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Fiona Scott - Page 13

By day, Fiona writes about science for a research charity, and she writes about theatre in her spare time. Based just outside Edinburgh, she mostly reviews things at the Edinburgh Fringe these days and particularly enjoys championing new musicals and underrepresented stories.




LEARN MORE ABOUT Fiona Scott

First Show:

Beauty and the Beast

Favorite Show:

Wicked

Favorite Stories:



Edinburgh 2018: BWW Review: AH DINNAE KEN, TheSpace
Edinburgh 2018: BWW Review: AH DINNAE KEN, TheSpace
August 11, 2018

Take Shakespeare's star-crossed epic, Romeo and Juliet, and set it in a not too distant future in Scotland when a second independence referendum has been called. Imagine two families, on both sides of the debate and how far they might go to win their cause this time around.

Edinburgh 2018: BWW Review: CHEMO BARBIE, Gilded Balloon Teviot
Edinburgh 2018: BWW Review: CHEMO BARBIE, Gilded Balloon Teviot
August 11, 2018

It is not uncommon for cancer stories to be told by former patients in order to educate others to empathise with those going through treatment. Heather Keller brings her personal story to the Edinburgh Fringe in a solo theatre piece, Chemo Barbie.

Edinburgh 2018: BWW Review: THE SHOWSTOPPERS' KIDS SHOW, Pleasance Courtyard
Edinburgh 2018: BWW Review: THE SHOWSTOPPERS' KIDS SHOW, Pleasance Courtyard
August 11, 2018

Showstoppers! have made a name for themselves as the UK's most acclaimed and in-demand musical improvisers, creating brand new musicals in a single evening. As well as bringing their usual hit show to the Edinburgh Fringe, they present a highly entertaining family-friendly edition of the Showstoppers! experience.

BWW Interview: The Cast Talk I WISH MY LIFE WERE LIKE A MUSICAL
BWW Interview: The Cast Talk I WISH MY LIFE WERE LIKE A MUSICAL
August 8, 2018

Alexander Bermange's musical revue I Wish My Life Were Like A Musical returns to Live at Zedel in August. BroadwayWorld spoke to the composer and some of the cast members, Madalena Alberto and Lucas Rush, about the show which reveals the performer life isn't as grand as it might appear...

Edinburgh 2018: BWW Review: YOU'RE A GOOD MAN, CHARLIE BROWN, Paradise @ Augustines
Edinburgh 2018: BWW Review: YOU'RE A GOOD MAN, CHARLIE BROWN, Paradise @ Augustines
August 7, 2018

Clark Gesner's You're a Good Man, Charlie Brown first opened on Broadway in 1967, based on the Peanuts comic strip characters created by Charles M. Schulz. Charlie Brown (Cameron Kirby), Snoopy (Ellie Campbell) and friends are brought to life in this revival by Bare Productions directed by Dominic Lewis.

Edinburgh 2018: BWW Review: JAY LAFFERTY: WHEESHT!, Gilded Balloon
Edinburgh 2018: BWW Review: JAY LAFFERTY: WHEESHT!, Gilded Balloon
August 7, 2018

"Wheesht" is a Scottish expansion of "Shh", often used within the phrase "Haud yer wheesht' when telling someone to shut up north of the border. Seasoned Scottish comedian Jay Lafferty returns to the Fringe after being rated one of the top reviewed comedians at the 2017 Fringe Festival.

Edinburgh 2018: BWW Review: MESS, Greenside
Edinburgh 2018: BWW Review: MESS, Greenside
August 7, 2018

Many have said to a loved one: 'If you need anything, give me a call, any time of day.'. But what happens when a friend actually takes you up on that offer in the middle of the night? MESS is a new musical that follows two best friends over the course of an evening as they counsel and confess to one another.

Edinburgh 2018: BWW Review: ARMOUR: A HERSTORY OF THE SCOTTISH BARD, TheSpace
Edinburgh 2018: BWW Review: ARMOUR: A HERSTORY OF THE SCOTTISH BARD, TheSpace
August 7, 2018

Armour: A Herstory of the Scottish Bard is a new musical written by Shonagh Murray and directed by Melanie Bell that addresses who Nancy and the other women featured in his poetry were and what might have happened if they had met after his death.

Edinburgh 2018: BWW Review: BRAINIAC LIVE!, Underbelly
Edinburgh 2018: BWW Review: BRAINIAC LIVE!, Underbelly
August 7, 2018

Can you run through plasterboard? How does an electric fence work? How good is your hearing? What is the best way to spin an office chair? All questions that may or may not have crossed your mind but are answered by the Brainiac team live on stage.

BWW Review: BROKEN WINGS, Theatre Royal Haymarket
BWW Review: BROKEN WINGS, Theatre Royal Haymarket
August 3, 2018

'Love knows not its own depth until the hour of separation' is one of many wonderful lines by Lebanese-American writer/artist Kahlil Gibran. Broken Wings is a brand new musical adaption of his 1912 poetic novel.

BWW Review: MAMMA MIA! HERE WE GO AGAIN
BWW Review: MAMMA MIA! HERE WE GO AGAIN
July 18, 2018

You can most certainly dance, jive and have the time of your life at Mamma Mia! Here We Go Again. The sequel to Judy Craymer and Gary Goetzman's 2008 romantic comedy, based on the stage show created by Catherine Johnson, opens in UK cinemas on 20 July.

BWW Review: DANIELLE HOPE - LIFE FOR RENT, Live At Zedel
BWW Review: DANIELLE HOPE - LIFE FOR RENT, Live At Zedel
July 16, 2018

Part-cabaret, part-therapy, leading lady Danielle Hope brings her solo show Life for Rent to Live at Zedel. Since winning BBC's Over the Rainbow in 2010, she has entertained audiences as Dorothy Gale, Eponine Thenardier, Maria von Trapp and more in West End and touring productions.

BWW Interview: Danielle Hope On LIFE FOR RENT at Live At Zedel
BWW Interview: Danielle Hope On LIFE FOR RENT at Live At Zedel
July 10, 2018

Danielle Hope has enjoyed a number of principal roles in her career so far: she starred as Dorothy in the 2011 West End revival of The Wizard of Oz, then swapped the iconic ruby slippers for a grubby cap and trench coat as Eponine in Les Miserables.

BWW Review: KING THE MUSICAL IN CONCERT, Hackney Empire
BWW Review: KING THE MUSICAL IN CONCERT, Hackney Empire
July 2, 2018

A diverse cast; a score packed with many musical genres, including rap; and a sung-through treatment of an important period of American history... No, it's not Hamilton, but a superb concert presentation of the late Martin Smith's King The Musical by Hackney Empire and London Musical Theatre Orchestra about Dr. Martin Luther King Jr.

BWW Review: HOUSE OF BROADWAY, Live at Zedel
BWW Review: HOUSE OF BROADWAY, Live at Zedel
June 20, 2018

Musical fans love a good 'songs from the shows' cabaret and House of Broadway present a polished evening packed with heart and humour as they share songs old and new from the musical theatre canon.

BWW Review: EMMA KINGSTON, Live at Zedel
BWW Review: EMMA KINGSTON, Live at Zedel
June 19, 2018

Emma Kingston is a very busy woman at the moment: just last week she returned from the Hong Kong stint of the Evita world tour where she currently stars as the First Lady of Argentina, Eva Peron.

BWW Interview: Freddie Tapner Talks London Musical Theatre Orchestra's 2018 Season
BWW Interview: Freddie Tapner Talks London Musical Theatre Orchestra's 2018 Season
June 15, 2018

Freddie Tapner is the founder and Principal Conductor of London Musical Theatre Orchestra (LMTO). As well as conducting LMTO at their professional engagements, he performs in and around London and sits on the Developmental Board for the National Youth Music Theatre.

BWW Review: LEGALLY BLONDE, Theatre Royal Brighton
BWW Review: LEGALLY BLONDE, Theatre Royal Brighton
June 12, 2018

'Omigod You Guys!', Laurence O'Keefe and Nell Benjamin's 2007 musical adaption of the hit 2001 comedy film starring Reese Witherspoon is in Brighton as part of its second UK tour since the West End production closed in 2012.

BWW Review: OKLAHOMA!, West Horsley Place
BWW Review: OKLAHOMA!, West Horsley Place
June 9, 2018

Oh, what a beautiful evening in West Horsley! Grange Park Opera open their 2018 summer festival season with Rogers and Hammerstein's vintage musical (the first of its kind in 1943), set in the farming heartlands of America.

BWW Review: THE CHALK GARDEN, Chichester Festival Theatre
BWW Review: THE CHALK GARDEN, Chichester Festival Theatre
June 1, 2018

The Chalk Garden takes place in the summer of 1955 in the garden room of Mrs St Maugham's house in a seaside village in Sussex. It was written by Enid Bagnold (author of National Velvet) while she was living in Rottingdean.



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