Bryony Rae Taylor - Page 3

The trains are packed with line learners and gorgeous clowns and the reviewers are sharpening their pencils. BWW readers are choosing shows so, performers, help them! And QUICKLY!

Performers... you're in a lift and you have 30-seconds to sell your show... GO, GO GO!

BroadwayWorld gives performers an opportunity to rep their show. The catch? Keeping it snappy... ready, steady... go!

BroadwayWorld chats with three members (Katie, Matilda, and Lydia) of the all-womxn sketch group Your Aunt Fanny from the Northeast of England ahead of their Edinburgh Fringe show.

What did our critic think of 300 Thoughts For Theatremakers: A Manifesto For The Twenty-First Century Theatremaker?

BroadwayWorld speaks to actor Richard Katz about his entrance into director Rebecca Frecknall’s thrilling version of Kander and Ebb's legendary musical, Cabaret. We chat about his extensive theatre CV and the excitement around going into a show that is already soaring.

Russell Lucas chats to BroadwayWorld about his unique perspective on theatre in the UK, his drive to write his new book, and the future of the term “theatremaker”.

Australian actor Daniel Monks (Pulse, Teenage Dick) discusses opening the long-awaited revival of The Seagull, penned by Anya Reiss and directed by Jamie Lloyd.

Gamble is a show about gambling addiction. Informed by Walker’s own experiences of being the partner of a gambling addict, the multi-media show marries glorious levels of glamour with the humbling testimonies of those who have had issues with gambling.

Grace Campbell's Why I'm Never Going into Politics is a mash-up of political anecdotes, infused with some MEGA gossip from Grace's childhood spent hanging out with the Blairs, Putins and Corbyns.

At the very least, Kai Samra's comedy hits home with how embarrassing the state of things are in Britain right now. From a council bin for sharp items - a futile attempt to lower knife crime - adorned with everyone's favourite everyman, the Cookie Monster, to the BEST fact, that Tommy Robinson once owned a tanning salon. 

Brian Friel's Translations, now nearly 40 years old, captures the best of humanity whilst avoiding even a teaspoon of sickly romanticism.

Sabrina Mahfouz has created a lecture/music gig about the history of water in the Middle East.

Shuck 'n' Jive, Cassiopeia Berkeley-Agyepong & Simone Ibbett-Brown's debut play, charts the journey through creating a piece of theatre that represents them as individuals, and not solely defined by the colour of their skin.

Lloyd Owen about what it's like to act in something where art, quite literally, imitates life: Noises Off at the Garrick Theatre.

Tragedy was Lorca'sdomain, and fabric of his plays are about the darkest parts of collective human behaviour. Yaël Farber's production at the Young Vic is unrelentingly harrowing, and utterly captivating.

Isobel Waller-Bridge discusses her approach to composition ahead of the opening of a new adaptation of Federico García Lorca's tragedy, Blood Wedding, at Young Vic.

BroadwayWorld talks to Anthony Calf about his role in Hedda Tesman at Chichester Festival Theatre.

Algorithms is a feel-good show, comic and gently moving. It's written by Sadie Clark who developed the play through the Soho Theatre's Writer's Lab.

Mary Higgins and Ell Potter interviewed women and trans people from the age of 11 to 97 about what gets them 'hot', and then made a wonderful verbatim piece of theatre.