Blair Howell's career is in the professional publishing arena (for more years than he cares to remember), with a longstanding interest in theater. He found it to be great fun to live in New Canaan, Connecticut, with easy access to the Great White Way. But now, Blair lives in Salt Lake City (a long, not interesting story). The much-lamented move has allowed him to be more active in regional theater. He has covered theater and the arts for the Deseret News, Utah's oldest, continuously published metro daily newspaper, and has written for various theater-related national magazines and websites.
Blair Howell is no longer a contributor to BroadwayWorld.com as of 12/3.
Utah Repertory Theater Company is excited to announce the cast and creative team for the final show in its fifth season, THE BRIDGES OF MADISON COUNTY. The first-in-state premiere staging of this award-winning musical runs Nov. 25-Dec. 10, 2017, in the Eccles Regent Street Black Box Theater.
The innovative HCTO takes a refreshing view of the statuesque piece of musical theater. HELLO, DOLLY! sparkles. Ashley Gardner Carlson understands the emotional drive behind the matchmaker character and relies on the material as written. She is a highly personable and naturally endearing Dolly.
STEEL PIER is irresistibly infectious. The University of Utah's fearless Theatre Department, the closest the state has to a conservatory actor-training program, entertainingly stages the regional premiere of this neglected John Kander and Fred Ebb musical.
Fifteen-year-old Christopher is the central character in THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, the winner of the 2015 Tony Award for Best Play receiving its regional premiere in a spectacular production by the Pioneer Theatre Company. Artistic Director Karen Azenberg proficiently stages the compelling show and guides the expert nine cast members playing 35 different roles.
SURELY GOODNESS AND MERCY is an engaging new light comedy with a agreeably subtle religious theme, expertly directed and staged by Salt Lake Acting Company.
Without a doubt, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT is Utah's most frequently performed musical. It's hard not to find one of the ubiquitous stagings, from high schools to large community theater companies all across the state. So the challenge is to make JOSEPH fresh and new when audiences are already familiar with the sight gags and punchlines before entering the theater, if not also all the lyrics to each of the songs.
Kacey Spadafora firmly believes in contemporary, innovative theater. And he's selected perhaps the most conservative county in the deeply red state of Utah to begin a bold theater county.
With its guests soloists, the Mormon Tabernacle Choir has sung everything from Broadway ballads to African-American spirituals, and from the Great American Songbook and opera to Swedish folk music.
SLAC's HAND TO GOD Is Raucous, Irreligious, and It's a Must-See
While nearly every Broadway show receives a developmental workshop in New York or Los Angeles, the creative team for one show with Broadway aspirations has selected an unusual city for this step in the development process.
Before A STREETCAR NAMED DESIRE, CAT ON A HOT TIN ROOF, and SWEET BIRD OF YOUTH, Tennessee Williams wrote his most autobiographical play, THE GLASS MENAGERIE.
While LITTLE SHOP OF HORRORS is a charming, kooky and hilarious musical cult classic about a man-eating plant from outer space, Brandon Stauffer sees the show a little bit differently.
After closing last season with the first professional production of composer Frank Wildhorn's THE COUNT OF MONTE CRISTO, Pioneer Theatre Company opens its new season with the regional premiere of a recent major Broadway show. And it's a major achievement for the company, another spotlight on PTC's excellence.
'Go, go, go, Joseph, you know what they say / Hang on now, Joseph, you'll make it one day / Go, go, go, Joseph.'
Utah Repertory Theater Company announces its production of 'A Little Night Music,' masterful composer Stephen Sondheim's unabashedly romantic musical drama.
The retail stores are 'just like any other mall, except for the total lack of customers or employees,' we're told near the beginning of 'Buyer & Cellar,' a delightful one-man show staged by PYGmalion Productions.
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