Franco Milazzo - Page 4

Created by cabaret artist Jack Sears and Royal Ballet soloist Hannah Grennell, Giselle:Remix fuses dance and lip sync.

Sometimes reality and drama overlap so much that it can be hard to tell where one finishes and another starts. 

​​​​​​​Serving as a kind of Barber of Seville of theatre, Midsummer Night’s Dream is one of the most accessible of Shakespeare’s plays. Its blend of mystic romance, daffy dramatists and fairy-powered shenanigans is not short on rambunctious comedy turns but, in the hands of Flabbergast Theatre, that aspect is turned up to eleven.

When Phantom Peak, one of London's most innovative and ridiculously fun theatrical experiences, holds a Festival Of Innovation, how can one say no? It is not the only impressive immersive show in town but its near-peerless execution and boundless imagination puts it up there with the more well known Punchdrunk.

After two years away, Kyle Dean Massey steps back onto the cabaret stage at London’s Crazy Coqs.

This weekend, Netflix star Mason Alexander Park brings The Pansy Craze to Underbelly Soho, a theatrical concert series chronicling multiple periods in history where queerness was celebrated, commodified, consumed, and then criminalised.

A pitch-black comedy thriller which gives Franz Kafka a run for his money, Don’t.Make.Tea doesn’t hold back in its excoriating view of modern Britain.

There are few things more life-affirming than christenings, orgies and operas. And few works are more life-affirming and cathartic than Giacomo Puccini’s Madama Butterfly.

A spin off from Mischief Theatre’s Magic Goes Wrong,  Mind Mangler: Member Of The Tragic Circle makes its official London debut.

Sister Act The Musical’s tagline is “A Divine Musical Comedy” but whether the gods were for or against the film or this later version is debatable.

Frank Hardy has a problem. He’s an Irish faith healer without faith in his power to heal. It comes, it goes and he only knows for sure when it is not going to happen. With his wife Grace and manager Teddy, their tour of Wales and Scotland in a battered van has seen his abilities steadily failing him. A last throw of the die sees him return to his homeland. What could go wrong?

Absurdist quintet Figs In Wigs return to preach an apocalyptic gospel - but is this the beginning of the end or the end of the beginning?

Getting to grips with what a mute medium like dance is trying to convey is never easy even when there is a recognisable concept like Jim Henson’s The Dark Crystal.

In the week when an Arts Council England report lambasted the current state of opera and questioned its relevance to wider society, Charles Court Opera’s The Barber Of Seville stands as a stern rebuff to those who consider this art form to be dated and irrelevant.

With a live rendition of the Oscar-winning score by the Royal Philharmonic Concert Orchestra and the Philharmonia Chorus, the latest in the Royal Albert Hall’s “films in concert” series brings the The Lord of the Rings epic fantasy saga to a majestic conclusion.

Like some latter day Phileas Fogg, immersive dining specialists Gingerline’s revival of The Grand Expedition leads us on a merry virtual journey around the world all while sat in a hot air balloon gondola.

Opera is not short of stories where women are violated and abandoned by the men in their lives but Leoš Janáček’s Jenůfa is an especially cruel tale.

Puddles Pity Party returns to Soho Theatre after almost a decade away.

Operating from the former Café de Paris, dinner-cabaret experience Lio London is coming up to its first anniversary and is celebrating with its latest show Besos, Beats and Beauties.

With an eclectic programme including an immersive dreamscape, an intense two-hander and a revolutionary footstomper, the Ballet national de Marseille present a six-pack of impressive dance pieces.