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Clementine Scott

Clementine (she/her) has loved theatre ever since she first heard the West Side Story original cast album, but she found her real passion for criticism when she began reviewing plays and films for her student paper Cherwell, while studying Classics at Oxford. She later became Deputy Editor-in-Chief at Cherwell, and organised its thriving theatre section among other duties. 

Now going into her final year at university, she has broadened her writing portfolio to include personal essays, interviews, and news reporting for a range of publications, but reviewing will always be her first love, and she is excited to review a range of theatre and opera for BroadwayWorld. In her spare time, she loves creating marketing content for student theatre productions, playing piano, and occasionally reading about all things Greek and Roman for her degree.






MOST POPULAR ARTICLES


Review: PICTURE PERFECT CHRISTMAS SHOW, National Gallery
Review: PICTURE PERFECT CHRISTMAS SHOW, National Gallery
December 5, 2022

Ever wanted to step inside the world of one of the National Gallery’s paintings? Immersive theatre company Boo Productions may have the answer. Boo Productions pluck their protagonists from the foreground of Avercamp’s wintry village scenes, and use them to create an original, pantomime-influenced Christmas fairytale.

Review: THE NATIONAL, All Points East
Review: THE NATIONAL, All Points East
August 29, 2022

In their first UK festival performance since before the pandemic, American soft rock quintet The National have shown themselves to be capable of a competent return to form. Their particular brand of soaring choruses is reminiscent of a brooding film soundtrack, and is a perfect fit for the atmospheric surrounds of East London’s Victoria Park.

Review: THE MAGIC FLUTE, Arcola Theatre
Review: THE MAGIC FLUTE, Arcola Theatre
August 18, 2022

Mozart’s elaborately plotted Singspiel concerning Prince Tamino’s fish-out-of-water immersion in a fantasy land of seductive Egyptian cults, demons, and vengeful queens resists straightforward transferral to a modern setting, but this is what Opera Alegría has attempted.

Review: COSÌ FAN TUTTE at Royal Opera House
Review: COSÌ FAN TUTTE at Royal Opera House
June 30, 2022

Mozart’s Così fan tutte has always been a work that tells us about ourselves.

BWW Review: THE PARADIS FILES, Southbank Centre
BWW Review: THE PARADIS FILES, Southbank Centre
April 15, 2022

Graeae aims to address the problem of disabled representation by spotlighting the so-called 'Blind Enchantress' Maria Theresia von Paradis, and also to make the theatre a truly inclusive place for the disabled community.

BWW Interview: Millie O'Connell Talks THE CHER SHOW
BWW Interview: Millie O'Connell Talks THE CHER SHOW
April 7, 2022

Fresh from star turns in Six, RENT, and Be More Chill, Millie O’Connell now joins the trio of actresses portraying Cher in The Cher Show, which tours the UK from April. With her dramatic graphic eyeliner still fresh from rehearsal earlier that day, we spoke to her about all things Cher, biographical musicals and female empowerment.

BWW Interview: Olivia Moore Talks GREASE at Dominion Theatre
BWW Interview: Olivia Moore Talks GREASE at Dominion Theatre
April 6, 2022

For the first time in 15 years, Grease is back in the West End this summer with a gritty makeover, and former Heathers star Olivia Moore is stepping into Sandy’s leather catsuit. Two weeks into her rehearsal process, we discuss the pressure that comes with the role, the ubiquity of high school-set musicals, and Olivia’s advice for young performers.

BWW Interview: Frances M. Lynch Talks SONGS & STORIES FROM “THE SOMERVILLE CONNEXION”
BWW Interview: Frances M. Lynch Talks SONGS & STORIES FROM “THE SOMERVILLE CONNEXION”
March 6, 2022

From spotlighting women in STEM and making their performances accessible to the disabled community, to experimenting with Zoom as a performance medium, the Electric Voice Theatre is continually interested in the unexpected and the inclusive. Their latest concert revolves around 18th century astronomer and 'Queen of the Sciences' Mary Somerville.

BWW Review: MIMMA, Cadogan Hall
BWW Review: MIMMA, Cadogan Hall
March 1, 2022

When it comes to a topic as over-saturated in theatre as the Second World War, there is something to be said for productions that take a new approach. New musical Mimma puts Italian resistance members who came to London before the war front and centre in its depiction of people caught between allegiances to their family, country, and ideology.

BWW Interview: Richard Winsor Talks SATURDAY NIGHT FEVER at the Peacock Theatre
BWW Interview: Richard Winsor Talks SATURDAY NIGHT FEVER at the Peacock Theatre
February 19, 2022

Perhaps best known for his television roles as Caleb in Casualty and Father Francis in Hollyoaks, Richard Winsor began his career dancing in a variety of Matthew Bourne productions. He now brings Saturday Night Fever, his debut role in a musical, to the Peacock, and sits down with us to discuss the show and his approaches to acting.

BWW Interview: Jessica Vosk Discusses Her New Concert at London's Cadogan Hall
BWW Interview: Jessica Vosk Discusses Her New Concert at London's Cadogan Hall
February 12, 2022

Best known for having played one of Broadway’s most iconic roles, Elphaba in Wicked, Jessica Vosk makes her solo London concert debut at Cadogan Hall this month.

BWW Interview: Celinde Schoenmaker Talks MIMMA at Cadogan Hall
BWW Interview: Celinde Schoenmaker Talks MIMMA at Cadogan Hall
February 2, 2022

Mimma, a new musical telling the stories of Italians living in London during World War Two, will debut in a one-night-only concert performance at Cadogan Hall later this month. We talk to Celinde Schoenmaker, the Dutch star best known for her West End roles in Les Miserables and The Phantom Of The Opera, about her eponymous role in Mimma and the musical’s universal themes.

BWW Interview: Hannah Lowther Talks HEATHERS at The Other Palace
BWW Interview: Hannah Lowther Talks HEATHERS at The Other Palace
January 26, 2022

Hannah Lowther, whose viral musical theatre parody videos made a splash on TikTok in the first lockdown, has recently joined the ensemble for The Other Palace production of Heathers. We sat down with her to discuss social media fame, the TikTok musical theatre revolution, and why an 80s cult classic remains relevant today.






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