Review: LUNGS at Theatre On The Bay is Like a Runaway Train You Want to Be OnFebruary 17, 2024Duncan MacMillan’s play LUNGS has been described as 'off-kilter' and 'brutally honest' - and that's exactly what you get with this production. It races forward at a gallop as the pair on stage move through their relationship. There's an element of a runaway train to the pace, but it's a train I want to be on.
Interview: Director Craig Freimond talks about bringing EXPELLED to the stageJanuary 29, 2024EXPELLED is a brand-new play from writer Rosalind Butler. It was developed as part of The Writers’ Collective - an initiative from How Now Brown Cow that ran through COVID and lockdown. It's now ready to take to the stage in February, and director Craig Freimond talks to us about bringing it to life.
Review: DELELA is Cheeky and Disrespectful in The Best WaySeptember 12, 2023The word 'delela' means cheeky, rude, disrespectful or out of line - and I couldn't think of a more fitting title for this production and the subject matter. It's a brilliant piece of satire that points the finger and pokes fun at the world of vanity philanthropy.
Review: SAME TIME, NEXT YEAR is a joyous romp at Theatre On The BaySeptember 7, 2023What did our critic think of SAME TIME, NEXT YEAR at Theatre On The Bay? Sometimes you just need a really good laugh - and that's exactly what SAME TIME, NEXT YEAR delivers. It's a joyous production with excellent comic timing from the two actors and some beautiful nuances layered in by director Christopher Weare.
Interview: Movement Director Fiona Du Plooy Talks About Bringing TOSCA to lifeSeptember 5, 2023After a stellar debut season at the Joburg Theatre, TOSCA is coming to the Artscape Opera House this September. This directorial team from Cape Town Opera includes Fiona Du Plooy as Movement Director, and she took some time out to chat to us about her role in the production and the production itself.
Review: FIREFLY is a Heartwarming DelightMay 8, 2023FIREFLY was absolutely delightful, beautiful and charming. I suppose, how could it not be when you put two actors like Sylvaine Strike and Andrew Buckland together on stage?