Claudio Erlichman

IN ON IT is a two-actor dramatic comedy that explores the intricate layers of human relationships, love, communication, and vulnerability through a unique narrative structure. The play masterfully intertwines three overlapping realities: the fictional play within the story, the present performance, and the past.

Raul Seixas: The Musical delves into the essence of one of the most authentic artists in Brazilian music, and unfolds during a sleepless night, where Raul revisits his story, composes, reflects on his art and questions the direction of Brazil. In a confessional and emotionally intense tone, the viewer is taken behind the scenes of Raul's restless mind, about freedom, art and society through 21 songs.

Theatro São Pedro's opera season opens in April with an impactful program: Fidelio, the only opera composed by Ludwig van Beethoven (1770-1827), will be performed on April 18, 20, 23, 25 and 27. With Cláudio Cruz as musical director and William Pereira as stage director, and featuring singers such as Eiko Senda, Eric Herrero, Andrey Mira and Licio Bruno.

With a sensitive approach and a contemporary perspective, Bare brings to light universal themes such as identity, sexuality, faith and the challenges of youth. Created by Damon Intrabartolo (music) and Jon Hartmere (lyrics and book), this powerful story comes to Brazil with a diverse cast and an innovative artistic proposal, packed with a contemporary rock soundtrack and profound lyrics.

Starring Miguel Falabella, the musical A Funny Thing Happened on the Way to the Forum” (Uma Coisa Engraçada Aconteceu a Caminho do Forum, in portuguese) is a huge success that is getting a Brazilian production for the first time.

Escrito por Gabriel Chalita e dirigido por José Possi Neto o musical faz ode ao mais complexo dos sentimentos humanos a partir das canções de grandes vozes femininas da música mundial como Elizeth Cardoso, Callas, Piaf, Dalva de Oliveira, Dolores Duran, Dietrich, Maysa e Mercedes Sosa.

Unemployed actor, Daniel Hillard, loses custody of his three children after a messy divorce from his wife, Miranda. Desperate to connect with his children, he creates the alter ego of Euphegenia Doubtfire, the picture-perfect Scottish nanny. Unaware of Mrs. Doubtfire’s true identity, Miranda hires Doutbfire to take care of the children. As his alter ego begins to take on a life of her own, Daniel learns more than he bargained for about fathering from Mrs. Doubtfire.

In love with a pet shop employee, Rocky Balboa is a talented boxer with inconsistent results who makes a living collecting debts for a loan shark. Thanks to a stroke of luck (and marketing), he is challenged by the heavyweight champion. The underdog trains, runs through the streets of Philadelphia and becomes a pop star overnight.

In partnership with Cinemateca Brasileira and Goethe-Institut, Theatro São Pedro will show Noferatu, Ganga Bruta, Time and the Wind, The Adventures of Lotte Reiniger and Moustapha Alassane and The Adventures of Prince Achmed, in sessions preceded by debates with experts in the works, which feature original arrangements in the soundtracks, under the musical direction of Marcelo Falcão.

After big success in Rio, Tom Jobim Musical arrives in São Paulo, to celebrate the life and legacy of one of the greatest names in Brazilian music, presenting iconic songs. The super production by Bonus Track and Bárbaro! Productions, stars Elton Towersey (Tom) and Otávio Müller (Vinicius), with book by Nelson Motta and Pedro Brício, musical direction by Thiago Gimenes and direction by João Fonseca.

The show celebrates the life and work of Benjamim de Oliveira, the first black clown in Brazil. The musical tells the story of the clown born in the late 19th century, who despite challenges in his career, became a multifaceted artist on stage, in the circus and cinema.

With a book created by Rafael Gomes (who also directs) and Vinícius Calderoni and produced by Sarau Cultura Brasileira, Nossa História com Chico Buarque is inspired by the songs, albums, books and theatrical performances of this Brazilian music legend. The work also features Laila Garin with special appearances by Soraya Ravenle and Ju Colombo.

Directed by Gustavo Barchilon, the first completely original Brazilian musical created in New York , Rio Uphill takes audiences to the heart of Rio de Janeiro. An unexpected encounter on New Year's Eve brings together Miguel and Daniel, two young men from vastly different worlds. Daniel falls in love with Miguel's sister, Julia. Problems escalate when a video goes viral on the internet, putting Miguel, Julia and Daniel's personal challenges and obstacles to the test in the face of a divided society.

Count Ory is a comic opera in two acts, based on a medieval ballad. The plot tells the sagas of the libertine Count Ory in search of women, fights and festivities. The production by Theatro São Pedro mixes the medieval fantasy world with contemporary elements and ambiguities, which reinforce the creative and inventive power of the work of Rossini, a master of the operatic genre.

DID Award reaffirms the vigor and relevance of Musical Theater in São Paulo, promoting the connection between audiences, artists and excellent productions with the digital cultural press responsible for publicizing and strengthening projects and people throughout the year, promoting greater access to information.

Multi-award winning director with plays like Barnum, Funny Girl and Something Rotten!, Gustavo Barchilon (32) exclusively announces for BroadwayWorld his new works for 2025.

After the successful season held in 2021, Astor Piazzola’s tango-opera María de Buenos Aires returns to Theatro Municipal, presenting live cinema, mixing images and uniting different artistic languages with the atmosphere of Porto and Brazil. The show will have eight performances between November 21st and 29th.

Based on the book by Itamar Vieira Junior, the play tells the story of sisters Bibiana and Belonísia, and their grandmother Donana. Through their eyes, we will enter a universe full of enchanted beings, and travel across the clay soil of the Brazilian countryside, of each one of us. A dialogue between the atabaques of Afro-Brazilian culture, the viola sertaneja, and the pífanos of the northeast, promoting a tour on stage.

O Som da Nossa Canção – O Musical is an original and authorial production that explores universal themes such as resilience, self-knowledge and love in a post-apocalyptic context. Inspired by the rich Brazilian cultural tradition, the show offers a profound reflection on adversity and the strength of the human spirit in times of crisis.