Jade Kops - Page 36

In an age when you can organise most things with technology, Julian Larnach's new play IN REAL LIFE extrapolates to a not too distant future where being connected is more important than connecting.

The mystery of what motivates a person to murder for political reasons plays out in Hayes Theatre Co's latest perfectly crafted production ASSASSINS.

DINNER invites the audience to peer in on the world of the arrogant and affluent as they posture and pose through a night of feigned civility with backhanded barbs.

In the tradition of resorting to humour to handle weighty and desperate situations, Conor McPherson's THE NIGHT ALIVE considers the hope that can come from having the right outlook when life keeps throwing setbacks and challenges.

Emotional, engaging and at times enraging as the audience empathises with the inhabitants of a community making way for progress, DIVING FOR PEARLS is a wonderfully rendered work that considers compassion, conscience and conduct in the face of corporate and individual greed and determination.

Artistic Director and Conductor of the Australian Brandenburg Orchestra (ABO), Paul Dyer's latest concert HAYDN, MOZART & FRIENDS expresses the liveliness of four animated works.

SUNDAY IN THE PARK WITH GEORGE is presented with heart and humour by @littletriangeco for @sydneyfringe

A darker side of adolescence which has the potential to fall through the gaps is explored in Declan Greene's MOTH.

Peter Quilter's play GLORIOUS, about the famously terrible amateur soprano Florence Foster Jenkins (Diana McLean), is a highly entertaining look at what happens when self-confidence collides with delusional belief in one's own abilities.

Director Shane Bates brings FIGARO, Charles Morey's adaptation of Pierre Beaumarchais' 18th century romantic comic play THE MARRIAGE OF FIGARO, to Sydney's Genesian Theatre.

Bernadette Robinson recreates the heartfelt stories and songs of some of the most iconic women in her latest one woman show, THE SHOW GOES ON.

Following on from a successful opening season at the Sydney Opera House season in September 2016 and Brisbane and Melbourne seasons earlier this year, MY FAIR LADY returns to Sydney with a much better, more comfortable and 'lived in' performance.

Director Damien Ryan takes the audience into one man's world of losing not only his watch but also his mind as he brings Florian Zeller's award-winning play, THE FATHER to the Sydney stage.

Exploring the realities of relationships, Shaun Parker and Jo Stone's BLUE LOVE blends genres to take an amusing glimpse at one couple's views on love.

Sarah Kane's final play 4:48 PSYCHOSIS, about the still somewhat taboo topics of clinical depression and suicide, is a perfect fit for Old Fitz Theatre's 2017 season of Unspoken subjects.

Nicholas Christo and Johannes Luebbers intriguing new musical MELBA sees opera and musical theatre come together to celebrate the legendary Dame Nellie Melba.

Tommy Murphy's adaptation of Tim Conigrave's award winning memoir HOLDING THE MAN is presented with care and simplicity by Lane Cove Theatre Company.

Opera's wild children Jacqueline Dark and Kanen Breen, otherwise known as the STRANGE BEDFELLOWS, return to the cabaret stage with their latest offering, BEDLAM. Drawing on classic Weimar Kabarett, this bold and brilliant work is both contemplative and comic as Opera meets mainstream to question the meaning of madness.

Sport for Jove's latest offering takes a contemporary turn from its usual period works with Dale Wasserman's adaptation of Ken Kesey's ONE FLEW OVER THE CUCKOO'S NEST.

Jami Brandli's play TECHNICOLOR LIFE brings women's stories to the forefront in an emotional rollercoaster of dramatic comedy.