Duncan Pflaster - Page 9

(Re:)Directions Theatre Company's adaptation of Christopher Marlowe's 'Edward II' is a smooth adaptation and a luxurious treat for the eyes.

'Acts of Love', a play by Kathryn Chetkovitch, is given a great production directed by Marc Geller, which has just been extended at Theatre Row.

When a nun is killed in a small town, the priest she used to know is accused of her murder. The Actors Company Theatre's revival of Milan Stitt's 1975 religious potboiler 'The Runner Stumbles' features some excellent performances.

Emerging Artists Theatre continues their bi-annual EATfest, a collection of 18 one-act plays in three series. Series B, the second 6 plays, are about how people are not always what you expect from appearances.

Emerging Artists Theatre kicks off their bi-annual EATfest, a collection of 18 one-act plays in three series. Series A, the first 6 plays, sheds some interesting light on different relationships.

Todd Michael's play 'Say Your Prayers, Mug!' is an amusing romp through the clichés of 1930s gangster films, performed by an outstanding cast.

Stanton Wood's 'The Night of Nosferatu' is an atmospheric vampire spookfest, as performed by Rabbit Hole Ensemble.

Bekah Brunstetter's new play 'I Used to Write On Walls' is full of excellent performances and great dialogue.

'The Beastly Bombing', Julien Nitzberg and Roger Neill's Gilbert and Sullivan pastiche with modern themes, is the Very Model of Postmodern Operetta Plots.

'The Coffee Trees', Arthur Giron's transplant of Chekhov's 'The Cherry Orchard' to 1997 Guatemala, is an interesting homage.

Brandon Patton and Stephen O'Rourke's punk musical adaptation of Shakespeare's 'Love's Labors Lost' rocks so hard I think I hurt myself.

Fred Landau and Skip Kennon's musical based on the iconic 1984 sci-fi film is an amusing romp through a trailer park's recreation of the events of the movie.

Joe Major's white-trash musical adaptation of F. Scott Fitzgerald's 'Bernice Bobs Her Hair' is a giggly pleasure.

'I See London, I See France', Vid Guerrerio and Jeremy Desmon's new musical about a smart-girl ad exec who falls for her himbo underwear model is funny, modern, and highly entertaining- the perfect package.

The Brain from Planet X, a musical by David Wechter and Bruce Kimmel, is a rather lame spoof of 1950s horror films.

Boomerang Theatre's perfect revival of J.B. Priestley's 1932 drawing-room mystery is an edge-of-your-seat delight.

Jessica Hedrick's one-woman show explores the empowering and funny side of anal stimulation.

'Stock Home', by Alex Goldberg, part of the Fringe Festival, is a provocative and multifaceted piece of work about kidnapping and abuse that doesn't shy away from gallows humor or troublesome conclusions.

A new play by Padraic Lillis gets a well-produced production by Broken Watch theatre company.

Alex Goldberg's hilarious new play about marital infidelity is given a wonderfully side-splitting production as part of the Midtown International Theatre Festival