BWW Review: Kids Rock SCHOOL OF ROCK!June 20, 2018Rocking performances by super kids and Rob Colletti make the National Tour of SCHOOL OF ROCK a riproaring good time. Now at ASU Gammage through June 24th.
BWW Review: Theatre Artists Studio Wraps Up Its Season With Well-Tailored NEW SUMMER SHORTSJune 19, 2018Thirteen years into their NEW SUMMER SHORTS, the members of Theatre Artist Studio remain in top form, reaching into their collective pockets for story lines that play on our fancies and foibles. This year's collection of eight ten-minute plays rises to the level of the proverbial cherry on top of the sundae. It's dessert time for a Season that has feasted its audiences with some pretty fine productions. Running through June 24th.
BWW Review: 3100: RUN AND BECOME Reveals A Path To EnlightenmentMay 29, 2018Sanjay Rawal's 3100: RUN AND BECOME is an illuminating documentary that centers on the Self-Transcendence ultra-marathon established in 1996 by Sri Chrinmoy, the famous spiritual guide who, among his visionary teachings, saw the act of running as a path to profound enlightenment. The film is one of the features at this year's ILLUMINATE Film Festival in Sedona, AZ.
BWW Review: Hale Centre Theatre Reels In A Big Hit With BIG FISHMay 24, 2018Hale Centre Theatre has netted a big hit with BIG FISH, the utterly charming and whimsical narrative of a man (Edward Bloom) with a giant proclivity for tall tales and his son (Will) who yearns to uncover the truth about his storytelling hero. Directed and choreographed by Cambrian James and based on Daniel Wallace's novel, Big Fish: A Novel of Mythic Proportions, the show features superb performances by Chad Campbell and Nicholas Gunnell. Runs through June 30th.
BWW Review: FROM SHOCK TO AWE - Healing the Spiritual Injuries of WarMay 24, 2018FROM SHOCK TO AWE, directed by Luc Cote, is a searing and gut-wrenching documentary that begs for as broad an audience as possible ~ because we need to understand far better and address with a greater sense of urgency the compounding of tragedies inflicted on the men and women who have served our nation on the battlefields in Iraq and Afghanistan. It is one of the featured films at this year's ILLUMINATE Film Festival in Sedona, Arizona ~ May 30th-June 3rd.
BWW Review: Arizona Theatre Company Presents THE DIARY OF ANNE FRANKMay 22, 2018David Ira Goldstein, recently retired from his position as Arizona Theatre Company's artistic director, returns to put his distinctive signature on the play. The result is a sensitively drawn, powerfully commanding, and deeply unsettling portrait of a family in waiting for the inevitable, featuring a remarkable performance by Anna Lentz.
BWW Review: Phoenix Theatre Presents LITTLE SHOP OF HORRORSMay 22, 2018Robert Kolby Harper has conceived a thoroughly entertaining remake of LITTLE SHOP OF HORRORS, running through June 10th in Phoenix Theatre's Mainstage, and featuring knockout performances by Kate E. Cook and Brian Golub as Seymour and Audrey.
BWW Review: Vive LES MISERABLES! - Nick Cartell Brings It Home!May 17, 2018The national tour of LES MISERABLES has come roaring like a cannonade into Gammage Memorial Auditorium. This 25th anniversary production, a bold reimagining of the international blockbuster, is musical theatre on steroids, packing the whole shebang of entertainment value into an emotionally uplifting and rapid-fire two hours and fifty minutes, and featuring rich and powerful performances by Nick Cartell, Josh Davis, Mary Kate Moore, Emily Bautista, Jillian Butler, and Robert Ariza.
BWW Review: CHURCH AND STATE Peers Down The Barrel Of Inconvenient TruthsMay 11, 2018By any measure, iTheatre Collaborative's production of Jason Odell Williams' CHURCH AND STATE, is a triumph of directing and acting. Director Rosemary Close has executed the playwright's vision with the precision of a marksman, guaranteeing that every moment of this one act play is on target and infused with the fullness of its wit and pathos. Her aim is steady and balanced, advantaged by a cast whose chemistry is magical, featuring Scott Hyder, Lindsey Marlin, Marlene Galan-Woods, and Eric Bond.
BWW Review: Sasha Wilson's BURY THE HATCHET Reopens The Case Of Lizzie Borden ~ An Immensely Clever Swing At The EvidenceApril 29, 2018Sasha Wilson's BURY THE HATCHET is a thoroughly clever, wildly imaginative, and engaging romp through the evidence surrounding the murder of Lizzie Borden's parents. Wilson tears up the stage as she and her ensemble role out multiple scenarios in an effort to get to the truth about the crime that has spawned decades of speculation. The show, a co-production of Wilson's London-based Out Of The Forest Theatre and Southwest Shakespeare Company will run at Frank Lloyd Wright's Taliesin West through May 6th and then move on to Rosson House in Phoenix for two performances on May 3rd.
BWW Review: Theatre Artists Studio Presents I NEVER SANG FOR MY FATHERApril 23, 2018Theatre Artists Studio is closing its already impressive Season with Robert Anderson's I NEVER SANG FOR MY FATHER. Directed by Steve Fajardo, the presentation is appropriately stark and focused. A simple set with the bare essentials gives the right space to a string of stirring performances, featuring Tom Koelbel, Charles Sowder, and Judy Lebeau. The show runs through May 13th.
BWW Review: Arizona Opera Presents DAS RHEINGOLD ~ Grandeur And Majesty In Scale And ScopeApril 11, 2018With brilliant flashes of imagination and innovation, Arizona Opera's production of DAS RHEINGOLD, under the visionary direction of Brian Staufenbiel, is an entirely engaging and enthralling theatrical experience. David Murakami's digital wizardry is amazing. The cast is tremendous. Final chance to see the production: at Tucson Music Hall, April 14th and 15th.
BWW Review: Southwest Shakespeare Presents HENRY IV, PART IMarch 27, 2018Southwest Shakespeare Company's production of PART I, directed by Asia Osborne, runs through April 7th at Mesa Arts Center. While it may fall short of its potential, it is enriched by the strong performances of Keath Hall as Falstaff and Tony Latham as Prince Henry.