CHRISTINA KUDLICKI HOTH is a born and bred native of the Dallas/Ft. Worth dance scene. As a skilled educator in multiple techniques, Hoth's choreography has garnered several local and national awards from reviewers and competition judges alike for her work in community theaters, high schools, and competition dance teams. After nearly a decade of directing a competitive dance studio, Hoth has recently stepped back onto the stage and is enjoying some much needed performance time. Hoth boasts a BA in Dance from the University of North Texas and in 2013 became a certified ballet instructor through the Cecchetti Council of America.
BWW Review: BULLETS OVER BROADWAY Aims to Please at Dallas Summer Musicals
June 17, 2016
June 17, 2016
Wednesday night Dallas theatergoers sipped their wine and slipped back to the salacious days of the roaring 20's. The National Tour of Bullets Over Broadway landed for its Dallas premiere June 14th and the audience couldn't have been more welcoming. Written by Woody Allen based on a screenplay by himself and Douglas McGrath, Bullets offers all the bells and whistles of a solid 20's era show-decked out with drop waist dresses, showgirls, booze, and mobsters.
BWW Reviews: BALLETBOYZ at Winspear Opera House, Men Take Center Stage
February 16, 2016
February 16, 2016
Upon hearing the term 'ballet' one typically envisions fluffy tutus and satin pointe shoes: the very epitome of girlish grace and beauty showcased in lithe bodies adorned in tulle and rhinestones. Ballerinas are given the stage as the protagonists, while oft times the men are utilized simply as support systems to drive the plot and lift the girls. Balletboyz, an all male company from the United Kingdom, is making great strides to break the streak of heternomativity in the dance world by giving men the right to all the 'good parts' of ballet. Company founders and Co-Artistic Directors, Michael Nunn and William Trevitt, spearheaded this company with the revolutionary plan to bring men to the forefront of the ballet stage, not simply as backup to the female roles. In doing so, the hope of these collaborators is to bring the art and athleticism of ballet to broader audiences.
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