BWW Review: FINDING PETER, Theatre N16October 24, 2017Theatre N16's upstairs space has been turned into a bedroom attic, home to Wendy, Michael and John Darling. It's time for bed, but the boys want one more story, and so do the children sitting in the audience. Wendy agrees, and off we go.
BWW Review: OTHELLO, Ambassador's TheatreOctober 23, 2017In an exclusive collaboration, National Youth Theatre's Rep Company present Frantic Assembly's award-winning adaptation of Othello. This is the company's first staging of Shakespeare's text since its acclaimed 1995/1996 production starring Chiwetel Ejiofor in the title role.
Book Review: THE STUDENT GUIDE TO WRITING: PLAYWRITING, Jennifer TuckettOctober 18, 2017Ten industry professionals have teamed up to create a step-by-step lesson plan for how to write a play for theatre. Edited by MA Dramatic Writing at Drama Centre course leader Jennifer Tuckett, The Student Guide to Writing: Playwriting is an accessible tool suitable for both new writers and seasoned professionals.
BWW Review: THE END OF HOPE, Soho TheatreOctober 13, 2017Soho Theatre and The Orange Tree Theatre present David Ireland's new play, The End of Hope, a revealing rollercoaster where no taboo is left untouched.
BWW Review: THE SEAGULL, Lyric HammersmithOctober 12, 2017Chekhov's gorgeous masterpiece is given a dynamic reinvention by the Olivier Award-winning Simon Stephens at Lyric Hammersmith. It's a story of undying love, intense jealousy, weapons, alcohol and art.
BWW Review: JEKYLL & HYDE, Ambassadors TheatreOctober 12, 2017In Robert Louis Stevenson's original Victorian-era novel, women don't seem to exist. They are erased from the narrative, yet their stories are probably some of the most important. In this reimagining, Placey positions our focus on Dr Jekyll's widow, Harriet, showing how she deals with grief and oppression.
BWW Review: TWO MAN SHOW, Soho TheatreOctober 11, 2017Two women play two women playing men. It sounds complicated, but it isn't really. RashDash return to the Soho Theatre to interrogate masculinity and gender in their award-winning show that defies conventional structure.
BWW Review: VICTORY CONDITION, Royal CourtOctober 10, 2017A man and a woman enter, having just returned from a holiday in Greece. They unpack, order a takeaway, wash clothes, drink wine, play video games and go to bed. Chris Thorpe returns to the Royal Court with his new play Victory Condition, a complicated exploration of society's complacency.
BWW Review: MY NAME IS RACHEL CORRIE, Young VicOctober 5, 2017My Name is Rachel Corrie is revived at the Young Vic 12 years after its debut at the Royal Court. Edited by the late Alan Rickman and Guardian editor Katherine Viner and based on the writings of Corrie herself, the play is a thought-provoking story told with utmost humanity.
BWW Review: LAIKA, Unicorn TheatreOctober 4, 2017 Despite all the little people in the audience, the seating was a tight squeeze as the Unicorn had sold out, and then some, for the press night of their new show Laika. Following the story of the first dog in space, Bryony Hannah and Avye Leventis have teamed up to co-create a piece that not only wows the children, but also keeps the adults chaperoning them entertained as well.
BWW Review: B, Royal CourtOctober 3, 2017Presented as part of the Genesis Foundation Project, B kicks off the Royal Court's international season.
BWW Review: THE FALL, Royal CourtSeptember 29, 2017Riding high from their momentous success at the Edinburgh Festival, Baxter Theatre Company bring their award-winning show The Fall to the Royal Court.
BWW Review: AFTER THE REHEARSAL / PERSONA, BarbicanSeptember 29, 2017Two Ingmar Bergman screenplays are reimagined for the stage in an experimental double bill, presented by Ivo van Hove's company Toneelgroep at the Barbican Centre. The production is a voyeuristic insight into the chaotic lives of theatre people, exposing the delicate line between art and reality, illness and normality.
BWW Review: GATE, The CockpitSeptember 21, 2017What do you do when you're not good enough for Heaven, but not bad enough for Hell? How do you deal with being stuck in the waiting room of the afterlife, whilst the gender-fluid almighty spirit above decides your fate?
BWW Review: HALF BREED, Soho TheatreSeptember 20, 2017Jazmin is different. In an area dominated by whiteness her mixed race complexion sticks out a mile off. Attempting to avoid the village's conventional route for teenagers, she applies to drama school in London. But why does she wish to leave a peaceful area for the busy and polluted capital?
BWW Review: TOPLESS: THE PATH TO EXTINCTION, Live At ZédelSeptember 18, 2017Seduction, sleaze and farce are just a few words to describe TOPLESS: The Path to Extinction. The mysterious night creatures GINGZILLA and Cazeleon hatched onto the East London night scene a few years ago, and are quickly rising as a favourite in the cabaret circuit both in the UK and internationally.
BWW Review: PRISM, Hampstead TheatreSeptember 15, 2017Jack Cardiff, OBE was a British cinematographer, director and photographer. His career lasted through many decades, spanning from the development of cinema, to silent film, and through to the experimentation of using Technicolor. His best-known work is his influential colour cinematography used by directors such as John Huston and Alfred Hitchcock. Cardiff's life is reviewed in Prism, playing at the Hampstead Theatre.
BWW Review: OUTLAWS TO IN-LAWS, King's Head TheatreSeptember 1, 2017An evening dedicated to the highs and lows of gay history, Outlaws to In-Laws takes a look at how men have interacted with one another over the past seven decades. Spanning from the Fifties to the present day, these seven short plays by seven different writers explore the choices that were made during times of prejudice and intolerance.