Claudio Erlichman

Count Ory is a comic opera in two acts, based on a medieval ballad. The plot tells the sagas of the libertine Count Ory in search of women, fights and festivities. The production by Theatro São Pedro mixes the medieval fantasy world with contemporary elements and ambiguities, which reinforce the creative and inventive power of the work of Rossini, a master of the operatic genre.

DID Award reaffirms the vigor and relevance of Musical Theater in São Paulo, promoting the connection between audiences, artists and excellent productions with the digital cultural press responsible for publicizing and strengthening projects and people throughout the year, promoting greater access to information.

Multi-award winning director with plays like Barnum, Funny Girl and Something Rotten!, Gustavo Barchilon (32) exclusively announces for BroadwayWorld his new works for 2025.

After the successful season held in 2021, Astor Piazzola’s tango-opera María de Buenos Aires returns to Theatro Municipal, presenting live cinema, mixing images and uniting different artistic languages with the atmosphere of Porto and Brazil. The show will have eight performances between November 21st and 29th.

Based on the book by Itamar Vieira Junior, the play tells the story of sisters Bibiana and Belonísia, and their grandmother Donana. Through their eyes, we will enter a universe full of enchanted beings, and travel across the clay soil of the Brazilian countryside, of each one of us. A dialogue between the atabaques of Afro-Brazilian culture, the viola sertaneja, and the pífanos of the northeast, promoting a tour on stage.

O Som da Nossa Canção – O Musical is an original and authorial production that explores universal themes such as resilience, self-knowledge and love in a post-apocalyptic context. Inspired by the rich Brazilian cultural tradition, the show offers a profound reflection on adversity and the strength of the human spirit in times of crisis.

A masterpiece and one of the fundamental novels of Brazilian literature, Dom Casmurro, has its musical version signed by the duo formed by Guilherme Gila, author of the award-winning musical “A Igreja do Diabo” and Davi Novaes, author of the play “O Que Restou de Mim em Você”, who joined forces with director Zé Henrique de Paula to bring Machado de Assis's work to the stage, with music and drama.

The play explores Zé Ramalho's songbook, his literature and the remarkable scenarios of his career in an innovative and non-biographical way. The dramaturgy is by Pedro Kosovski and the direction is by Marco André Nunes.

Blue Monday was a one-act 'jazz opera' by George Gershwin. The libretto was written by Buddy DeSylva. The story is set in Harlem, inside a 'colored saloon', that is, a bar intended for African-Americans, where we see Joe, a gambler, planning to use his winnings to visit his sick mother, without sharing his plans with his beloved Vi.

Inspired by the book of the same name by Ray Charles Jr., the show is a tribute to the American artist who helped redefine the direction of music by integrating R&B, soul, jazz and gospel. The production aims to show an intimate view of Ray Charles' life through the eyes of his eldest son.

Ceremony that celebrates the highlights of the year in Brazilian musical theater, in the São Paulo City, holds its third in-person edition on the stage of Teatro Liberdade.

With original book by Eline Porto, this unprecedented and original musical celebrates the stories and memories of different women through iconic songs and moving stories.

Starring Débora Falabella and directed by Yara de Novaes, Prima Facie caused an international stir and was produced around the world as it told the story of a lawyer whose clients are accused of sexual violence.

A girl achieves her dream of performing on a TV dance show in 1960s Baltimore — and works to integrate the show — in this musical version of the John Waters film. Outside of traditional beauty standards, she faces many prejudices, become an instant celebrity, and fight against racial segregation promoting inclusion of everyone in the city.

Albert Einstein and Marilyn Monroe grapple with fame, relativity and their personal lives in this dazzlingly inventive drama about the challenges of being known, and of knowing yourself. Cássio Scapin, Amanda Acosta, Marcos Veras and Norival Rizzo star in the play directed by Victor Garcia Peralta and produced by Rodrigo Velloni.

“Martinho, Coração de Rei - O Musical” delves into the African roots of samba master Martinho da Vila, revealing the profound influence of various Afro-Brazilian cultural manifestations on his work. Created by Jô Santana, the musical is directed by Miguel Falabella and written by Helena Theodoro.

Verdi's four-act opera will have a season in Brazil at Theatro Municipal de São Paulo, with Roberto Minczuk as musical director and Christiane Jatahy as stage director, with the participation of the Municipal Lyric Choir and the Municipal Symphony Orchestra.

O evento que, desde 2012, vem reunindo cada vez mais os grandes profissionais do teatro brasileiro, se prepara para mais uma noite especial dedicada a artistas, criativos, técnicos e todos aqueles que fazem a magia da arte acontecer em grande estilo.

Priscilla, Queen of the Desert is a jukebox musical with book by Stephan Elliott and Allan Scott, using well-known pop songs as its score. Adapted from Elliott's 1994 movie , the musical tells the story of two drag queens and a trans woman, who contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert.

The winner of 6 Tonys, the Grammy and the Olivier Award for Best Musical, DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it. Directed by Tadeu Aguiar, the show can be seen until September 22nd, promising to provide an exciting and unforgettable experience for the audience.