Emily Berger

Emily Berger

Emily Berger is based in Washington, D.C. and is thrilled to return to reviewing dance after many years away. She graduated from Northwestern with a double major in History and Dance, where her honors thesis evaluated the impact of performance arts service organizations in major US cities on the financial security and artistic output of local companies. She worked in arts fundraising for many years, including for Alvin Ailey American Dance Theater, before getting her MBA from Yale. While at Yale she co-authored a case study on the historic merger of the Bill T. Jones / Arnie Zane Dance Company and Dance Theater Workshop. As a result of her early training under the Royal Academy of Dance ballet syllabus, Emily is passionate about classical ballet, especially work by contemporary choreographers, as well as dance ranging from post-modern to kathak to flamenco and more. 






MOST POPULAR ARTICLES

Review: DANA TAI SOON BURGESS DANCE COMPANY at Kennedy Center's Family Theater
Review: DANA TAI SOON BURGESS DANCE COMPANY at Kennedy Center's Family Theater
April 21, 2024

This new work featured three episodes in Asian American history.

Review: MESSAGE IN A BOTTLE at Kennedy Center Opera House
Review: MESSAGE IN A BOTTLE at Kennedy Center Opera House
April 13, 2024

Message in a Bottle, a narrative dance work set to music by Sting, with choreography by Kate Prince ranging from hip hop to break dancing to contemporary, is sometimes maddening but often exhilarating.

Review: LES BALLETS TROCKADERO DE MONTE CARLO TO THE KENNEDY CENTER at Kennedy Center Opera House
Review: LES BALLETS TROCKADERO DE MONTE CARLO TO THE KENNEDY CENTER at Kennedy Center Opera House
April 6, 2024

Thursday’s return of Les Ballets Trockadero de Monte Carlo to the Kennedy Center brought a full house and lots of laughs to the DMV.

Review: George Mason University School of Dance Gala Concert
Review: George Mason University School of Dance Gala Concert
March 25, 2024

GMU's students performed four diverse works Friday night, from historical modern dance to contemporary to one with inflections of break dance. Friday’s annual showcase of GMU’s dancers at the George Mason Center for the Arts, featured roughly half of the school’s majors in works by Martha Graham, Kyle Abraham, Rena Butler and Susan Shields. 

Review: ALVIN AILEY - PROGRAM B at Opera House at The Kennedy Center
Review: ALVIN AILEY - PROGRAM B at Opera House at The Kennedy Center
February 11, 2024

Thursday’s Ailey performance of Program B featured Century, a new work by Amy Hall Garner, her first for the company, 2019’s Ode by former company member Jamar Roberts, and Mr. Ailey’s juggernaut Revelations. 

Review: ALVIN AILEY AMERICAN DANCE THEATER at The John F. Kennedy Center For The Performing Arts - Program A
Review: ALVIN AILEY AMERICAN DANCE THEATER at The John F. Kennedy Center For The Performing Arts - Program A
February 8, 2024

Alvin Ailey American Dance Theater’s annual run at The Kennedy Center is consistently a highlight of the winter season, and this year is no exception. This year the company brings three programs to D.C., all including Mr. Ailey’s 1960 classic Revelations, representing the best of recent revivals and new works. 






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