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Emma Watkins - Page 3

Emma Watkins Emma is based in London and possibly spends too much time in the theatre. As well as being part of the UK reviewing team for Broadwayworld.com, she has her own blog, She Sees Shows.




BWW Review: LA SOIREE at Aldwych Theatre
BWW Review: LA SOIREE at Aldwych Theatre
December 2, 2017

If you're on the hunt for some unorthodox entertainment this Christmas, you could do much worse than a trip to see La Soir e. This 'dysfunctional family' of cabaret and variety acts have trundled into London again, this time pitching their show in the West End's Aldwych Theatre.

BWW Review: THE LADY FROM THE SEA, Donmar Warehouse
BWW Review: THE LADY FROM THE SEA, Donmar Warehouse
October 20, 2017

Ibsen's The Lady from the Sea surfaces onto the Donmar stage, directed by soon-to-be Young Vic Artistic Director Kwame Kwei-Armah and with a magnetic central performance from Nikki Amuka-Bird.

BWW Review: YOUNG FRANKENSTEIN, Garrick Theatre
BWW Review: YOUNG FRANKENSTEIN, Garrick Theatre
October 11, 2017

Mel Brooks' Young Frankenstein has officially burst into the West End. Based firmly on the movie, also by Brooks, it's brilliantly kitsch, wholly unsubtle and very, very funny.

BWW Review: THE LIE, Menier Chocolate Factory
BWW Review: THE LIE, Menier Chocolate Factory
October 8, 2017

Following their production of The Truth, also by Florian Zeller, the Menier Chocolate Factory, director Lindsay Posner and translator Christopher Hampton have teamed up again for the English language world premiere of The Lie.

Meet The New West End Cast Of WICKED!
Meet The New West End Cast Of WICKED!
September 7, 2017

A major cast change in a long-running musical means it's time for a return visit! The latest Wicked cast took over on 24 July, and BroadwayWorld chatted to several of them after a recent performance

BWW Review: THE MAJORITY, National Theatre
BWW Review: THE MAJORITY, National Theatre
August 14, 2017

Rob Drummond's new show is less a play and more a piece of storytelling with added participatory morality. The use of live technology gives it the feeling of a morality test for the social media age.

BWW Review: GANGSTA GRANNY, Garrick Theatre
BWW Review: GANGSTA GRANNY, Garrick Theatre
August 2, 2017

Gangsta Granny, Birmingham Stage Company's production of David Walliams' bestselling children's book, has arrived in the West End following a long-running UK tour. Suitable for kids aged 5 and over, the show is a perfect antidote to cries of 'Grannies are boring!'.

BWW Review: BREXODUS! THE MUSICAL, The Other Palace
BWW Review: BREXODUS! THE MUSICAL, The Other Palace
July 12, 2017

Even if you're not in the UK you'd have to have been living under a rock for the past couple of years to have missed the headlines about Brexit. It was inevitable that it would eventually lead to productions such as Brexodus! The Musical.

BWW Review: iAm 4.0, Playground Theatre
BWW Review: iAm 4.0, Playground Theatre
July 9, 2017

Specialised in immersive and participatory community theatre, the award-winning charity SPID Theatre has developed iAm 4.0, a thought-provoking hour in which the audience take a certain amount of control.

BWW Review: TERROR, Lyric Hammersmith
BWW Review: TERROR, Lyric Hammersmith
June 24, 2017

With searingly topical timing, this summer sees the Lyric Hammersmith presenting the UK premiere of Terror, a tense courtroom drama by German lawyer and writer Ferdinand von Schirach which has become something of a worldwide hit. The premise is simple enough: a trial is undertaken on stage and the whole audience is the jury, voting after all the evidence has been presented.



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