press notes, the play has now been seen by a worldwide audience of 10.9 million with over 3.2 million people attending the Kennedy Center production alone.
BWW Reviews: THE WIDOW LINCOLN at Ford's TheatreJanuary 29, 2015Mary Todd Lincoln, the wife of President Abraham Lincoln, is the subject of a new play which premieres this month, marking 150 years since the President's assassination. Ford's Theatre, the site of the crime that took the civil rights legend from us, has commissioned playwright James Still to capture a moment in time which very little is known about.
BWW Interviews: Kyle Dean Massey of PIPPIN at The National TheatreDecember 15, 2014When I was 11, I was in the chorus of a community theatre production of a little show called Pippin. For me, it was what taught me that theatre could be a magical thing. For some reason, as I grew up, I always kind of identified with Pippin's story - which I'm sure is the point of the show somewhat.
BWW Reviews: EVITA Brings a New Argentina to DC's Kennedy CenterOctober 3, 2014There are few shows I know every word to, and even fewer I've known for 30 years. When I was 10, I was in the chorus of a community theatre production of EVITA in Hingham, MA. I became obsessed. In 5th grade, we had to do a biographical report on anyone we chose. All the other boys chose Babe Ruth, Abraham Lincoln, Ted Williams...I threw up my hand and shouted 'Eva Peron!' The black and white covered vinyl double album became my own personal soundtrack. And I was somehow surprised that people knew I was gay.
BWW Reviews: TAKE ME OUT is a Grand Slam in Tyson's CornerSeptember 15, 2014What I hoped would be a period piece by now after seeing it ten years ago at New York's Public Theatre, Take Me Out is taking on a vibrant new life at Tyson Corner's 1st Stage. Opening their lucky seventh season, the play is a poignant exploration of expectations, character and how we look at courage.
BWW Reviews: Loving Each Feather and Spangle of A GAY MAN'S GUIDE TO BROADWAYMay 19, 2014'A Gay Man's Guide to Broadway,' though a bit redundant in its titling, was a delightful romp highlighting not just LGBT characters, but equality overall throughout musical theatre history. Opening with 'Hello' from the still-impossible-to-snag-a-ticket-to Book of Mormon through a stirring a cappella arrangement of 'I Dreamed a Dream' (hauntingly and beautifully performed by Kevin Thomason - in the original Patti LuPone key, no less), the performance was an evenly-organized collection of well and lesser-known Broadway tunes.