Barry Lenny - Page 49

I, for one, will be keeping an eye open in the near future, eager to see the next moves that these five will make.

Three guest soloists were invited by Alastair Kerr, musical director Panorama do Brasil.

Tex Perkins And The Dark Horses neatly and casually led their audience through some laid back and understated songs.

Harper Clements looks back over her forty years, working in the White House.

Frisky and Mannish are no strangers to Adelaide audiences, and their many fans turned out in force.

Meow Meow, once again, had the audience in the palm of her hand from first to last.

Jacqui Dark and Kanen Breen, accompanied, or perhaps that should be aided and abetted, by their musical director, Daryl Wallis, at the piano are the Strange Bedfellows.

Every concert has new aspects, new joys, and new stories, and so did this one.

Rooted in Weimar era German Kabarett, with touches of Dadaism evident, My Vagabond Boat is about loss, enforced travel, and seeking new lives.

It is nigh on impossible to resist a tap show, and so The Tap Pack just had to be on my list.

The packed audience showed their appreciation with continuous bursts of applause and laughter.

The Goodbye Girl, is the 1993 musical based on the film from 1977, with a book by Neil Simon, music by Marvin Hamlish, and lyrics by David Zippel

The performance spanned the decades, with so many landmark songs marking the way.

The marvellous Opening Night Gala Performance, like the whole Cabaret Fringe, has found audiences continually increasing. Even this much larger venue was sold out.

The original production received critical acclaim but, by comparison, this production makes that one look rather tame.

The Moon is in love with the Sun and sends her servant, Jack Hare, to deliver her message of love, but he is not the most reliable of creatures.

Fittingly, for the first Unseen Theatre Company production since Sir Terry Pratchett's death, Small Gods shows us one of his darker pieces.

Anybody who enjoys full throated singing, and a swirling orchestral backing, would have been as a delighted as I was.

In an intense hour we meet two damaged and dysfunctional young people, Chloe and Chris, the 'odd boy', as she describes him.

The songs in this show are not based on the poems, they are the poems, word for word.