Jade Kops - Page 4

What Young Women Want could be another name for Bakehouse Theatre Company’s 2024 season launch of LOW LEVEL PANIC

As part of the Mardi Gras season Director Alex Kendall Robson brings JORDAN SEAVEY's new play at the the New Theatre stage.

Queensland Theatre brings Cheryl Strayed’s TINY BEAUTIFUL THINGS to the Belvoir stage

NIGHT SONGS AT CONEY ISLAND a stunning spectacle of sight and sound.

RIZO: PRIZMATISM is the 40 year old twenty something that brings her unique New York Cabaret vibe to the Sydney Festival.

GOTESBORGS OPERANS DANSKOMPANI is a must see for any contemporary dance enthusiasts.

sex, drugs and techno (sorry, no rock and roll in these homosexual nightclubs), with the portrayal of Gordon’s (Lawrence Boothman) journey to self-discovery at its centrepiece.

ARE WE NOT DRAWN ONWARD TO NEW ERA is the ultimate arts festival show. Unique, clever , inventive, challenging and awe inspiring.

TIDDAS, the first production for the year at the iconic Belvoir Theatre is a blast!

What appears to be acrobatic acts of sheer skill and genius, is actually a much deeper story around Cambodia’s staple food…..rice, otherwise known as “White Gold”.

Guest Reviewer Kym Vaitiekus Shares His Thoughts On ITS A SIN: SONGS OF LOVE AND SHAME

Director Jason Langley along with Canberra’s Heart Strings Theatre bring their production to the Hayes theatre. It follows the story of the first American woman soldiers who were instrumental in the victory of the first World War.

To be blunt, if you’re into theatre of social commentary and/or socially minded comedy, Brokentalkers and Adrienne Truscott’s ‘Masterclass’ is, simply, brilliant.  

SMASHED: THE NIGHTCAP sets the scene for a fabulous 2024 SYDNEY FESTIVAL and proves to be a must-see show.

Imara Savage (Director) brings Andrew Upton’s fifth Chekov play adaptation to the stage with a new imagining of THE SEAGULL.

Eamon Flack’s adaptation (script and direction) of Mikhail Bulgakov’s THE MASTER & MARGARITA is an intriguing retelling of the Russian writer’s last novel that remained hidden to decades after his death. 

The marvelous minds behind THE WHARF REVUE: PRIDE IN PREJUDICE have created another clever commentary on Australian and global politics.

Ella Hickson’s OIL takes the audience on a journey through Britain's relationship with petroleum, providing a warning for the future as the environmental impact takes hold and resources dwindle.

Verity Laughton’s adaptation of Pip William’s debut novel, THE DICTIONARY OF LOST WORDS, is a beautiful interpretation of the historical fiction that seeks to highlight the invisible women and their influence in undocumented language.  

Brilliantly funny with relatable moments, THE MEMORY OF WATER combines comedy with scientific theory to challenge how memories are retained and altered over time.