Fiona Scott - Page 4

Isolation and loneliness are certainly aspects of the human experience that more of us have felt of late. Terence Rattigan’s one-woman play, All On Her Own, has been revived in a new digital production by Jack Maple & Brian Zeilinger-Goode for MZG Theatre Productions, starring Janie Dee as Rosemary.

Josef Davies is an actor known for his roles on stage in Bent (National Theatre) and on-screen in Chernobyl and Call the Midwife. We spoke to Davies about his role in Samuel Bailey’s Shook, which is now available to view online as a film following a critically acclaimed run at the Southwark Playhouse in 2019.

As a very different Valentines Day looms for people in the UK, Metcalfe Gordon Productions have created a unique digital version of Shakespeare’s Romeo and Juliet, directed by Nick Evans. The online production has been stitched together in such a way that the viewer is fooled into thinking that the performers are all present in the same room.

Jessica Rose McVay is Artistic Director of the women-led production company, 45North. We spoke to her about the Written on the Waves project, a season of theatrical works crafted for audiences to enjoy during lockdown.

It may be a while before we can pack ourselves into a concert hall again, sadly. That said, with more and more people listening to classical music while staying at home, we thought it would be helpful to share a BroadwayWorld beginner’s guide to classical music.

Danielle Steers is known for roles such as Catherine Parr in Six and Zahara in Jim Steinman’s Bat Out of Hell. Steers has now released “The Future Ain’t What It Used To Be”, an album featuring nine of Steinman songs. We spoke to Steers about her career and the inspirations behind the album.

Andrew Whyment is a theatre director and Artistic Director of Squint. He is currently an Associate of the National Youth Theatre and formerly Resident Assistant Director at Leeds Playhouse. Whyment spoke to us about the workshops Squint has been running to help artists continue writing and devising theatre.

Public Domain is a rapid whistle-stop tour through the world of Facebook, Instagram and the like. The verbatim show uses snippets from real social media posts and news broadcasts to curate scenes that highlight the lighter and darker shades of sharing our lives online.

Damien Stanton and Chris Marcus are the team behind the now iconic “The Show Must Go On!” Campaign. Merchandise featuring the slogan and lettering from sixteen of London’s West End shows has helped raise millions for those in the theatre sector who have fallen on financial hardship in recent months.

Adam Blanshay is a Tony Award-nominated Producer, behind London productions such as Notre Dame de Paris, Waitress and Come From Away. We spoke to Blanshay about The Theatre Channel and where it’s going next!

Oliver Lansley is the Artistic Director of Les Enfants Terribles Theatre Company, known for immersive productions such as Alice’s Adventures Underground and Marvellous Imaginary Menagerie. We spoke to him about his career and the company’s latest production, Sherlock Holmes: An Online Adventure – The Case of the Hung Parliament.

Like many UK venues, Leicester’s Curve Theatre has had to quickly adapt to the everchanging COVID-19 situation. Having just transformed their two theatres into one enormous “in-the-round” space, the Curve’s concert revival of their hit 2017 production of Sunset Boulevard was transformed into a fully online show to view at home, directed by Nikolai Foster.

Mischief's Jonathan Sayer (Company Director) and Henry Lewis (Artistic Director) chat to Tom Hayden Millward (@WestEndReporter) about Mischief Movie Night In. Stick around until the end of the interview and you'll be treated to our very own production of The Zoom Call That Goes Wrong!

It’s been a bit of a year hasn’t it? To see out the last of 2020, we shared 24 theatre memories from this year on our Instagram account (if you’re not already following us, come on over!) to count down to Christmas. Here is the entire calendar in all its glory with some links to our favourite articles from 2020.

Everybody’s Talking About Jamie has been a West End hit for the past three years. I have had the privilege of witnessing not only the show’s growth but also the development of a community surrounding the production itself since I created the fan page on Instagram.

Broadcasted mere hours after the change in Christmas COVID restrictions in the UK, the RSC’s Festive Tales brings some much-needed escapism. We are met with an empty theatre dotted with candles in lanterns and a lone voice singing a carol. It really magnifies the emptiness of our performance spaces at the moment.

With Christmas plans suddenly disrupted for many people in the UK, We Need A Little Christmas available from Stream.Theatre is the perfect way to spend an hour or so. If you have a favourite Christmas song, it’s almost definitely on the setlist

I thought it might be helpful to outline the numbers we have so far from the leading vaccine clinical trials using theatre venues to understand better how many people were used in vaccine tests.

The theatre industry going dark as a result of the pandemic was heart-breaking for theatre-lovers across the world. But when your family runs an independent Fringe venue in central London, it cuts deeper still.

Natasha Rickman is a director who has previously worked on Twelfth Night for the RSC and more recently several digital shows such as A Virtual Reality and Merry Wives of WhatsApp for Creation Theatre. She spoke to us about her latest project, an interactive Christmas show with Iris Theatre, The Snow Queen: An Online, Storytelling Adventure. I learn something new every time I make or watch an online show