Guest Author - Page 2

As we head into the final rehearsal week of our new production The Mystery of Little Angel Theatre, I find myself reflecting on how much I’m enjoying the thrill and challenge of devising a new show, how much I love the collaborative process of theatre making.

In 2012, six years after becoming a professional actor, I got a calling….Spiritual? No. Profound? No no. Important to saving the world? Absolutely not. Fun? YES AND it turns out, life changing.

Kim's Convenience centers around a Korean Canadian immigrant family who owns a convenience store in Toronto and has captivated audiences far beyond its original setting.

Ammonite is a leading creative studio renowned for designing experiences across theatre, live events, and installations. Merging video and lighting expertise, Ammonite has been responsible for creating some of the most innovative and successful West End and Broadway shows in history.

As a director, I've had the unique experience of working on two powerful plays by Carey Crim that explore the aftermath of sexual abuse from starkly different angles. As I prepare for the European premiere of 23.5 Hours at Park Theatre, I'd like to share some insights into the challenges and revelations that come with bringing these contrasting perspectives to life on stage, and why I was drawn to telling both stories.

Vitamin D started as a bunch of scene ideas, thoughts and one-liners of dialogue in my notes app on my phone. It lived there for almost a year, growing every time I had a conversation with someone, saw a post on social media or read an article about the way we speak about, and to women when it came to marital status, and particularly within South Asian and Muslim communities.

Bollywood is one of India's most popular cultural exports. About 1.38 billion people worldwide watch Bollywood films, making them some of the most popular musicals worldwide. Therefore, it makes perfect sense for a British South Asian theatre company like ours to create a stage musical based on the genre. 

As the Associate Director and curator of the Little Angel Theatre, I am delighted to share the excitement and buzz surrounding our award-winning Children's Puppet Festival, happening this August.

In our new production Rough Magic,  there’s a terrifying tentacular creature that lives under the stage. But as part of every performance there’s an even bigger monster present; one that’s even more terrifying and multi-limbed… the AUDIENCE!

When I first worked at the Royal Shakespeare Company (RSC) back in 2017, I was seduced into thinking I had to change my approach to movement because I was working in the “sacred space” of Shakespeare.

Back in February, I witnessed something I've never seen in theatre before, even though I've seen many hundreds of shows. It was in the Wiesbaden Staatstheater in Germany, and the play was Ukrainian playwright Inna Goncharova's The Trumpeter performed in English by actress Kristin Milward. At the end of the performance, the mixed audience of Ukrainians and Germans rose slowly to their feet, weeping and cheering at the same time, and stayed like this for a very long time. It was extremely moving to witness.

There are hardly any plays about eating disorders, and when I started writing this one I realised why. They are incredibly difficult illnesses to explain, let alone dramatise. They tend to go on for years – they are not linear – they often involve many cycles of relapse and recovery.

When I started composing the score, I really wanted to find a musical language with which to establish the world of these nine teenage characters.

Perfect Show for Rachel was developed with my sister Rachel, to create a show on her own terms. It explores who defines artistic taste, and questions who that currently excludes.

As I write this, I'm in a rehearsal room with an immensely talented group of creative people - people who have dedicated their lives to the study and creation of theatre - figuring out what it looks like to revive a fish from the dead. You would not believe the variety of ways one can go about this. If you have some free time, and are absolutely certain you're alone, you should see how many you can come up with. It's fun! 

The wonderful story of Princess Smartypants was written by Babette Cole in 1986. Judith Dimant at Wayward Productions gifted it to us to create in 2020, and after the delays of the pandemic, we have had the absolute joy of finally bringing it to life this year!

A Song of Songs is not your typical musical theatre - but definitely a play with lots of music. The production is nestled in a traditional Middle Eastern beat, infused with the flamenco of Andalusia and klezmer – a real fusion of world music. My vision is now coming to life with the help of a brilliant cast in its London premiere.

On 27 December 1973, Lucy Partington was waiting for a bus home, when a couple pulled up in a car and offered her a lift. The couple were Fred and Rosemary West, and Lucy was never seen alive again. 

Imagine theatre land without the fringe. A world where only mainstream, established productions dominate the stage, leaving no room for the daring, the unconventional, and the underrepresented voices. Imagine the prospect of stripping away the vibrant tapestry of creativity that makes our arts scene so brilliantly unique.

When life handed Beyoncé lemons, she made Lemonade. It went triple platinum. I am not Beyoncé - no matter how many times I practice the dance routine to 'Single Ladies' - but making art about difficult subject matters is a very human thing to do - and I am a human.