Ilana Lucas is an English professor at Toronto’s Centennial College. She holds a BA in English and Theatre from Princeton University, and an MFA in Dramaturgy and Script Development from Columbia University, where she learned countless fascinating theatre stories as lead archivist for the estate of Tony winners Phyllis Newman and Adolph Green. She is Vice President of the Canadian Theatre Critics’ Association.
Before BroadwayWorld, she worked as Brit+Co’s weekly books columnist, and as a Senior Writer for Mooney on Theatre. In her spare time, she is a freelance dramaturg and playwright, sings in Toronto's Amadeus Choir, and plays nerd-rock handbells with Pavlov's Dogs Handbell ensemble. Her most recent play, “Let’s Talk,” won the 2019 Toronto Fringe Festival’s 24-Hour Playwriting Contest.
She believes that theatre has a unique ability to foster connection, empathy, and joy, and has a deep love of the playfulness of the written word.
BWW Review: ITALIAN MIME SUICIDE at The Theatre Centre Speaks Passionately About a Silent Art
April 24, 2022
April 24, 2022
ITALIAN MIME SUICIDE, in a new production by Bad New Days playing at The Theatre Centre, is both more tongue-in-cheek and more serious than its name suggests. The show, written by Adam Paolozza and directed by Paolozza and Kari Pederson, was inspired by the 2003 suicide of an Italian mime who felt that his craft was no longer respected.
BWW Review: TOKA Cries Out for an End to Cycles of Violence
April 22, 2022
April 22, 2022
Generational trauma, familial obligation, and the futile and inevitable results of “an eye for an eye” justice are given voice in Indrit Kasapi’s powerful TOKA, a Theatre Passe Muraille and lemonTree creations digital co-production currently enjoying its digital premiere.
Videos
