Hannah R. Wing - Page 2

RENT's 25th Anniversary Farewell Tour, directed by Evan Ensign, is a reminder of the decades of love that this musical has brought to so many people, especially the LGBTQIA+ community.

One cannot think about Fiddler on the Roof without the thought of tradition.

The Princess of Pop meets fairytale princesses in the world premiere of Once Upon a One More Time, at Shakespeare Theatre Company's Sidney Harman Hall.

Arena Stage’s production of Celia and Fidel, directed by Molly Smith, is a fast-paced drama set within Cuban politics during Castro’s dictatorship. 

Roundabout Theatre Company’s production of Toni Stone at Arena Stage, directed by Pam MacKinnon, gives Toni (Santoya Fields) the power to tell her own story — the way she wants to tell it. 

Adventure Theatre MTC presents their first in-person show of the season, Fairy Tales in the Sun, directed by Stan Kang. The production features two one-act plays, The Future in the Flood, written by Lyra Yang, and From Cinders to Ella, written by Michelle Lynch.

Studio Theatre wraps up their 2020-2021 virtual season with George Brant's Tender Age, directed by Henry Godinez.

Constellation Theatre’s Children of Medea, written and performed by Sue Jin Song, and directed by Allison Arkell Stockman, transcends the usual humdrum of these stories into pure surreal art. 

HERE I AM, produced by The Lab and GU Theater & Performance Studies, is a generational story on how slavery and racism impacted Short-Colomb’s family, including her heavenly mothers.

Belinda lets her imagination take her away from her chores and into Cenicienta’s world. With its playful puppetry and poetic spark, Cenicienta is a perfect play for young children. 

The Catastrophist, co-produced by Round House Theatre and Marin Theatre Company, and directed by Jasson Minadakis, is a surreal and emotional glimpse into Dr. Wolfe’s passion of preventing catastrophe before it happens.

Round House Theatre’s “Sleep Deprivation Chamber,” directed by Raymond O. Campbell, is a tale of injustice, which echoes stories of police brutality in the news, wrapped in dreamy surrealism.

Round House Theatre’s production of “He Brought Her Heart Back in a Box” is a haunting portrait of segregated Georgia.

Synetic's JOY! is an exploratory theater experience, which blends intimate storytelling with audience interaction.

Will on the Hill...or Wona??t They? is almost like attending a lecture on Shakespeare by multiple enthusiast professors, but it leaves the audience with a major case of a?oeZoom fatigue.a?? 

Movies and TV shows about space can be pretty serious, but DC area theatre artists Rebecca Wahls and Rebecca Ballinger (Becca) decided to take on the lighter side of space in their space-comedy web series, Rebecca and Becca in Space.

Who What Where and Ruthie are teaming up again for Spark, a romantic comedy about Scotti and June, who fall for each other at Club Spark, a seedy sex club. This time instead of a house, the stage is Zoom. Spark, directed by Chelsea Radigan, is a one-time virtual reading, which is going to be livestreamed on YouTube on April 30th. 

Imagination Stage's Zomo The Rabbit: A Hip-Hop Creation Myth, directed by Raymond O. Caldwell, brings back old school hip-hop for a fun, interactive show for kids and adults.

In NextStop Theatre's production of The Mountaintop, directed by Kevin McAllister,  McNeil and Simmons are talented actors, but the play itself still needs to be polished.

Jersey Boys, directed by Des McAnuff, is a typical, fast paced jukebox musical full of popular songs, but the storyline doesn't hit the right notes.