Brent Englar

Rep Stage continues its 20th Anniversary season with a compelling production of J. M. Barrie's haunted drama.

Martin McDonagh's A BEHANDING IN SPOKANE offers cheap laughs and little else.

The 2012 Baltimore Playwrights Festival and Theatrical Mining Company present a new play by Kevin Kostic, set during the post-election riots of Kenya in 2007.

Rain Pryor, the new artistic director at Baltimore's Strand Theater, directs a moving production of Lisa Kron's WELL.

Glass Mind Theatre's third-annual short-play festival pairs playwrights with play settings submitted by audience members.

Baltimore is brewing some great summer theatre with productions Bent, Come Out and Say It, Following Sarah and Passport, the last two selections from the Baltimore Playwrights Festival.

Kwame Kwei-Armah directs his first play since becoming Center Stage's artistic director, an excellent production of Matthew Lopez's THE WHIPPING MAN.

Single Carrot Theatre presents a spectacularly inventive interpretation of Charles Mee's HOTEL CASSIOPEIA.

In Jacqueline E. Lawton's new play, BLOOD-BOUND AND TONGUE-TIED, the parallels to the tragedy of Oedipus co-exist awkwardly with a story about race and identity in 20th-century America.

Fells Point Corner Theatre produces an excellent production of Annie Baker's compelling play, CIRCLE MIRROR TRANSFORMATION.

In Glass Mind Theatre's ensemble-generated ADAPTING CINDERELLA, the magic of the story proves elusive.

At Fells Point Corner Theatre, Tina Howe's 1987 play, COASTAL DISTURBANCES, lacks nuance.

Bonnie Lee Moss Rattner's adaptation of Zora Neale Hurston's THEIR EYES WERE WATCHING GOD receives its third production-the first in nearly 25 years-at CENTERSTAGE.

Glass Mind Theater presents a solid production of Sarah Ford Gorman's still-gestating play, AND UNDERNEATH THE MOON.

The Red Branch Theatre Company concludes its season with a production of ONCE ON THIS ISLAND, a tuneful re-imagining of 'The Little Mermaid.'

The Chesapeake Shakespeare Company brings OUR TOWN to life in the ruins above Ellicott City.

Single Carrot Theatre opens its fifth season with Young Jean Lee's thought-provoking call to worship, CHURCH.

Baltimore's Glass Mind Theatre opens its second season with an enjoyable production of Stephen Adly Guirgis' intriguing play.

Rep Stage opens its 19th season with a production of Liz Duffy Adams' Restoration-style comedy, 'Or,', an unexpectedly moving play masquerading as farce.

The latest entry in the Baltimore Playwrights Festival, Nancy Murray's ASKING QUESTIONS, overcomes some curious choices to deliver an engaging evening of theatre.